May 8, 2026

CARTER HIGGINS: A Big Deal in Little Books

If you've never read (or realized that you've read) picture books by CARTER HIGGINS, allow me to introduce you. If you don't click on her name now to learn more about her and her books, please do so once you reach the bottom of the page. I've followed blog posts by Carter for years. Working with books as a librarian was her career and her personal delight, always with an uncanny ability to see in the best of them (in the images especially) the depth of ideas and intricacies of detail and meaning that could be found and shared with young audiences. Nuance and discovery were traits of her book reviews and explorations and I learned a great deal by reading her thoughts.

In time, she was immersed enough in the world of picture books to write her own. In her many  amazing books she has been paired with stellar illustrators who rose to the high bar of her language and concepts. Her books show how thoroughly she absorbed and learned from the best examples of others that she often celebrated in her blog posts. Please explore her website to see examples of her work and confirm them as evidence for my praise. 

CHRONICLE BOOKS, 2022

One particular title is a seemingly small work that is in fact quite complex and rich. BIG AND SMALL AND IN-BETWEEN is written by Carter Higgins and Daniel Miyares. It includes a few complex interactive paper folds and gatefold features, but the words and art merit long pauses and appreciation at each page turn. The concepts of big, small, and in-between represent sections within the book, each followed by multiple spreads of examples. These range from literally-sized references, to emotionally evocative ones (BIG is the donut that your brother has because he got to it before you could!), to imagined ones, challenging ones, and figurative ones.

 Each experience in each grouping combines with simple but evocative language ("a boat below the sky and above the swell" with illustrations that expand the concepts and entice further inspection of the many ways in which things like in-between-ness can be noticed and appreciated. The cover art and end papers invite scrutiny, too, offering rich opportunities for close inspection and discussion of discoveries.

The "concept spreads" offer an enjoyable read-through and discussion of comparative size, value, impact, etc. They also welcome discussions of emotions and reactions. We sometimes describe little ones who struggle for self-regulation as having BIG FEELINGS, and yet, don't we all?  Even the most accommodating child (or adult) likely feels deeply and strongly about many things, but has managed those feelings, wrestling them into levels of expression that won't "make waves". A book like this, one with such gentle and delightful language and color, can be dipped-into a page at a time. It  is a priceless tool for folks to find themselves within. It invites discussion and encouragement, acceptance of BIG FEELINGS even among those who try so hard to deny or suppress them.

Finding a way to describe just "what kind" of a book this is can be a challenge. It is not as literal as a few concept books Carter has created, including her numerous board books and interactive books. This has several of those qualities, including the durable construction and smaller square trim size. But it has even more pages than a typical 32 page picture book, far more than an eight- or sixteen-page board book. The labeled concepts of size are much more ambiguous or internal, still aimed at readers of any age but inviting longer, lingering consideration.

I urge you to spend similar reflections time exploring her website. She offers activities related to her books for those focusing on early language and concept development. In case you didn't click on CARTER HIGGINS above, do it now!

May 5, 2026

MUD TO THE RESCUE! Nonfiction At Its MUDDIEST!

WEB OF LIFE BOOKS, 2025


Take a "down and dirty" look at a delightful and informative new nonfiction picture book. This is a little book with a jumbo title. It presents a seriously important but basic concept in the subtitle:  MUD TO THE RESCUE: How Animals Use Mud To Thrive and Survive. This recent book is written by Tanya Konerman and illustrated by Melanie Cataldo. The boisterous cover illustration suggests a use of mud that we've likely all clicked on as elephants  rollick and romp in mud. 

It's not all fun and games, as this lyrically written, fact-packed book shares with even the youngest audiences. The illustrations range from lively (as the cover) to sleepy (as in hibernating critters) to lounging, as both elephants and hippos are shown to do in those irresistible reels. The text and images reveal that the function of mud ranges from comical to life-saving, with little splashes of informative facts on most pages: 

"Biting bugs are bothersome... ouch!

A nice layer of mud blocks pests and parasites that itch or make elephants and hippos sick."

Mud's role in animal lives (and survival and reproduction) includes being the essential material for nesting (not only for birds!), for home building, for dietary supplement and digestion, and more. These simply-stated nuggets of animal info are kid-sized, in main text and in the "bonus blotch" insets  offered throughout. Back matter provides a simple two-page spread that names each animal discussed followed by a few sentences describing the ways that mud plays an essential role in the lives each creature.

In our part of the world this is the rainy season and plenty of places are getting more rain than they's like, or worse. Even so, after reading this book I'll be looking at mud puddles with a smile from now on. 








May 1, 2026

WHO HID THE STARS: HOW LIGHT POLLUTION CHANGES THE WORLD

 I wrote about the lovely and lyrical picture book, LIGHTS OUT, when it released in 2020. I hope you'll take a moment to click on that link and read about this remarkably powerful and gently persuasive book. It takes a creative approach to the animals' struggles when light pollution disrupts countless generations of evolutionary adaptations. I highly recommend that title and think of it often, especially during the two seasonal bird migration periods in Spring and Fall. 

If you are reading this as it posts live, you are smack in the midst of a several-week migration of birds from the southern regions to the north. Some birds travel established migration patterns for hundreds of miles, and others whose flyways cross thousands of miles. Science is studying but still has much to learn regarding how those paths remain so predictably consistent, how birds navigate them. Many are birds who have never traveled those paths. What we can do to learn from them, about how they do it, matters. In the meantime, everyone is certain that most birds include moonlight and starlight (yes, stars are used in some sort of magnetic compass orientation) so that LIGHT, of the natural sort, is essential to their success. 

    

EERDMANS BOOKS for Young Readers, 2026


WHO HID THE STARS: How Light Pollution Changes our World is written by Valentina Gottardi, Macie J. Michno, and illustrated by Danio Miserocchi. The translation by Sylvia Notini is masterful in capturing the complex text with a fluency and clarity that serves the authors well. This is a thorough examination of the impact of light pollution not only on birds but on water life, plant life, insects, communication among members of species, and many light's impacts that we directly observe (road kill, bugs zappers, and more) on a daily basis.

A Kirkus review calls the illustration "razzle-dazzle art", and I concur. The back matter and embedded-in-text suggestions for ways to modify our human activities allow young people not only to change their own habits but to become advocates for protection of the night skies. 

To learn more about light pollution, check out 

DARK SKY INTERNATIONAL.














Apr 28, 2026

OTHERWISE KNOWN AS JUDY THE GREAT: A Poetic Ode to Judy Blume

CHRISTY OTTAVIANO BOOKS, 20026

 There are countless authors of books for kids, picture books and otherwise, that adults are unaware of. parents and others may recognize the titles of some classics (GOODNIGHT MOON comes to mind, or BROWN BEAR BROWN BEAR), but relatively few adult readers of these books could recall their authors' names. 

But mention the name JUDY BLUME and the percentage of adult recognition skyrockets. Many of those "lightbulb" recognizers will rattle off one or more of Blume's titles that really mattered: to themselves, to their kids, and even to current generations.

Sadly, JUDY BLUME was not yet writing books when i was looking for strories  as a kid. In fact, she was growing up, as I was, in a world that did not offer kids much in the way of current interesting releases. Even Beverly Cleary was barely getting started. 

That, in fact, is partly why she grew up to WRITE books that reflected REAL kids, REAL concerns, and stories that felt like readers' REAL lives. The good news is that those JUDY BLUME books were coming out while I taught reading and literacy with students across many ages. They and I came to know and love her titles. 

NONE of her books were picture books, although she did expand her portfolio to write young adult/teen titles and novels for adult readers.I'm excited to share a picture book poetry biography of JUDY BLUME now, since April is poetry month, and every day is JUDY BLUME Respect Day! (I made that last one up!)


OTHERWISE KNOWN AS JUDY THE GREAT: A POETIC ODE TO JUDY BLUME
is written and illustrated by Selina Alko. The award-winning author-illustrator uses a series of poems in different forms to reveal Judy's life, focusing strongly on her early years and family life. Readers find that Judy's close knit family provided safety and security, but it also led her to trying to do things right and BE a good girl,  LITTLE. MISS. PERFECT. Her brother's frequent pranks and boundary-pushing made Judy's self-imposed pressure even greater.

The mid-century life she led is presented on the page with mid-toned, colorful art, offering a sense of warmth and happiness. The illustrations also include collage-effect, scrap-book-style sections of text passages, assembled symbols of her life, and detailed items related to underlying concerns Judy felt as a child. Her "bargaining with God" to achieve a longed-for adventurous life, to help her brother recover from illness, or even to end the war (WORLD WAR II) came back in ARE YOU THERE GOD? IT'S ME, MARGARET. Each poem reveals not only Judy's complex growth and imagination, but also the issues that she later explored in her novels for young readers. 

Many of the poems are titled to convey reminders of specific books she wrote as a mother of two (a boy and a girl). These were stories she wished for in her now childhood, ones she saw her children longing to read. The books she wrote allowed young readers to navigate their own lives, to pursue and contemplate truths. A Judy Blume timeline clarifies content from the poems, paired with a few family photos. Selina Alko's extensive note in back matter reveals the extensive research she did into an author she loved. She lists multiple connections with Judy: being Jewish, loving ALICE IN WONDERLAND and NANCY DREW books, and seeking answers to questions that life presented. Judy's books are frequently listed as BANNED, and Judy continues to work against censorship. 

There are individual poems that can spark lively conversation, but taken as a whole this is biographic journey through the young experiences that fueled an American author everyone should know. The references and further readings in back matter are a great resource, but a doubt they capture and convey JUDY as well as this picture book does. 




Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.