Showing posts with label Kevin Hawkes. Show all posts
Showing posts with label Kevin Hawkes. Show all posts

May 3, 2022

IT'S ME, HENRY! Celebrating Your Passions

 I'm delighted to share a picture book that could well have appeared here a few days ago, during "Autism Awareness Month", April. The purpose of such a theme month, of course, is to increase understanding and respect for those who might be identified on the Autism spectrum. My general feeling about theme months is that they have a place in our tunnel-vision society, and yet they can too easily sort our awareness into short-term focus. I've gone on and on about that in various posts, beginning HERE. I actively chose to wait to share this book because it is such an appealing, engaging story and character. It should never be delegated to a particular topic or theme or month, but rather shared often for many purposes.

ORCA BOOKS, CANADA, 2022

IT'S ME, HENRY! is written by Stephanie Deslauries, illustrated by Genevieve Depres, and translated by Charles Simard. 

In first person narrative, readers meet Henry in his natural habitat, school, where he annoys his friend-not friend Daisy by calling her the scientific name for daisy. Henry knows himself well, but struggles to understand the feelings and reactions of others, even when he can label them correctly. He knows she doesn't like it, but can't fathom why, or adjust his behavior out of empathy. When he shouts out answers (correct ones) it earns a reminder from the teacher and expressions on the faces of peers who seem... possibly impressed by how smart he is? At recess Henry happily settles under the willow tree, alone, connecting with the tree, the earth, and nature, his favorite subjects. 

When older boys tease him, he cries at being misunderstood. (Adults will recognize the irony of pain at being misunderstood in a child who misunderstands others, too, and might hurt them as a result.) Henry is shown to have a trusted adult, the counselor, and scene after scene wrapping him with flora and greenery, which also provide Henry comfort and safety. In effective daily-life scenes, readers learn about worries (and obsessions) that are displayed by some on the spectrum, but by many others as well: Yucky broccoli must NOT touch favorite nuggets on his plate.

Henry's favorite place on the planet is the garden where the end-of-year field trip takes place. Invited by his teacher to help lead the tour, Henry notices her cues for when and how to offer added facts, or even present the entire content at various locations. His enthusiasm and engaging discussions allow Daisy to connect, choosing Henry as a partner near the conclusion. 

Praise from the teacher, applause form his classmates, and the feeling of solid ground beneath his feet, metaphorically, allow Henry to celebrate the day, to accept and appreciate himself. To finally feel understood. The author's choice to allow the story to unfold in Henry's voice was challenging, yet she captured the confusion and conviction of Henry. By presenting various patterns within an organic story, readers will recognize entirely typical feelings of any child in wanting to have a friend, to be accepted, and to enjoy the moments of a day without fear or worry. The other characters are realistically portrayed, too, reacting as many do, lacking a perspective on the frame of mind from which Henry is approaching them.

The illustrator very effectively leaned into the floral and greenery backgrounds on every page. She achieved a subtle, soothing, but colorful comfort zone for Henry. The effect is a blend of simple-lined elements with impressionistic aspects.

There are unlimited discussion points in this story, for anyone looking for stories with individuals on the autism spectrum and the patterns that are typical of most of the neurotypical population as well. But this story also offers plenty of opportunities to discuss friendships, diversity, bullying, and kindness. Any classroom working on studies of plants will want to add this to a collection of related picture books, too.

Candlewick, 2002


Pair this with a classic from author Paul Fleischman, illustrated by Kevin Hawkes, WESLANDIA. This story reveals an older boy, middle grade perhaps, who also loves and understands plants, knows himself well, and finds that peers and parents consider him to be weird, at best. The text and visual narratives are glorious and powerful, with a delightful twist that will have readers cheering for Wes and also taking strength from celebrating their own passions.  Give them both a try.




Dec 19, 2018

"Brief Notes" About IMAGINATION-Spurring Books

If you read my prior post (here) about two outstanding 2018 picture books, you couldn't help but notice that I failed at my stated goal to write "brief notes" and move on. 
I seem to get carried away when it comes to picture books, especially when they combine entertainment with inspiration. 

Never a quitter, I'm diving back in to try this again with other recent titles, reminding myself that the links for each will take you to more detailed info. PLEASE believe me when I say that each book here deserves a place in your hands or in the hands of kids you know and love. Click those links. Start a list for your next library or wishlist.

These cover images and BRIEF blurbs should get you started, and I'll move on to share more titles soon. 
Hang on, here we go!
This is a celebration of imagination and a spirit of adventure. The unfolding story presents a view of important   multigenerational interaction and encourages adventurous creativity.


WALLPAPER by Thao Lam Shyness is dealt with in many picture books, but this wordless exploration of an inner imaginative life serving to build confidence and curiosity feels fresh and effective. 

We all have dreams, but not all dreams come true. I believe that readers, (many who are young, but also many adults) will feel their dreams coming true on the pages of this book. And you'll gasp at the gorgeous illustrations that make that happen. More Here.

Anna At the Art Museum, by Hazel Hutchins and Gail Herbert, illustrated by Lil Crump. So many positives to this share little book, framing multiple qualities: the perspective of a very REAL little girl figuring out how art museums work: mostly a litany of "NO" rules, authentic reactions and emotions, curiosity, and imagination.

Moving on...


There's a Dinosaur on The 13th Floor, written by Wade Bradford, illustrated by Kevin Hawkes. From front to back cover, and every page turn, the absurdity of this story becomes more funny and engaging as Mr. Snore (with an enormous schnoz) tries to get a good night's sleep despite the many bizarre intrusions into his peaceful rest.

If daVinci Painted a Dinosaur is written by Amy Newbold wth pictures by Greg Newbold. This combination of iconic art blended with familiar dinosaur traits is laugh-inducing. Add to that an appealing little hamster(?) who executes the proposed mash-ups and kids will be begging for more. As with Anna's museum visit (above) the back matter offers thumbnails and short blurbs about the original images and the various artists' styles.

TA-DA!  Not quite as brief as I might have hoped, but I'm getting better at this.  Stay tuned for another speed-review, coming to this bog soon!


May 18, 2013

Personal Favorites- in Artifacts and Fleischman Titles




I've been a fan of Paul Fleischman's work for years, and his recent release does not disappoint. 


Candlewick, March, 2013

I'll admit I was predisposed to like THE MATCHBOX DIARY, illustrated by Bagram Ibatoulline, before ever reading it. Back in the sixties (the decade, not my age) I was attempting to personalize the decor of a furnished sublet apartment on a limited budget. 
Okay, on NO budget.
What I did have in my possession was a stack of advertising notecards which were miniaturized versions of Pan Am travel posters. (For the younger crowd, Pan Am was the classy world-wide airline of the time.) I gathered some loose change and bought a couple of "boxes of boxes" of matches. Friends who were known to bar-hop on weekends provided me with a stack of absorbent cardboard coasters. Thus equipped, I set about using the notecards to wrap four dozen matchboxes with images of world-class destinations, taking care to keep the sandpaper striking side untouched by glue.  I then applied those images to the flip side of each coaster. (It was the sixties- think MadMen. It was assumed that guests would smoke and drink.) 
To my mind a brandy snifter of international matchboxes next to a stack of poster/coasters was a first step in transforming a co-ed who didn't drink, smoke, or travel beyond the midwest into a more interesting character. 

The very suggestion that an illiterate Italian immigrant would salvage empty matchboxes to document his challenging but admirable life had me falling in love with this book before I even opened the cover. Once I did, things only got better. Then I read Fleischman's description of his lifelong love affair with boxes and watched his Matchbox Theater Video. I was a goner.

When it comes to Fleischman's other titles, I find myself surprisingly ready to state my favorite, which I'm so often reluctant to do for any given author's or illustrator's work. When  asked about favorites I find my mind instantly snaps to qualifiers: For what readers? For what purpose? In which format? This should certainly be the case for him,  as you can see here from the vast array of outstanding titles he has produced. The fact that this hasn't happened with Fleischman's work means that one of his books transcends my general high standards as "one of my favorites for ___" to stand alone as my unqualified favorite. Full Stop. 

Candlewick, 2002
Until now that title has been WESLANDIA, illustrated by Kevin Hawkes. 
In this story Wes launches his summer vacation in his own backyard, equipped only with what he has learned in school, that the core of every enduring civilization is a staple food crop. That knowledge  in the hands of  a boy with insatiable curiosity and ingenious creativity needed only a summery night breeze to deposit a few seeds of unknown origin. An entire civilization takes root in his yard, extending  its reach into the hearts and minds of his bullying classmates and clueless parents. 


Candlewick,  2007

Fleischman and Hawkes again paired their talents for the fantastic SIDEWALK CIRCUS, with impressive and appealing results, yet WESLANDIA still had a lock on my heart.

Until now. 
Now I must fall back on qualifiers and hedging of one kind or another, because THE MATCHBOX DIARY has latched on to another piece of my heart. In WESLANDIA  the exuberance and vibrant abstractions in the images fully reflect Wes's blend of  nerdy schoolboy with super-hero resilience and brilliance.

 THE MATCHBOX DIARY's  muted tones, crumpled artifacts, and historic specificity reflect the fragile but durable experiences of great-grandfather's life, preserved in matchboxes collected over many decades. The fact that these two titles are so different in image, content, character and genre protect my heart from being severed like the baby in Solomon's court. Instead they lend themselves beautifully to different purposes and audiences, reflecting the remarkably versatile talent of their author.

Each stands on its own solid ground as fine literature and art. Each has unforgettable characters, setting, and plot. Each transcends target ages, offering something for everyone without diluting quality or story. And each is densely layered, offering potential for discussion, for curricular connections, and for links to personal experience. 

If Paul Fleischman's titles are not already on your shelves, add these two today, then explore the rich array of others he has to offer.
Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.