Showing posts with label Jory John. Show all posts
Showing posts with label Jory John. Show all posts

May 13, 2025

Laughter- the Hook for Young Readers

 Two utterly appealing humorous picture books take the spotlight in this post. 

Why? Because Laughter is the best balm for anyone, any age.

I encountered both in other (separate) reviews over time, requested them from my library, and then read each, over and over. My feeling is that young audiences will do the same. In fact, little ones request repeated readings with many of their favorite books. It can even strain the patience of the adult reader/lap provider. 

Side note: I know of at least one mom who learned that she was pregnant "again" and insisted to her husband that he promise to be the reader-on-demand for BROWN BEAR, BROWN BEAR (Erik  Carle) with their new addition because she couldn't face it one more time! That is not a reflection on the book. Requests for repetition are the highest praise, yet do not always sustain the interest of the adult, especially after several children work their way through toddler years. In the case of these two titles, there is much to offer to those adult readers, even after dozens of repeats. 

Gecko Press, 2024
 
The first is a board book, but it's far from being a simple naming or concept book. CAN I SIT IN THE MIDDLE? is written and illustrated by Susanne Strasser. Many books for these audiences repeat basic words in various lines to allow for the little ones to read along, develop early sight word recognition, a sense of letter sounds, and actually be able to self-tell the story using picture prompts, on their own.

That's actually a valued practice, a mark of potential success. Even so, such utterly predictable patterning can engage young audiences while leading to adult bargains such as the one noted above. 

In this case, the layers of legitimate plot and the potential for predictability without guarantee lead to laughter and loads of lively conversation. The struggle to "get on with it" as interruption after interruption in an attempt to share a story on the couch will resonate with the littles and the adult readers. The quirky incongruity of these particular animals being at the home and expecting a story, let alone speaking and acting like humans, is a winner from cover to closing page. The use of "child" and animal words includes upper case letters in sentences in which the character is speaking or rearranging things, but resumes lower case as the sequencing/listing sentences occur. In fact, that kind of detail is only one of many ways in which those repeated readings can each lead a step closer to literacy acquisition. Due to the countless adjustments needed, the sequence of seating, on and around the couch, the child, and the book, is continually changing, and the animal words follow the visuals. 

In addition, those sequences are consistently left-to-right, with encouragement to name the animals in sequence AND READ their words using initial sounds. The premise itself is both highly familiar and absurdly comical, including the evident but subtle attitudes of each animal, as revealed in eyes, body positions, and relationship to each other. These provide a wealth of laughable and lovable conversation opportunities, page after page. Just as there have been enough page turns to invite potentially correct guesses about the "next" visitor, those under-the-couch-slippers (that have been eyeing the antics) instigate the least expected of events. 

I won't say more, but this really is a book with depth and delight, one that invites not only re-readings but one that might serve for launching a parallel pattern of storytelling nonsense based on routines. Don't miss it!

HARPER, 2015


Next up is a comical, oversized picture book created by the team of Jory John and Benji Davies, GOODNIGHT, ALREADY!  Note that medallion seal on the cover which designates it as an E. B. White Read Aloud honor title

In this case, two unlikely animals engage with each other: The entire text is in quoted dialogue without attributions, but placement of text on the page makes it clear which is talking, and they address each other as Bear and Duck. The oversized physicality of the book emphasizes Bear's massive presence in comparison to neighbor Duck. Bear is clearly ready to snooze, or more than ready. But Duck has never been more wide awake!

Thus, the conflict begins. Not because a duck is such an unlikely friend/neighbor of bear, but because they are revealed as good neighbors and friends with conflicting needs. As in the book above, the interaction feels warmly similar to circumstances in our human lives, despite the incongruous characters who are portraying their struggles. Again, the visual details and emotions are elaborated through illustration, including those eyes, body posture and positions, and orientations to each other. That read-aloud honor comes through clearly from the very first read. It would approach criminality if the adult reader failed to adopt distinctive voices for each. Give it a try that way and then eavesdrop on little ones as they do their own spontaneous "reading"  of the book on their own. Their voices will be as funny as the original work is. 

A future post, coming soon, is another that celebrates humor and delights with surprises. Stay tuned, and recommend other laughable titles in comments if you care to! If you are looking for even more, I've reviewed many humorous picture books in prior posts. Some have humor arises in fully realistic situations, but others rely on an aspect of absurdity, HERE, HERE, and HERE. Or simply type HUMOR in the search window one in the side bar.>>>> Enjoy!







Jun 21, 2023

What's Wrong? Nothing! Well, Maybe Something!

 Books can be "stand-alones", sequels, companion books, trilogies, or series. In this case let's just call these a "pair" of picture books that will have kids giggling and asking you to read them again and again. Created by the same pair, author Jory John with illustrations by Erin Kraan, these characters/settings are likely to find themselves in future woodland animal adventures, complete with appealing subtitles. 

Farrar, Strauss, Giroux  2021

First came SOMETHING'S WRONG! A Bear, A Hare, and Some Underwear. The premise in this case (and the next) is simple. A sweet but ordinary moment happens while the character is safely at home. This alone is somewhat laughable, but as the story unfolds a persistent state of denial becomes the source of humor. Those increasingly insistent situations are giggle-worthy for even the youngest through illustrations, but will be elevated by an effective adult reader of the text. (Use those character voices, Big People!) This bear, stars in both books, has a significantly recognizable capacity to rationalize, explain, divert attention, and otherwise avoid admitting the truth. 

Kids a bit older than toddlers will recognize the futility and fun in this string of verbal efforts, while recognizing themselves in similar situations.This first book launches with the unlikely but surprisingly sweet JEFF the bear reciting his morning routines, with the added note that he had tried on his grandma's recent gift. From the cover you'll guess that this was a pair of "tidy whities", which his sleepy-bear self forgot to remove. Despite the feeling that something is wrong, Jeff heads out. When friends note this and try, tactfully, to ask if anything is wrong that day, Jeff insists  that everything is fine. His hare friend, ANDERS, is honest enough to speak directly about this situation, then takes the lead to avoid JEFF being teased by the other wood critters. 

Farrar, Strauss, Giroux, 2023

It's no surprise when the next title features these two friends as stars of NOTHING'S WRONG! A Hare, A Bear, and Some Pie to Share. In this case, though, Anders begins at home, making a surprise apple pie for their picnic using Grandma's best recipe. When the perfect pie, cooling on the window sill, is ruined by a storm, Anders hates to admit the truth. He tries denial. Along the way, with a silly make-up mix of foods stuffed in a yarn basket, JEFF senses something is wrong with Anders, using his Bear-bounty of verbal attempts to make everything all right. 

Kids of any age, but especially in this early age  group, struggle with admitting mistakes, acknowledging confusion, or feeling embarrassed. These feelings can result in what adults readily label "lying", when in fact it is a developing mind in full-blown denial, creating a truth they cling to, avoiding those uncomfortable feelings. That denial, the longer it goes, becomes more and more entrenched. A good friend (or caregiver, teacher, parent, or sibling) may step in and provide a bridge to get past the pain of such misery. These two books are great examples of such kindnesses, and also open the door to discussions of the feelings themselves.

This newer title, too, has an eventual happy ending that involves the woodland population of critters as a large group of friends. And, of course, PIE. Nothing's sweeter than that. Except, perhaps, the illustrations. Kraan has produced a cast of characters with the comic qualities of exaggerated physical features, especially expressive eyes, with gentle-toned spreads featuring limited black line and accent colors to draw the eye to the emotional state of the players. The backgrounds and some other stretches of pattern incorporate what might be assumed to be digital stamps but were produced with linocut prints and woodcuts, assembled digitally. The soft-edges of those compiled scenes add to the effectiveness of occasional art-created text, with texturized and blur-softened art where font appears, and adding depth to such elements as fur and shadow.

The success of both talented creators is no surprise, and might limit the number of new titles for this pair of characters in new situations, but young readers will be rooting for Anders and Jeff and their crew to star together in future picture books. 






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Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.