OTHERWISE KNOWN AS JUDY THE GREAT: A Poetic Ode to Judy Blume

CHRISTY OTTAVIANO BOOKS, 20026

 There are countless authors of books for kids, picture books and otherwise, that adults are unaware of. parents and others may recognize the titles of some classics (GOODNIGHT MOON comes to mind, or BROWN BEAR BROWN BEAR), but relatively few adult readers of these books could recall their authors' names. 

But mention the name JUDY BLUME and the percentage of adult recognition skyrockets. Many of those "lightbulb" recognizers will rattle off one or more of Blume's titles that really mattered: to themselves, to their kids, and even to current generations.

Sadly, JUDY BLUME was not yet writing books when i was looking for strories  as a kid. In fact, she was growing up, as I was, in a world that did not offer kids much in the way of current interesting releases. Even Beverly Cleary was barely getting started. 

That, in fact, is partly why she grew up to WRITE books that reflected REAL kids, REAL concerns, and stories that felt like readers' REAL lives. The good news is that those JUDY BLUME books were coming out while I taught reading and literacy with students across many ages. They and I came to know and love her titles. 

NONE of her books were picture books, although she did expand her portfolio to write young adult/teen titles and novels for adult readers.I'm excited to share a picture book poetry biography of JUDY BLUME now, since April is poetry month, and every day is JUDY BLUME Respect Day! (I made that last one up!)

OTHERWISE KNOWN AS JUDY THE GREAT: A POETIC ODE TO JUDY BLUME is written and illustrated by Selina Alko. The award-winning author-illustrator uses a series of poems in different forms to reveal Judy's life, focusing strongly on her early years and family life. Readers find that Judy's close knit family provided safety and security, but it also led her to trying to do things right and BE a good girl,  LITTLE. MISS. PERFECT. Her brother's frequent pranks and boundary-pushing made Judy's self-imposed pressure even greater.

The mid-century life she led is presented on the page with mid-toned, colorful art, offering a sense of warmth and happiness. The illustrations also include collage-effect, scrap-book-style sections of text passages, assembled symbols of her life, and detailed items related to underlying concerns Judy felt as a child. Her "bargaining with God" to achieve a longed-for adventurous life, to help her brother recover from illness, or even to end the war (WORLD WAR II) came back in ARE YOU THERE GOD? IT'S ME, MARGARET. Each poem reveals not only Judy's complex growth and imagination, but also the issues that she later explored in her novels for young readers. 

Many of the poems are titled to convey reminders of specific books she wrote as a mother of two (a boy and a girl). These were stories she wished for in her now childhood, ones she saw her children longing to read. The books she wrote allowed young readers to navigate their own lives, to pursue and contemplate truths. A Judy Blume timeline clarifies content from the poems, paired with a few family photos. Selina Alko's extensive note in back matter reveals the extensive research she did into an author she loved. She lists multiple connections with Judy: being Jewish, loving ALICE IN WONDERLAND and NANCY DREW books, and seeking answers to questions that life presented. Judy's books are frequently listed as BANNED, and Judy continues to work against censorship. 

There are individual poems that can spark lively conversation, but taken as a whole this is biographic journey through the young experiences that fueled an American author everyone should know. The references and further readings in back matter are a great resource, but a doubt they capture and convey JUDY as well as this picture book does. 

More Alike Than Different: Poems of Friendship

April is Poetry Month. I celebrated the launch of the 2018 Poetry Season with a post about H IS FOR HAIKU, HERE, which was a collaboration of sorts between mother (author) and daughter (advocate). 

It's fitting to follow that with a co-authored, co-illustrated collection of poems that I first read while evaluating books for the CYBILS awards for poetry. CAN I TOUCH YOUR HAIR? POEMS OF RACE, MISTAKES, AND FRIENDSHIP was a hot contender, in my opinion. Authors Irene Latham and Charles Waters met "virtually" through their mutual love of poetry. Editor Carol Hinz of Carolrhoda Books proposed their collaboration on this project and it was an inspired choice. Illustrators Sean Qualls and Selina Alko completed this multi-racial, honest, and open exploration of the childhood perceptions, misconceptions and relationships.

I expected to enjoy this, but it far exceeded those expectations. The simplicity and directness from each of the two voices allowed me to slide right into their respective identities, into their school and home relationships, into the gradual shifts of their interactions from anxious concern to naturally developing mutual respect and friendship. 
The dialogic poems, simple but helpful illustrations, and discreet details from the two lives and points of view offer readers of any age an open door to reflect on privilege and unrecognized bias. 
The free verse poems and topics developed provide effective mentor text and present subtle character development from which young writers can learn to "show, don't tell" in their own writing.

Read the Kirkus starred review, HERE, to see why this is a book for today, for Poetry Month, for EVERY month, and for years to come.

The Case For Loving: Supreme Court Decisions Matter

While serving as a first round panelist for Cybils nonfiction earlier this winter, I read and posted some notes about THE FIRST STEP: How One Girl Put Segregation on Trial, written by Susan E. Goodman and illustrated by E. B. Lewis. (Read it HERE.)

As Goodman so adeptly points out, within the text and in the back matter, the court loss described was, in fact, a gain. By laying the foundation for future cases and eventual successes, civil rights cases culminated in the landmark BROWN vs. BOARD OF EDUCATION ruling in 1954-55.
Labeling that last ruling as landmark is not meant to suggest it succeeded in ending segregation and discrimination in education. Nor was that the last case the Supreme Court would face regarding Constitutional protections for civil rights. Far from it. But it, too, was another step, a giant one, in the continuing process of opening hearts and minds to the reality that the only race that matters is the human race. 

Arthur A. Levine Books, 2015

The same is true for the Supreme Court ruling described in The Case for Loving:

The Fight for Interracial Marriage, written by Selina Alko and illustrated by Sean Qualls and Selina Alko. Although this simple picture book portrays an adult issue (confirming the constitutional right to interracial marriage), the narration and illustration combine to make it a kid-friendly, empathetic experience for even the very young. 

(A 2016 film depicts an adult version of the true story of Richard Loving and Mildred Jeter . See a Movie trailer on YouTube, HERE.)

At its core, this compelling and dramatic story is  about family. Alko focuses on the human desire (and right) of all people to pursue happiness through marriage and raising a family, freely and safely, anywhere in our country. From the cover, through the end pages, and winding across every spread, iconic images of happiness and love (hearts, flowers, birds and music) combine with active children engaging in familiar family situations to depict real people living real lives. The illustrations adopt a folkart approach with colorful collage, paint, and stamp art, presenting a child-like take on a mature story. Kids "get" this, they rebel against the injustice, cheer for the strength and validity of of the court challenge, and revel in the eventual victory.

An equally valuable use for this book will be with older readers. It's an ideal way to introduce an immediate experience with the mid-twentieth-century "legal" manipulations and maneuvers that sustained Jim Crow laws for more than a century beyond the emancipation of enslaved people. The inimitable Diane Rehm conducts an outstanding program on the topic of Jim Crow laws, providing voice to several points of view in an interview, here. Another resource to share is the NPR program that examined the official Congressional apology for slavery and Jim Crow laws from the summer of 2008, here. In each case, both the transcript and the recordings are available to allow for careful discussion and review. 

A rude awakening to the reality of those years can be explored by researching the NEGRO MOTORIST GREEN BOOK, an annually updated resource for anyone of color traveling south during the many decades of segregation and unchecked activity by the Klu Klux Klan. This article in Smithsonian Magazine details the origins and need for THE GREEN BOOK.

Carllrhoda Books, 2010

Those sophisticated investigations, though, can be translated to the heart by another picture book, RUTH AND THE GREEN BOOK, written  by Calvin A. Ramsey and Illustrated by Floyd Cooper. In this case, as in Alko's and Goodman's books, the immediacy of individual lives and  the relatable illustrations evoke personal and visceral responses from readers of any age. In each book the back pages provide further insights and explorations from the authors and offers resources for further exploration and research on the topics and characters portrayed. Now, more than ever, providing young people with the facts of our own history and the ease with which individual liberties were distorted and restricted is essential. Actually, it's not a bad time fro adults to review these stories and resources.

(For more on the Supreme Court, check this recent post about Deby Levy's I DISSENT: Ruth bader Ginsberg Makes Her Mark.)