Showing posts with label Autism spectrum. Show all posts
Showing posts with label Autism spectrum. Show all posts

Mar 26, 2024

CLAP for this Sensation: FLAP YOUR HANDS!

Lee & Low Books, 2024

 Take a quick look at the jacket cover of this new picture book, then take a closer look. What struck me first was the celebratory elements, ranging from the bright white background to the vibrant strokes in those waves of colorful rainbow swirls, forming an infinity symbol behind those luminous faces.  Throughout, diverse ages, backgrounds, and actions are revealed, emphasizing the "infinity" of folks for whom this book is meant. Flip the book over to the back jacket to find even more of that jubilant imagery and energy. FLAP YOUR HANDS: A Celebration of Stimming, is written and illustrated by Steve Asbell. I can't thank him enough. You might want to do that, too, once you've read it and shared it, especially with parents, kids, and teachers. 

The title page reveals the symbolic meaning of those colorful waves of life, suggesting active, engaged, and interacting hands. Hands that are not being stilled or scolded. In fact, the subtitle makes it clear that this is a direct address to what we ALL see, in youth and sometimes adults: "STIMMING". Despite the positivity and association of those images to get us onto the first double-page spread, the opening launches readers into what can be, for some, harsh and challenging situations that they encounter in everyday life. The text does not shy away from harshness. Words like "overwhelmed" and "too much to bear" are followed by another spread of the feelings these generate- "bubbling over", edging out of control. The distress builds quickly, but a visual hint of responses is provided along with the word "stim", a verb you may not know, but should. 

On the very next page-turn, that colorful swirl background fills the page, where thoughtful but mildly distressed eyes begin to refocus on their own fingers tickling the visual, stimulus-rich field before those eyes to reframe as sparkling lights. With each page after, the spreads immerse  young people within a scene that suggests sounds, lights, activity, crowding, sudden changes, etc. can be self-regulated through finger-flips before eyes or ears, by kicking or bouncing feet, arm waves, tapping or rubbing palms or wrists or other body parts, making repetitive sounds, etc. There are more pages, each featuring young folks regaining control of their reactions within stressful settings through text and images, rebalancing white space and color in the background. 

Text is minimal but powerfully direct and accessible to readers of any age, but especially so to school age individuals and groups. These directly connect to examples from daily situations, in school and out. Images are large and clear enough to more easily recognize and interpret. Those messages alone make this a valuable and necessary book. Steve Asbell, professionally diagnosed as autistic or "on the spectrum" as an adult, is also the creator of a comic strip, STIMMY THE CAT. 

This new picture book has gained welcome and worthy media attention's in which the creator reveals WHY the book does not end here.  In the remaining pages the text challenges every reader, of any age and any level of reactivity to overstimulation to TRY STIMMING! As a kid who attended a very traditional school, my legs were always crossed under my desk, and my foot bobbed constantly. I also chewed my finger nails WAAY past the time of this being just a bad habit, rocked in my chair, chewed my pencils, and other such repetitive activity. From year to year, various teachers asserted different levels of intervention efforts to get me to "sit still", always making note of a need to improve on my otherwise rather good report cards. Sitting in a church pew was an even more likely location at which I might have my hands held or be moved to sit next to the teacher or parent with a hand as needed. 

Pause  now, adult readers, to recall substitutions for stimming you know of in smoking or vaping, knuckle cracking, that ubiquitous foot-bobbing, pen-clicking, desk tapping, and countless other techniques that many (most  of us) use while trying to be productive or maintain self-regulation of stress or emotional reactions. The past years of work-at-home have allowed us to explore and utilize practical and potentially life-improving self-regulation to manage the perfectly normal responses we all get with siting, standing, working situations, especially overly-long ones. 

What concerns me so much is what still happens to young people (and people of many ages) in schools and other "managed" situations. As a life-long education professional, much of my training and practice, in mainstream classrooms but especially in classes involving kids with these patterns, involved endless efforts made to reduce stimming. Substitutions (squeeze balls, rocker chairs, etc.) were used as valuable accommodations, and often were effective in allowing learners to remain among full populations of peers without being seen as "different". With that in mind, I provided Hacky-Sack type hand-squeeze toys for every child in my classes, also with a discussion of varying needs and ways we can self-advocate for our own adaptations and regulations under stress. Overall, though, my objective was to minimize or eliminate visible stimming responses. 

This new books offers an overdue paradigm shift for us all. Everyone, every age, exists somewhere on a spectrum of reactivity to stimulus. For some, centering and isolating is effective, for others, simply noticing and enjoying the shifts in our environment are sufficient. But for so many others, SOOOO many others, overstimulation, stress, extended periods of focus, sudden change, or triggers we may not be able to label can be recognized (by adults as needed, but by the individuals, if assisted in self-awareness) and dealt with in ways that are harmless and can, in fact, be celebratory. 


At a recent NCTE Conference session, author/illustrator Kaz Windess shared her recent (Caldecott Honors and CYBILS AWARD WINNING) Ready-to-Read Graphics Reader, WORM AND CATERPILLAR ARE FRIENDS, reviewed here. The story itself is a celebration of friendships and acceptance and differences, but so is Kaz Widness. She, too, self-identifies as being on the spectrum. This vibrant and entertaining speaker addressed stimming during the first few minutes of her introduction, then flapped for a few minutes. She then ducked behind the podium, reappeared and said she had ever spoken of it or "flapped" in that role before and the crowd cheered. Many of us flapped right with her. It was truly a celebratory experience. Then came this wonderful new book that invites us all to join the mind-shift she displayed and recognize that the spectrum we are ALL on is the HUUMAN one. 

In a side note to adult readers, I urge you to check out ASTRID, a series on PBS. In it, an adult individual, ASTRID, becomes a central character (with high functioning but seriously impacted effects from her Neuro-diversity) becomes an essential member of adult professional and social groups that allow her to feel accepted and also adapt further, as do the others with a range of neurological-Typical patterns (and biases). I find it to be both entertaining and thrilling to note the modeling and exploration of so many individuals and connected groups. I hope you'll check it out and give it a chance, as you will with this remarkable book!  ASTRID: PBS series.


May 3, 2022

IT'S ME, HENRY! Celebrating Your Passions

 I'm delighted to share a picture book that could well have appeared here a few days ago, during "Autism Awareness Month", April. The purpose of such a theme month, of course, is to increase understanding and respect for those who might be identified on the Autism spectrum. My general feeling about theme months is that they have a place in our tunnel-vision society, and yet they can too easily sort our awareness into short-term focus. I've gone on and on about that in various posts, beginning HERE. I actively chose to wait to share this book because it is such an appealing, engaging story and character. It should never be delegated to a particular topic or theme or month, but rather shared often for many purposes.

ORCA BOOKS, CANADA, 2022

IT'S ME, HENRY! is written by Stephanie Deslauries, illustrated by Genevieve Depres, and translated by Charles Simard. 

In first person narrative, readers meet Henry in his natural habitat, school, where he annoys his friend-not friend Daisy by calling her the scientific name for daisy. Henry knows himself well, but struggles to understand the feelings and reactions of others, even when he can label them correctly. He knows she doesn't like it, but can't fathom why, or adjust his behavior out of empathy. When he shouts out answers (correct ones) it earns a reminder from the teacher and expressions on the faces of peers who seem... possibly impressed by how smart he is? At recess Henry happily settles under the willow tree, alone, connecting with the tree, the earth, and nature, his favorite subjects. 

When older boys tease him, he cries at being misunderstood. (Adults will recognize the irony of pain at being misunderstood in a child who misunderstands others, too, and might hurt them as a result.) Henry is shown to have a trusted adult, the counselor, and scene after scene wrapping him with flora and greenery, which also provide Henry comfort and safety. In effective daily-life scenes, readers learn about worries (and obsessions) that are displayed by some on the spectrum, but by many others as well: Yucky broccoli must NOT touch favorite nuggets on his plate.

Henry's favorite place on the planet is the garden where the end-of-year field trip takes place. Invited by his teacher to help lead the tour, Henry notices her cues for when and how to offer added facts, or even present the entire content at various locations. His enthusiasm and engaging discussions allow Daisy to connect, choosing Henry as a partner near the conclusion. 

Praise from the teacher, applause form his classmates, and the feeling of solid ground beneath his feet, metaphorically, allow Henry to celebrate the day, to accept and appreciate himself. To finally feel understood. The author's choice to allow the story to unfold in Henry's voice was challenging, yet she captured the confusion and conviction of Henry. By presenting various patterns within an organic story, readers will recognize entirely typical feelings of any child in wanting to have a friend, to be accepted, and to enjoy the moments of a day without fear or worry. The other characters are realistically portrayed, too, reacting as many do, lacking a perspective on the frame of mind from which Henry is approaching them.

The illustrator very effectively leaned into the floral and greenery backgrounds on every page. She achieved a subtle, soothing, but colorful comfort zone for Henry. The effect is a blend of simple-lined elements with impressionistic aspects.

There are unlimited discussion points in this story, for anyone looking for stories with individuals on the autism spectrum and the patterns that are typical of most of the neurotypical population as well. But this story also offers plenty of opportunities to discuss friendships, diversity, bullying, and kindness. Any classroom working on studies of plants will want to add this to a collection of related picture books, too.

Candlewick, 2002


Pair this with a classic from author Paul Fleischman, illustrated by Kevin Hawkes, WESLANDIA. This story reveals an older boy, middle grade perhaps, who also loves and understands plants, knows himself well, and finds that peers and parents consider him to be weird, at best. The text and visual narratives are glorious and powerful, with a delightful twist that will have readers cheering for Wes and also taking strength from celebrating their own passions.  Give them both a try.




Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.