Showing posts with label Families. Show all posts
Showing posts with label Families. Show all posts

Aug 18, 2021

What Is A Family? What Is A Kid? Changing Up Those Back-To_School Activities

 During my long teaching career, it was increasingly obvious that all kiddos (from preschool to teen) are  very different people, from very different families; ones that may not look or live like  the cookie-cutter, LEAVE IT TO BEAVER world in which I was raised.

It's wrong to believe that those familiar back-to-school, get-to-know-you questions are as comforting as we assume, whether in open discussion, on pre-printed posters, or in assigned essays. Families can be among the most loving and supportive ones, but still have young members who hesitate because their beloved family has a very different configuration or connections than a perceived "normal" family. The thought of describing or drawing a picture of one's family may be more stressful than positive.

Groundwood Books, 2019


That's why I urge anyone and everyone who will be interacting with "kiddos" in a back-to-school or get-to-know-you situation (that means ANY age) to get your hands on these two picture books and launch your discussions with these companion books by a gifted pair of creators.

Sara O'Leary is the wordsmith (evidence will follow) and Qin Leng is the brilliant illustrator. The first title, A FAMILY IS A FAMILY IS A FAMILY, launches this diverse and friendly-looking group into a classroom in which a single first-person voice responds with concern to the seemingly-safe teacher question- What makes your family special?


"I went last because I wasn't sure what to say. My family is not like everyone else's"

Moving on, page by page, each child's response is unnamed but recognized through quotation signals and delightfully distinct voices as child after child recounts a family in which love is secure but characteristics are distinct from others. The diversity on every level reveals families with few or MANY children, same-sex parents, blended families, divorced parents, extended generations until, finally, that hesitant speaker repeats what their foster mother said when asked which were her "real" kids. 

“Oh, I don’t have any imaginary children,” Mom said. “All my children are real.”


Each simple quotation and brightly depicted spread reveals child-centered persepectives, voices, and experiences. Like the line above, and like this:


“Because I live with my grandmother, people sometimes think she’s my mother. She’s not. She’s

my everything.”

The text alone would have won me over, and yet the illustrations deserve equal praise for their simplicity, personality, and individualism. They incorporate the full panorama of humanity in size, shape, style, skin tone, age, physicality, and expressions. The kids themselves are indistinct in age, allowing a wide spectrum of audiences to find themselves within the pages. Throughout each scenario, there is plenty of white space to imagine (and sense) the strength and extent of love that is present in each family. 

Groundwood Books August, 2021

With wide praise and three starred-reviews, it's no surprise this delicious and important  book now has a companion book, hitting the market just this month. A KID IS A KID IS A KID leads us into a celebration of individuality and community, beginning with the exuberant cover. But first, a similar opening anxiety is captured in perfect kid-speak and with exactly the right voice:

“Being the new kid is hard,” a child in the school playground tells us. “I can think of better things to ask than if I’m a boy or a girl.”


That sensitive reflection is followed by (again) unnamed quotations whose identity and personality are vividly evident in illustrations and voice. Each begins with "I get asked..." or something similar, relating the kinds of seemingly innocent (but insensitive and NOSY) questions that wound, or annoy, or even infuriate. 


Revealing both expected and unexpected diversity, the speakers embrace their identities or welcome those who speak out on their behalf. Then they propose a variety of BETTER questions to ask kids, like:

“Ask me what I can do, not what I can’t!”

“I wish you would ask me about my grandmother’s house. I was so happy there.


The structure of this new title is an opportunity for an ideal shared reading experience of ways we feel, and can make others feel. It (entertainingly) offers ways we can reframe and imagine kinder, more welcoming questions. As with the original picture book, the individual kids display physical, social, and emotional diversity on spreads that will feel like "home" to "kids" of all kinds and ages. I won't spoil a perfect ending by giving away the final line and page turn, but only because I am counting on each and every one of you who reads this to get both titles and read them, too.


Don't disappoint me. The books won't disappoint you, I promise!








Aug 4, 2016

What a Beautiful Morning Blog Tour: A Beautiful Book for Any Age





A lovely new picture book, WHAT A BEAUTIFUL MORNING is written by Arthur A. Levine and illustrated by Katie Kath.The stated target age for this new release is 5-8, but it's a perfect example of a book that will burrow into the hearts of people of any and every age. 
Running Press Kids, August 9, 2016

The story is both universal and intimate, emerging first from the charming personalities and relationships among the grandparents and the child, Noah. Within just a few pages the words and images of their exuberant summer routines begin to blur in ways that confuse and worry Noah. 
Both text and illustrations convey a gradual and uncomfortable "fading away" of Grandpa without heavy-handed explanations, labels, or discussions of Alzheimer's or dementia. Neither the text nor illustrations resort to hand-wringing or overwrought expressions, and yet they are heartfelt and recognizable, as in this excerpt:

"Grandma came outside after him (Noah) and kneeled down so she could look in his eyes. She touched Noah's cheek, sighed, and said, "Grandpa knows you. He just gets confused, that's all. So we have to appreciate what he still has, not what he's lost."

Wise words, but the facing spread reveals and validates Noah's authentic emotional response:

"Noah thought that was like trying to feel good about the toys you still had, when your favorite one got left behind at the beach."

In all cases illustrator Kath maintains a subtle touch with color, expression, gesture, and details to suggest and shift moods. I am always in awe of those who can convey potent emotional content with the tiniest shifts of dotted-eyes and tilting brows. Kath's illustrations display her mastery of that skill. 
Noah finds his attempts to deal with his "fading" grandpa to be unsatisfying. Trying to sustain their shared routines on his own causes him to feel his loneliness more intensely. Grandma does her best to fill his days with engaging experiences, but it's Noah's attempt to maintain routines that provides the key to unlocking Grandpa's memories and personality, despite continuing changes. 
Levine's subtlety with text is as impressive as Kath's deft illustrations.  

In the early pages:

"... singing as long as the walk would last."

After finding a way back into each others lives, Grandpa and Noah are able to head out together for a walk:

" And they took off down the road together, planning to go for as long as the song would last."

The end papers open with the full colors of Grandpa's plaid shirt, which fades in and out throughout the story. It is particularly telling that when the gray recedes the plaid is restored but with some original tones missing. The closing endpapers eliminate those fading strands while sustaining joyful colors. Likewise, the title page and early stages include birds singing robustly, transferring to subdued during interior struggles, but resuming their joyful trills on the final pages. 

These are only a few of the ways this book could serve as mentor text for writers, young and old, and for illustrators as well.

The Kirkus review offers a full summary of the story here. 

The book as a whole stands up to multiple rereadings, in no small part because of the upbeat conclusion and constructive resolution.

I  read, write, review, and teach picture books. I attend workshops and conferences, participate in contest panels, and read about picture books. It's easy to imagine that picture books touch my heart and mind on many levels. 

Picture books are the precursors to social media. In very very words and images they offer complete, concise, compelling  content ranging from belly laughs to wry irony to wrenching social commentary to memorable storytelling to potent delivery of factual content. This little blog provides a platform to send my thoughts out into the blogosphere about particular titles, authors, illustrators, and  topics. I launched the site several years ago at a time when a claim about the "death" of picture books was being debated and I had an opinion to share on the subject. I was (and continue to be) eager to explore titles recent and classic and their potential POWER in our lives. 

I use the word OUR intentionally. While the stated audience for picture books is young readers, the best picture books are equally valuable and appealing to all readers.

This one surely is, and should be a part of every home. library, and classroom.

To see if others agree, visit stops on the blog tour for WHAT A BEAUTIFUL MORNING, linked here:
What A Beautiful Morning Blog Tour 
8/3 MomReadIt
8/11 Bildebok
8/13 Randomly Reading

I received a free copy of this book from the publisher but the post expresses my honest opinion. 


     




Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.