ALMOST UNDERWEAR: How a Piece of Cloth Traveled From Kitty Hawk to the MOON and MARS!

 

Christy Ottaviana Books
Little, Brown and Company 2024

Did that headline get you? I can't imagine it didn't, and the cover of this new picture book will attract young readers as much or more. ALMOST UNDERWEAR: How A Piece of Cloth Traveled from Kitty hawk to the MOON and MARS is written and illustrated by Jonathon Roth. 

This delightful nonfiction picture book is a winner on many levels. 

First, progressively smaller swatches of sturdy muslin fabric (woven for use as the ubiquitous but unglamorous role of becoming underwear) are showcased in their roles in aviation history. Spanning the years from 1903, and experimental situations from Dayton, Ohio to Mars, this clever and true account of lesser known science history is gently personified with two eyes and a set of expressive eyebrows. 

That muslin cloth served as wing coverings for the Wright Brothers early attempts, with a small swatch honored as part of a travel pouch accompanying Neil Armstrong on the first Moon landing. Decades later an even tinier swatch from that original bolt of fabric became part of the experimental helicopter flight on Mars, launched by one of the Mars Rovers. This appealing cloth/character makes the span of more than a century read cohesively and compellingly.

Next, the illustration approach uses a visually clever technique, mounting full spreads or small inserts of photographic images from actual sites in Dayton, from Kitty Hawk, from the lunar module and the first Moon landing, on to helicopter test flights on Mars. Those dramatically anchoring images are inset with (or framed by) charmingly simple art that depicts the people and activities that are depicted.

Finally, the subject matter of flight, space exploration, following dreams, and innovation are strong hooks for many ages and backgrounds. The backmatter includes a helpful author note as well as an illustrated glossary/explainer about six of the advanced technology tools being used in space exploration. This will be a hit and offers a bibliography for anyone seeking further details!

Don;'t be surprised iff you need to wait on a library hold for quite a while, as i did. That might encourage you to purchase this as a holiday gift for someone who will love it!

PERFECT SHAPES: A Tribute to Mr. Pei (I. M. Pei)

 Welcome back after a brief break to deal with some changes in my life. Meanwhile, I've been reading even though not sharing much here for a few weeks. Buckle up for a series of brief but exciting (I hope) recommendations for new picture books. 

QUILL TREE BOOKS, 2023

First up is MR. PEI'S PERFECT SHAPES: The Story of Ar\chitect I. M. Pei, written by Julie Leung and illustrated by Yifan Wu. This nonfiction account of the life of architect I. M. Pei is inspiring and accessible to a wide range of readers. The early years of Pei in China provided a lifelong inspiration for admiring beauty and longevity in nature and in constructions. His training and career in architecture led him to America and beyond, eventually designing iconic structures throughout the world. Each is distinctly innovative and reveals Pei's sense of space, shape, nature, and balance. No two are alike and  each is uniquely suited to its climate, landscape, purpose, and culture. 

I learned a great deal about Pei, even though I've read about him in the past and long-admired his buildings. The text is straightforward but sensitive to Pei's personality and talent, revealing his drive  to create structures beyond any one "type", structures that would not only stand the test of time, but continue to reflect and celebrate their surroundings and populations.
Back matter is helpful with a timeline of his projects and also resources for video and other further investigation. 
The illustrations are realistic enough to portray cultural locations and characteristic structural elements featured in Pei's designs, but also reflect a sort of geometric abstraction, interpretation, and vibrant color that make his creations nearly magical. 

This is a worthy account of an incredible man and his accomplishments. His success is undisputed and this book will be welcomed by many.

LOUISE BOURGEOIS Made Giant Spiders and Wasn't Sorry

Here we are at the end of another "THEME MONTH": WOMEN'S HISTORY MONTH. My ongoing concern (rant?) about Theme Months is that the topics merit attention ALL YEAR LONG, year after year. Dedicating a month is worthy but risks ignoring the topic for eleven months of the year.

I also worry that the subjects dealt with often focus on familiar figures rather than using the theme to explore and expand lesser known or even untold stories. I began this month with reviews of two such women. If you missed that post, please click on the link and learn more about the inventor of dishwashers and a mathematician whose work made widespread electrification infrastructure possible (and safe).  Throughout the month I've included some "themed" posts and many that were far afield of the theme, because I intend to continue showcasing outstanding books about women throughout the year. 

Yet here we are with two days left in this month dedicated to sharing Women's History.  I will bookend my March posts with this review and one tomorrow, each of which astounded and informed me about women leaders in their fields who were entirely new to me.

Phaidon, 2023

LOUISE BOURGEOIS Made Giant Spiders and Wasn't Sorry is the latest in a series of picture books about groundbreaking artists by Fausto Gilberti. This title is one of Gilbert's series MY FIRST REBEL ARTIST picture books, from Phaidon For Kids. I reviewed some earlier titles HERE, HERE, and HERE. These share the title lines ...and Wasn't Sorry. For anyone who has drawn outside the lines, intentionally, for those who have looked at familiar things in new ways, and (perhaps especially) those who have never imagined such a rebel approach was possible, these books are as important as they are appealing.

In each earlier case I had been familiar with the artists and their works before reading. In the case of Bourgeois and her giant spiders, I knew of her massive but fragile-looking sculptures but not about much of her other body of work. I had never investigated the artist.                

Louise Bourgeois was born into a talented and loving family, in a rural setting filled with animals who seemed like people to Louise. She was NOT afraid of spiders. These illustrations portray her using stark black-line, silhouette-style images on white background. This allows readers to see her as  a very "spidery" girl, quite literally on one spread. Facts about the way her mother affectionately tickled her head (as if with little spider-leg fingers) and wove/repaired priceless tapestries with uncanny talent made me think this factual tale could inspire a magical one in which a spider is turned to a human and spawns a girl-child who lives in pursuit of finding her true identity. 

And yet this book and the others in the series are firmly anchored in factual content, revealed in both text and images that spin webs of fascination and fondness. Louise's early and ongoing trademark in creating visual art featured two- and three-dimensional pieces that exaggerated/distorted/reoriented reality. She experienced some attention throughout her life, but now her works are treasured among museums across the globe. Even so, at the grand age of 87 she chose to sculpt a spider. An enormous construction of metal and marble that stood many stories tall. A first creation of its kind with the suitable title of MAMAN (French for mother). This, the largest of her many spider sculptures, was duplicated in bronze six times. Those extraordinary spiders demand an outdoor space, and they stand outside the entryways of major art museums.                                        

Louise pursued the artistry of her parents at an early age, learning their techniques, adapting and exploring new applications, and continuing to innovate until the end of her life. In the last years of her work, Louise created woven art out of old clothing and linens. Her success did not arrive early, but her imagination and creativity led to objects and art that astound, producing an impressive body of work that eventually gained attention in sold-out exhibitions. 

The books in this series are a tribute to the artistry and design skills of the author/illustrator, Gilberti. From cover to cover, from end pages to interiors, each incorporates examples of the featured artists best known and some lesser known works, but also reveals the human stories and relationships that had inspired (or created mysteries about) their iconic works. Older readers will find mentor text and intriguing details within the text and back matter, while even youngest audiences will thrill at spotting the tiny (and not so tiny) appearances of spiders throughout the pages. Each of the titles in this series sparks an impulse to "try that", to put hands onto media nd see what might emerge. 

Just as other well-known and hidden figures in women's history are likely to encourage investigation into studies and careers in fields typically controlled/dominated by males, this woman in (art) history deserves our attention during March and throughout the year. And that sentence is intended for adult readers, too!