Showing posts with label LISA ROGERS. Show all posts
Showing posts with label LISA ROGERS. Show all posts

Jul 10, 2026

WOODY'S WORDS: Remember WHERE THE RED FERN GROWS?

 The author of that timeless novel for young readers was Woodrow Wilson Rawls, the "Woody" in the title of this picture book. WOODY'S WORDS: Woodrow Wilson Rawls and WHERE THE RED FERN RED FERN GROWS is a biography of the author, but also a celebration of the power of reading and writing. Actually, the focus is on a boy-grown-to-man and his drive to tell stories. Reading books changed his young life, and he vowed, "I don't care how long it takes me or what I have to do. Someday I will write a book, and it will have a dog in it." That powerful quotation appears on the title page in this picture book written by Lisa Rogers and illustrated by Susan Reagan. 

CALKINS CREEK BOOKS, 2025



I can hardly imagine that anyone raised in this country has not read (or heard aloud, or watched on film) WHERE THE RED FERN GROWS. It is, indeed, a book, and it does, most certainly, center on a dog ands a boy. Woody's ancestors were Cherokee, and he grew up on family land assigned to those ancestors when they were relocated from their own territories. 

His education was at his mother's knee, and not only in simple reading and writing and arithmetic. When she first read a novel aloud to him, (The Call of the Wild) it transformed his sense of purpose. The simple and accessible narrative text  in this biography reveals Woody's deep engagement in rereading that book and then in writing and rewriting the world as he lived it, even when his available tools were limited to scratching words into soft mud with the point of a stick. For anyone who says it takes time and patience to become the kind of writer and storyteller who can win hearts, they could have been speaking about Woody.

Woody grew up in hard times and spent many young (and later) years bumming from town to town, from jail cell to jail cell, suffering from a lack of food or money but never lacking a good heart. No matter where or in what conditions he found himself, the stories moved through his mind and onto the page, even when those pages were soiled paper bags. He kept his attempts for many years, until he met and married.

He was so ashamed of what he considered his poor efforts that he burned all of the saved writings rather than show them to the woman he loved. After eventually confessing his need and desire to write a book, Sophie worked with him, correcting spelling and polishing some sentences. That finally-ready manuscript became a book, and he wanted people to read it. In his folksy, plain-spoken way, he visited schools and libraries and met readers where they were. Once he talked about his youth and his effort (over forty years) to produce a story of a boy, his dog, and life in the country, readers sought out his book and joined him in the story.

The account of Woody and Sophie and their eventual success is both heartwarming and inspiring. Back matter provides more details, as well as photographs of  moments before and after his book became an all-time success.  His next book, SUMMER OF THE MONKEYS, also featured a boy and his dog. Both books sold millions of copies.  Multiple pages of resources and research references attest to the depth of story-searching by Rogers. The illustrator's colors, sweeps of landscape, and suggestions of struggle have captured an authentic sense of rural life in the era and the yearning within a boy/man who had  something to say. It was clear with every word and image that Woody felt inadequate as a writer, but never gave up on his dream to share his stories in a way that made them last. 

Rogers wrote a dedication that hints at how moved she was by the storytelling drive of Rawls: 

"For those who have stories to tell and the librarians who celebrate them" then named several important librarians from her own life.

The structure of this narrative and account of Rawls's life holds no surprises, but the direct and simple language and sequential revelations of his persistence and outreach are best suited to this simple and plainspoken man. It mirrors the steady pace of his personal journey and the glowing satisfaction of his eventual success. 

WHERE THE RED FERN GROWS has been a part of my literary life, but now Woody brings me back to reread it and to wonder at his determination and at the satisfaction he was finally able to achieve. 

Apr 22, 2025

A Pair of Poets: Mary Oliver and William Carlos Williams Biographies

 Mary Oliver is among the most beloved of poets in America, and throughout the English-speaking world. 

Countless lines from Oliver's poems are recognizable, quotable, remembered without being actively memorized. 

Example:

“Tell me, what is it you plan to do

with your one wild and precious life?”

― Mary Oliver

BEACHLANE BOOK, 2025

Yes, THAT Mary Oliver is the subject of an appealing new picture book biography. WOODS & WORDS: The Story of Mary Oliver is written by Sara Holly Ackerman and illustrated by Naoko Stoop.  Her troubled early life is stated as fact without elaboration, providing an effective connection to many readers who will, on their own terms, imagine their troubles as hers and find her example offers paths to  solace. 

Mary escaped her pain in the woods, in the wild, from early on. Childhood patterns continued throughout her life- carrying a small notebook in a back pocket, stashing a bundle of pencils in small tree cavities along her regular paths. Always noticing, always identifying with and learning from the natural world.

The ensuing years as an adult reflect her ongoing bond with nature, with quiet, with reflection and observation. This is  a well-paced non-fiction account of her life, yet it offers readers of any age a roadmap to inner pursuits and validation, of taking ourselves to our own places of peace. 

The narrative provides specific details of her locations, of her natural observations, of her personal and professional pursuits. it also offers side text, strings of words related to the things she notices, the kinds of thoughts and words she inserted in her notebooks that later became building blocks for poems. Her writing, despite winning international awards, was not always seen as "good enough" by traditional editors. But Mary persisted, following her inner compass. She insisted that poetry and the natural world were necessary partners. She found fans who soon tucked her poems into pockets and squirreled away favorite lines. 

A brief author note provides added details of her life and awards, but the treasure in this book is the main text and illustrations. Natural tones, fluid statements, combining as naturally as ocean and beach, without artifice. Readers will not only learn information about Mary Oliver but will sense a kindred spirit in a poet whose life and words fit like a familiar glove. 

Schwartz & Wade, 2019


Another biography of a poet is a favorite picturebook of mine, although not a recent release. It sprang to mind as soon as I read WOODS & WORDS. 

16 WORDS: William Carlos Williams & "The Red Wheelbarrow" is written by Lisa Rogers and illustrated by Chuck Groenink

This award-winning book profiles William Carlos Williams, another poet who noticed the world. But his was the everyday world of his home and community that captured his vision, corralled his thoughts. Williams was the local doctor, serving a small community of people who were his neighbors in the best sense of the word. Through the window of his home0-based practice or during walks to and from home visits, details called to him. Things like the red wheelbarrow, the plums in a dish in the fridge, cats, trees, people. Williams chose his words as carefully as he chose prescriptions or treatments, making sure each was the perfect fit. Like Mary, he often scratched down words and ideas as they occurred, returning to them later to develop a poem of even a few lines, one that captured everything he had seen and felt in the moment. 

Both books use soft-edged illustration styles, in natural tones and media, with views from varied perspectives, any of which a reader might have similarly experienced. Each engages with brief narrative that is not so much poetic as it is lyrical and direct. Both made me want to go back to the bodies of work and reread, reconsider every poem, every line.

Both are books i highly recommend, as well as the works of the poets.











Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.