a house that once was is written by Julie Fogliano and illustrated (brilliantly) by Lane Smith. I really enjoyed Fogliano's lyrical, lilting text, but it is Lane Smith's illustrated treatment that won my heart. With just enough ink-line realism to anchor the story to the text, Smith combines multi-media techniques in each of the two parts: the contemporary exploration of a deserted house in the woods and the imagined lives of the missing inhabitants. The ongoing tale of the abandoned house exploration includes numerous nearly-hidden images that later gain significance within the imagined alternate lives of the residents.
An additional story-within-a-story is boldly suggested on the title page. A little bluebird (of happiness?) slips into various obvious and obscure corners of the pages for readers (especially eagle-eyed little ones) to discover.
There is a genuine charm to this circle story that concludes with the same short verse that opens the story:
"Deep in the woods/ is a house/ just a house/ that once was/ but now isn't/ a home."
There is a delightful irony to that conclusion as the little bluebird peeks out at the departing kids from inside the upstairs window. This is all-out possibilities, and kids will love it.
So much for keeping it brief, right? I'll try again on this next adventurous picture book that celebrates imagination, cooperation, diversity, hopes, and dreams.
Everything You Need for a Treehouse is written by Carter Higgins and Illustrated by Emily Hughes. This lush and imaginative picture book engages on every page, revealing both realistic and fantastic aspects of collaborating, constructing, and creatively occupying "a treehouse". The extensive and diverse group of kids make cooperation and old-fashioned "playing outside" look much more appealing than staring at screens. And
The illustration details are like eye-magnets, but it is worth turning back to the text to appreciate the extraordinary and lyrical language Higgins uses to turn a simply-titled "HOW TO" book into a multi-layered life lesson, delivered with a touch as gentle but persistent as a seed, the wind, or a child.I won't issue a spoiler here, but I will say that despite the diversity and matter-of-fact, scavenged, makeshift aspects of the building processes, I had a mental reservation about how privileged this group of kids seemed: dressed for the weather, access to tools, and living in welcoming environments. I was pleased to see the various versions in what could be different habitats or even different global locations. Still, that reservation stayed wth me, until the final page turns.
Now, I fully and enthusiastically endorse this book and recommend it for EVERY age.
(And don't spoil the impact of those last pages by peeking.)
Well, so much for keeping it brief, right? Just goes to show why I've held on to these two for so long. You'll want to do the same, and so will the kids who read them with you.
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