Mirrors and Windows: Our Most Amazing World

Much is being made (justifiably) of the need to create and circulate books in which people from all backgrounds can find themselves. Of equal importance is that books depicting varied peoples, places, and points of view offer windows to a wider world for individuals whose world experience is narrow.
If this is in some way news to you, please learn more about the discussion and drive by checking into the WE NEED DIVERSE BOOKS website and resources, here. 

It's not as if excellent books serving these purposes haven't available in the past. The tragedy is that the percentage of such books is vanishingly small, and has remained so for far too long. You'll find documentation of those facts and the decades-long publishing patterns in children's literature in this post from the reliable CCBC, as shared in Horn Book recently. 

In this post I'd like to share and recommend two books, one older and one very recent, that allow ALL readers to explore the world and find themselves along their reading journeys.

Candlewick Pres, 2010

Jeannie Baker is the multi-talented author/illustrator of MIRROR, published in 2010. This still feels like a "new" book to me, but it made its way onto store and library shelves nearly eight years ago. That was long before the current movement for more diverse books was underway. 
Ms. Baker's award-winning art wins praise from many quarters for it's technical and interpretive skill. More importantly, it draws young eyes magically and won't let them go until they have scoured every square inch, commenting and comparing,  turning pages forward and back, again and again.
In this case, her power is magnified by an incredible book design.


MIRROR is meant to be laid open to allow it to reveal, front to back, the English/Western life of a family in a modern urban setting. At the same time it can be read, visually, from back to front, following Arabic literacy conventions. That half of the book depicts the  life of a Middle Eastern rug-weaving family, turn by turn, until they meet the Western family at the center fold and their lives intersect. It's an intriguing and simple-but-brilliant look at the interdependence of all lives, of the many ways in which human commonalities define us even more than differences.


Compare Mirror to a very recent release by author/illustrator Matt Lamothe, THIS IS HOW WE DO IT. Rather than explore only two families and cultures, Lamothe selects seven families from around the world to portray and label the intricacies of those similarities and differences through the course of a day-in-the-life. 
He doesn't attempt to weave a storyline throughout their lives. In fact, he chose to shift the positioning of each character/culture instead of locking each in the same orientation on the page. The labeling is still effective and offers an oppportunity for kids to  eagerly challenge themselves, turning back often to remind themselves of who is who and where they live. 

Chronicle Books Canada, 2017

Endpapers do a a great job of showing just how small our world really is. Back matter provides a simple but helpful glossary (in natural, kid-friendly language) to expand on specific terminology from various scenes and cultures. The author's note explains how he was inspired to create the book and describes the complex process he used to assure authenticity for this nonfiction treasure. It's worth a read in and of itself, and the final double spread using photographs of the seven actual families should lead many young readers to explore Lamothe's final notes.

I particularly appreciate these two titles for use in presenting a balanced view of kids and families in far-flung parts of the world. I've shared  some recent  titles here and here that focus on refugees and immigrants.Presenting objective and realistic stories that  share those harsh experiences is essential, but it's all too easy for young readers to develop a false concept: that all "others" are destitute or desperate or seeking to leave their homes. These two titles provide a healthy contradiction to that misperception. They show a variety of daily life patterns in which the children and families are comfortably settled in routines and relationships that feel familiar and safe. In fact, they make the prospect of traveling and meeting people around the world quite appealing. 
We could use more with that attitude at every age, in my opinion.

STEPPING STONES: A Picture Book Like No Other

As the clock ticks off the final minutes for authors and publishers to nominate book titles in all categories for the 2016 Cybils nominations, I find myself sitting amid piles and piles of nonfiction books for elementary and juvenile readers. In most cases I've completed a first read, although the most impressive among them aren't even recorded as "Read it" on my database. Any titles even vaguely in the running for my short list will be read and examined more than once. That close scrutiny will begin by the end of this week after nominations have closed. 

Once that process begins I'll post some reviews here and many on Goodreads, but I'll temper my comments so as not to reveal too much about the tone of our panel discussions or my personal preferences. 

As a result this will be the last full-throated review I'll post for a while. I'm free to do that because it's in praise of a book that isn't eligible for consideration this year. It was released just about a week ago, missing the deadline for 2016 consideration. Published by ORCA BOOKS, in Canada, it will be eligible for nomination next year. I've already marked my calendar for October 2017 to try to be the first to nominate the title for Cybils awards.

ORCA BOOKS, Canada, October, 2016

I seldom showcase a cover on a blog post page at this size, but the image requires your careful attention to fully appreciate. Margriet Ruurs is an author devoted to directly engaging with people around the world, listening to the stories of their lives and often incorporating those experiences into books. Among those are My Librarian Is A Camel and School Days Around the World. 

Her most recent book has an origin story all it's own, which she describes well in the author's note at the front of the book, STEPPING STONES: A Refugee Family's Journey.  Its artwork is created by Nizar Ali Badr, a stonework artist/sculptor whose creations can be seen on his Facebook page, here. He's a resident of Latakia, Syria, and his visions find expression through the stones he collects along the seashore and shallow waters. The story of Ruurs' discovery of Badr, their connection, and their joint mission is best read in the author's own words.

Within a few weeks I'll post an interview with Margriet and explore their process more fully. For now, I simply want to spotlight a book that should be read by everyone. When I say "everyone", I'm not speaking figuratively. It's published in English and Arabic, but the text and art are so well-integrated in the book design that it could be understood as a wordless book, and that's no offense to the author. Ruurs has constructed a narrative path for a universally recognizable family from their simple but safe home in Syria, through life-threatening crisis, on a journey with devastating risks and horrors, to eventual resettlement in a safe and welcoming new home. 

Interior spread from STEPPING STONES, 2016. Used with permission, ORCA Books

In one scene tiny pebbles might constitute a path; in another, harvested food, rooster feathers, birds' wings, or flower petals. Shifts in angles and joinings change the stone scenes from secure workday routines to desperate escapes and mournful memorials. Throughout it all, the continuity of family, flowers, sun and moon, despair, hope, and love call out to the reader of words and scenes. This is book that does not allow us to turn away, as we so often do when faced with the humans represented here through stone art and story. 

Composed of the stones and scraps found around the artist's feet, characters rise to life from horizontal background surfaces where they are photographed before disappearing. It's a frighteningly painful parallel to the real lives being disrupted and lost as a result of never-ending, undeclared war.

Interior spread from STEPPING STONES. Used with permission, ORCA Books.

Scene after scene expresses emotions, invites questions, and tells stories. Ruurs' text, mirrored in Arabic, unfolds the tragedy before our eyes through potent poetic phrasing and figurative fluency. Pebbles become people, people we are willing to see, and hear, and care about with more genuine empathy than society musters for the actual millions of people living (and dying) in the journeys represented here. 

I plan to gift this copy to my library and another copy to my school, with more going to family and friends during the holidays. Proceeds from the book will support Badr's art and messages from Latakia, Syria, where he continues to live and create. The author and publisher are also contributing portions of the profits from sales to refugee organizations. 

I hope everyone who becomes aware of this book will make it a personal mission to distribute it as globally as possible. Literally. The "refugee problem" is too easily viewed as a matter of millions of lives, as "too big" to fix. Until we can allow ourselves, force ourselves, to focus on the PEOPLE, on their LIVES, instead of on numbers, nothing will improve-- for us and our sense of security, or for theirs. 

This book could help us shift that focus.

A further note: Recently The MORNING EDITION on NPR presented a 4-minute report on participating in a simulated refugee experience. With the sincere hope that no one reading this will ever experience being a refugee in real life, please listen to this report.

NPR: Traveling Exhibit on Refugee Experiences.

A recent post from READING POWER GEAR suggests other titles (including this one) about refugees: HERE.