DON'T ignore the power of DON''T

Covid 19 update: 
Currently living in the infamous WISCONSIN in which our supposedly nonpartisan State Supreme Court recently ruled that our chief health official does not have the authority to declare rules to Stay-at-Home in this crisis. Not only that, the ruling was cancelled immediately, not sustained long enough to allow collaboration with the legislature (which brought the case) or with any other limits. Thus, as our governor said, we are now in the WILD WEST. 
So much of this national (international?) angst about "opening up", masking, or otherwise following guidelines for the greater good of our communities seems to reflect an attitude re sealed in picture books: Don't tell me DON'T... about anything!

Henry Holt and Company, 2020

DON'T FEED THE COOS, written by Jonathon Stutzman and illustrated  by Heather Fox, is pure fun, on one level.
With our current global frame-of-mind, it becomes a lively and colorful cautionary tale offering page after page of lighthearted humor.
 Warnings of DON'T (fill in the blank)  are always kid favorites, and this one has all the ingredients to become a classic. It certainly is worth discussion during this time and circumstances.
The story begins with a bighearted character who is simply being kind. Who can't imagine potential harm in simply feeding a bird... or two or two hundred.
Spread after spread stars this character trying to undo her naive decision with flocks of generic coos, whose persistence and loyalty are irresistible. The central character (POC girl) matches the birds'  energetic insistence with genuinely funny attempts, always pursuing humane and creative solutions. The conclusion allows for predictions, laughs, pursuit of alternatives, and even discussions of social values.

Hyperion Books for Children, 2003

It's also an ideal book for pairing with any of the Mo Willems Pigeon books, but especially the original. DON'T LET THE PIGEON DRIVE THE BUS is beloved by readers of any age, including mine. I find countless ways to share it and explore it with preschoolers through adults, and each time I find something new in it. 

On the VERY small chance that you aren't familiar with this determined pigeon, it is a three-person dialogue. It involves the bus driver (who addresses the reader directly with the title statement before the story begins, and then thanks the reader at the conclusion), a pigeon-on-a-mission, and the reader. 
Truly, without the reader taking an active role, there is no story. Whether I am sharing the book with toddlers or teachers, within a few pages someone in the group always responds to the pigeon's requests with YES!  instead of NO!
At that point, I close the book and pleasantly say, "Okay, we'll let pigeon drive the bus if that's what you want, so our story ends here."
Without fail, tots and adults cry out in protest, knowing that unless they adopt their expected  role, unless they enter into the spirit of the story, it has no meaning.
It is in this sense that the book is a parable for all books: Active engagement by the reader allows books to come to life. Without that, they are simply ink on paper.
I was privileged to meet and hear Mo Willems during the year when this, his debut picture book, was released. Of the many humorous and inspiring things he said, what I most often share with readers is this:

At the book's release it received many favorable reviews and eventually a Caldecott honor. One reviewer was pleased with it because of their belief that kids need more examples that NO means NO. Another positive review was impressed with the message to NEVER take NO for an answer. 
Willems said he was sometimes asked which message he intended. His response was. "Yes", adding that both (and other) messages could be found within the little book, but that depends on the readers' entry beliefs, and on how they are engaging with the story.

THAT. 
THAT is a truth that we engage in every time we read.


In fact, it is also the truth of these oddly distorted times in our shared lives. Only by stepping away from the immediacy of our individual  perspectives can we honestly consider the how and why and WHEN of finding safe footing into our shared future.

Little Books with Big Ideas: What We Can Learn from Pigeon

The magnitude of recent tragedies reminded me that picture books, sometimes the smallest, can have really big ideas. Those ideas often make more sense than those of all the pundits and scholars and religious leaders put together. 

At least it seems that way to me. 

Here's an example I often use, and it feels more relevant and "bigger" now than ever before:

Hyperion Books, 2003

DON'T LET THE PIGEON 

DRIVE THE BUS, 

words and pictures by 

MO WILLEMS.

Since Pigeon's debut to the world of books in 2003 he's become a potent figure in the minds and hearts of kids and adults alike. His titles number at a dozen or more, in multiple languages, with his own interactive website and plush toys. Few kid-lit characters have reached such a level of popularity, and I don't begrudge him his success.

I'm writing this post to address the power this little bird has to offer high level wisdom for anyone of any age. He's such a confident little fellow that I'm counting on him to shoulder a symbolic role for all the other picture book characters with wisdom to offer. 

 I had the privilege of hearing Mo Willems speak about Pigeon shortly after it had been awarded the Caldecott Honor. Among his many engaging and entertaining remarks, Willems reported that some glowing reviews drew contradictory conclusions about what Pigeon was "teaching" kids. I'll paraphrase here: 

One reviewer praised the book because kids need to hear the message: NO MEANS NO.  Another's praise included this: Kids need to hear DON'T TAKE NO FOR AN ANSWER.

Pictures: Mo Willems
DON'T LET THE PIGEON DRIVE THE BUS.

When the laughter subsided, Willems remarked that interviewers seemed eager to ask him which message was "right". His reply (again, paraphrasing) was a shoulder shrug. This was followed by a general comment that his purpose was to entertain, and it was in the hands and hearts of the readers to decide what any message might be. 

Pictures: Mo Willems:
DON'T LET THE PIGEON DRIVE THE BUS

When tragic events unfold, whether on our screens or in our neighborhoods, our world seems to have gone mad. It takes only a glance around us to connect extreme actions in the news with issues like impulse-control, resistance to regulation, and demands for "we-want-what-we-want-when-we-want-it". 

Pigeon is an example of these patterns and uses every ploy to achieve his dream. The page image on the right only scratches the surface of his tactics. In fact, his tantrum page is a favorite among initial and repeat readers, including me.

Pictures by Mo Willems:
DON'T LET THE PIGEON DRIVE THE BUS

This tantrum page is best delivered in full voice while channeling every rant you've ever delivered or witnessed: 

LET ME DRIVE THE BUS!

In his initial book, and in subsequent titles, Pigeon's personality is unmistakable. Even so, defining that personality generates a debate as lively as the reviewers' "message" statements reveal. 

One one hand: Pigeon is a spoiled, demanding, defiant, stubborn character. He disrupts and disturbs the peace a reader should reasonably expect in a book.

On the other hand: Pigeon is a dreamer, out-of-the-box, an innovator, persistent, with a generous dollop of grit and he energizes the book and the reader.

Can we agree that both descriptions fit? In fact,  the descriptors from one point of view might well appear in thesaurous entries as synonyms for descriptors from the opposite position. The difference is connotation or value judgements.

Let me take a moment to add third view of Pigeon. He's a cunning, observant, creative, problem-solving bird with a dream. He's a bird who respects the rule of law and doesn't fail to seek and wait for permission. He recognizes the right of others to control their own property. He doesn't try to sneak onto the bus, distract the reader from vigilance, or lie about having permission. He is, at his core, honest and respectful of social standards, even while imaging himself in a role outside the norm. 
Even while his dream is being denied.

How many characters are in this book?

Another debate ensues when I ask this question of readers of any age.  

Should the answer be ONE? After all, Pigeon conducts the entire story other than the introductory and concluding lines by the Bus Driver.

But shouldn't the answer be TWO? After all, without those opening and closing lines, there is no problem to solve, no story for Pigeon to portray!

My additional view of the story is that there are THREE characters. Both Pigeon and Driver are essential to the story, but without the Reader playing a role-  actively upholding the Driver's directive throughout, resisting Pigeon's winsome and willful requests- there is no story. 

One could say that every book requires the reader to play a part, and yet I can easily imagine many tales lying inside a closed book like actors in a play, prepared to pop out and reveal the story in its entirety whether the reader is attentive or not. Just picture a video playing in an empty room. The entire story unfolds even without an audience.

In the case of Pigeon and the Driver, though, the Reader's unscripted role is a debate in itself: Was the Driver's trust well-placed? And, if not, if the Reader dares to say "YES" instead of "NO", the story ends. 

Circling back, now, to my introductory reference to tragic events. You may note that I didn't link or label the one closest to the date of this post. I began with that step, but removed it. I am sadly realistic enough to predict that other tragic, traumatic events will continue to occur and we'll need to continue to find ways to make sense of the world's horrors for young readers. The links and reflections here may continue to be useful if that happens.

Books can serve to develop empathy and care-taking, as are the examples in a post by fourth-grade teacher Laura Weakland for Nerdy Book Club Blog (Here).  Then there's this post from A YEAR OF READING. It dates back to 2014 and yet its featured picture book titles continue to be excellent resources for exploring topics of fairness and justice. I share both these posts and encourage you to search for others because kids (in homes, classrooms, libraries) need to have many opportunities to explore books on big topics, to engage fully as readers rather than as bystanders, and to recognize that open and peaceful debates allow us to become a stronger community rather than a divided one. 

In this election year more than any before.

A ranting adherence to black/white, right/wrong, good/evil beliefs is often at the heart of tragic news events. Our superhero culture may leave kids feeling that without superpowers they have no ability to affect their world. Books like these encourage them to see that each individual, as a thinker, a dreamer, and a member of a community, has a voice but also an obligation to listen respectfully, honestly. Talking about big ideas in little books provides valuable practice in growing safer citizens for the future.
Pigeon's ultimate respect for his place in society, even when that affects his dreams, is a good place to begin.
I hope even Pigeon would agree with that. 

For Peet's Sake, Check These Out!

Let me start by saying I’m a fan of book blogs. Booklist, School Library Journal, and Hornbook were my “suppliers” for hooking up with new titles before the advent of blogs, but now reviews of new and special titles feed right into my digital links. My current vote for the coolest blog about kids’ books goes to The Nerdy Book Club. Day after day, each post reminds me of familiar, well-loved titles or introduces me to amazing new books.

Sarah Wendorf’s March 10 post on Memorable Read Aloud Titles included many of my own favorite titles. Right there, smack dab in the middle of her list, was Bill Peet's The Whingdingdilly!
In case you don't know the book, here's the essence of a fantasy story rooted in genuine experiences: Scamp the dog has been in a mournful mood for weeks, weary of life as a dog and longing for a change. "Oops, be careful what you wish for", right?

There is something in the way Bill Peet captures Scamp's inner voice that reminds me of Katherine Applegate's Ivan of the incredible The One and Only Ivan. It shouldn't be a surprise, considering that Peet was major creative voice behind Disney's Dumbo and many other unforgettable characters.

Bill Peet, like Theo "Seuss" Geisel, Jan Berenstain, and so many other creators of remarkable kids' books, left behind a collection of classics. Just a few of his titles will be listed here with links, but all are featured in rich detail on Peet's web page.

Cock-a-Doodle Dudley, The Wump World, and
Caboose Who Got Loose are some of my favorites. You can view a reading of his eerily timeless, almost prescient Wump World here.
Current picture book publishing emphasizes text of 400-800 words (at most), but his books are perfect examples of complex, vocabulary-rich, multi-layered stories for established readers. In fact, I recommend using a collection of Bill Peet's books to introduce author studies up through middle school and beyond.

I'm not a fan of the famous (or infamous) Accelerated Reader listings, but their reading “levels” for his titles range from a rare 3.5 (Eli), a 3.7 (The Gnats of Knotty Pine, an authentic practice opportunity for silent consonants) through to 6.9 Bill Peet: An Autobiography. More importantly, the length and content allow established readers to consider unknown words, nonsense words, wry humor, irony, deep themes, and complex stories within the time constraints of crowded school days. Some specific word counts include: The Wump World- 1542 words; Whingdingdilly- 3424 words; Huge Harold- 1660 words; Fly, Homer, Fly- 3218 words; and Bill Peet: An Autobiography- 17,358 words. His website offer richly detailed insights into his work, including this sketch of an early version of a cover for his autobiography.

Peet's books are widely available on library shelves and should be making their way into the hands of readers of many ages. Wouldn't it make a great discussion to compare readings of Mo Willems titles and his background working on Sesame Street to Bill Peet titles and his long career with Disney?

After learning more about these two, who wouldn't want to grow up and become a maker of books for kids? It certainly made Bill Peet a happy man.