THE HISTORY OF WE: A Must-Read Marvel

 The back cover of the book jacket for THE HISTORY OF WE features a single sentence:

"In this fertile African cradle, the birthplace of civilization is found."

KOKILA, 2025

Words and painting by NIKKOLAS SMITH take readers on a time-travel adventure back to the origins of what we now call the HUMAN race. The journey confirms that human identity is not defined by skin color but by our capacity to create. These immersive, evocative spreads suggest the ways human beings developed language, art, music, tools, rhythm and dance, agriculture and architecture, navigation and astronomy, medicine and exploration. Those creations and innovations, confirmed by paleoanthropology, originated in the landmass we now call Africa. 

That is the WE of this title, the empowering glory of human beings who found strength and growth and improvement in community and communication. The final double spread is a mural-like expanse of human faces of every age and hue, revealing (as we already know) that humans are not BLACK OR WHITE OR YELLOW OR RED, but have skin tones/blends of these, adapted and suited to improving lives where they find themselves. It confirms that WE are all cousins, rooted in our common origins and accomplishments. That WE ALL reap the benefits of what each of us contributes to the improvement of our lives and species.

Double-spread back matter offers short statements about each spread-achievement that is referenced in the glorious art and minimal text. Those small passages provide enough technical accuracy and terminology to allow curious readers to pursue further information, and a simplified timeline scrolls across the bottom of that spread to pace human developments through millennia. The artist/author note indicates that this work moves beyond his previous works that expanded unvoiced histories to suggest and celebrate the markers of our entire species, our relationships in time and location, and to hint at the possibilities that we, as a related human race, might yet accomplish.

This is a work of visual beauty, but even greater awe occurs from considering the wonder of our shared human race. The only context in which race has real meaning.

CITY SUMMER, COUNTRY SUMMER: An Intimate Look At Ordinary Life

One of the more challenging things to help young writers learn is the power of writing "small moments". Early writers want to share adventures and magical tales, rockets and dragons. Those are fantastic topics and need more encouragement than they sometimes are given. Even so, few children are as emotionally affected by dragons as they are by small moments in their personal lives. Moments of joy or worry or loss or celebration. Reading and writing those stories from their own experiences provide insights and inner processing of the emotional landscape of daily life. 

During BLACK HISTORY MONTH, and beyond, many of the picture books that so wonderfully reveal major moments in our American history focus on "big" events and eras in our shared experiences. I've reviewed many of those, HERE, HERE, and HERE, for example. There is value in providing accessible stories that too often were untold or even denied. The BIG parts of history need to be shared and understood. 

KOKILA, 2025

 CITY SUMMER, COUNTRY SUMMER, written by Kiese Laymon and illustrated by Alexis Franklin, reveals a ubiquitous history of small summer moments with heart and joy. The faces on the cover only hint at the experiences of the boys portrayed, two local brothers in Mississippi and one New York City boy, all spending the summer next door to each other with relatives. 

Mississippi native Mildred D. Taylor's award-winning middle grade novels explored this multi-generational pattern often. After the Great Migration into Northern States, families would send children South during summers to visit and learn from extended family. This may not be the first picture book to examine this cultural pattern through a  contemporary Black lens, but I have not found others. 

The voice is a slightly reflective first person approach to the process of meeting, measuring, befriending, puzzling, and recognizing "safeness" in the others. Not safety, but safeness. A recognition of themselves in the others, for saying both "I love you" and "I am afraid" to the others without risking the spoken words. The vibrant colors, the glowing skin, the dense but nearly monstrous garden, the perspective of overhead smiling adult faces, hands spraying their bodies with water, the slides down a hillside all say what words dare not. 

Don't come to this thinking it is some kind of City Mouse/Country Mouse parallel, or that it is a series of "summer fun" antics, fun for the sake of fun. There are shadows of both, in this tentatively tender relationship story. But those elements only serve the bigger picture of young folks with dark skin who have lived in a world in which caution is an essential skill. The story and their adventures reveal the process of  exploring trust in a potentially hurtful world. 

Please read this. Experience the lively scenes and read the text several times. Find and feel the  layers of simple statements and underlying emotions and hopes. You will come away enriched.

And, perhaps, awakened.

Teacher friends who read this book will recognize wonderful mentor text for writing small moments.

BLACK DIAMOND KINGS: Poetry on the Pitch

 It's only mid-January. Football season hasn't fully wrapped up yet, basketball is in early stages, and winter Olympics are in the spotlight. Even so, I'm calling out my own eagerness for days when SPRING TRAINING has begun. I don't think I'm alone. 

Baseball season allows fans to "get to know" their favorite players, day after day, month after month. Games last long. Some see that as a problem, but I like the time it allows to let both games and personalities unfold. That was even more true when baseball began, teams were locally claimed by their communities, and low payrolls meant players were part of those communities. That's the era in which not everything was rosy. In fact, it "normalized" many evils, including segregation, the Negro League, and countless injustices. 

That era did allow Black communities and players to know each other intimately, but it prevented the wider community from realizing the talent, the brilliance that was being denied a well-deserved stage. 

CANDLEWICK PRESS, 2025

BLACK DIAMONDS KINGS, written by Charles R Smith Jr. and illustrated by Adrian Brandon. Both creators are kings in their own realms: Smith for poems celebrating Black excellence in sports and Brandon in painting and printmaking to reveal a sprawling landscape of Black life not typically portrayed. Just as Black History Month (February) is not meant to limit the attention we give to the stories and individuals who contributed to our shared history, Poetry Month (April) isn't meant to exclude this important genre from the other eleven months of the year. 

That's why I'm excited to share this remarkable picture book now, as the year begins. It deserves a place on our shelves all year, and in many contexts. Each poem portrays a notable Black baseball "king", capturing in varied poetry forms the elements of each remarkably talented life on brilliantly-illustrated pages that saturate and signify key features of each man honored here.

It's notable that Leroy Robert "Satchel" Paige begins the book with the title "INTRODUCING". The irony here is not to be taken lightly. Even non-baseball fans, even younger folks, are more likely to be aware of this icon of the NEGRO LEAGUES than any other. Even so, their awareness is superficial. His power, grace, strength, and finesse are captured in both the fireworks-action-packed pitching pose and the snapping, cracking, rhymed and rhythmic poem that stretches down the page. 

That re-introduction and expanding perspective sets up page turns that each reveal names lesser known but deserving of the titles of "KING". Many have nicknames that suggest their distinctive talents, personalities, and patterns on the field (Pop, Buck, Cool Papa, and more). Each had qualities that would, in modern baseball, earn seven-figure salaries, advertising contracts, and so much more. Back matter offers brief author notes as if on the the flip side of baseball cards, indicating where/how/why the players' lives and noted features inspired various approaches to each poem, as well as their years playing and a few stats. Following that, a two-page spread addresses facts about the Negro League. 

As poetry, this picture book could well be shelved in nonfiction, incorporating researched details about powerful American heroes and history. The work as a whole serves as a pattern for those doing research on lesser-known figures, suggesting ways to share both prose and poetic content that will open eyes and minds to remarkable leaders. Anyone who enjoys superheroes or has an interest in art would enjoy (and perhaps attempt to emulate?) the dramatic and expressive illustrations for each baseball hero. In total, this offers the excitement of a season to come combined with the thrilling lives of seasons past. Don't miss out!

A Leader For All Time: Paul ROBESON: OUTSPOKEN

 Added bonus: Teaching Guide from Candlewick! CLICK HERE.

If the name PAUL ROBESON elicits a nod of recognition, you may be closer to my generation than to that of digital natives. A new picture book biography goes a long way to revealing a hero and icon who could inspire them to greatness on many fronts to upcoming generations. As I think of the life of PAUL ROBESON as it might have played out in a time of widely-shared information I can easily imagine countless schools, auditoriums, and other monuments to his greatness that would sustain him in public awareness for all generations, for all time.

Candlewick, 2024

OUTSPOKEN- PAUL ROBESON, Ahead of His Time: A one-man Show, is written by the incomparable Carole Boston Weatherford and illustrated by Eric Velasquez. Those who are familiar with even part of Robeson's life and career will appreciate this beautifully elaborated portrait of his remarkable life and accomplishments. Everything about this book is exceptional, including the quantity of text, the gloriously detailed and revealing illustrations, the lyrical quality of the first person narrative, and the sense of the immediate presence of Robeson on the page, despite his absence from our physical world since his death in 1976. This account makes clear that the impact of his life resonates even today, whether we know of him or not.

I am generally skeptical of using first person voice in biographic presentations. It is rare that direct quotes can sustain a full accounting in those attempts. Without that validation, assuming the "I" voice for someone else gives me pause. And yet...in Weatherford's capable and respected hands, I trust the approach entirely and feel it serves an immeasurable contribution in producing that sense of Robeson speaking directly to readers on the page. Her channeling of his voice makes this a book worth reading for adults, too.

This book is also unusual in its length (48 pages, including useful and informative back matter, timeline, etc.) large format, high word count, and inclusion of personal elements throughout Robeson's complex and accomplished life. Each stage of his life is explored through  free verse poems or prose, utilizing lyrics of songs, repeated phrases and themes, and lyrical language. Beginning with reflections on the heritage of his ancestry (resistance and intelligence, from his enslaved forerunners), carrying through his childhood and every phase of life, the poems and narrative are superb individually and as a compilation of life-story. Each poem across several pages includes majestic, informative images, full-page and spot illustrations, to provide readers with a sense of the time, place, and emotional drama of these Robeson-voiced depictions. The effects of text and illustration together are powerful and moving, with an undeniable reflection of the dignity of the man.

I'll admit my awareness of him was limited to his career as an incomparable singer, a man whose experiences with injustice and assault to his dignity led to living in Europe to experience a higher degree of equality than could be found in this country. Over the years, I learned more through studies of the Civil Rights Movement, Black History Month programs, and some PBS documentary coverage over the years. Even so, none of those scratched the surface of this man's complicated life and layered accomplishments. While I held a deep respect for the man I thought I knew, nothing prepared me for the miracle of this impressive treatment. Weatherford's and Velasquez's deep research and thoughtful structuring of the book and its total design allowed me to know and appreciate Robeson more fully. I believe the same will be true for readers across many ages, with late elementary through middle grade audiences as its target audience. 

The public and private treatment Robeson faced in this country (as was true for most non-white people) throughout his life limited the degree of his contemporary fame and success. Nevertheless, he lived his life and shared his talents, intellects and leadership. That's not to say that residual impacts of those discriminatory patterns have disappeared. I am left with a sense of loss of the ways in which his life might have further enriched all of us, cementing him within our culture for all time. This book is so thorough and powerful that I feel my hope restored, imagining that the life of Robeson will rise in public awareness and, just possibly, elevate him to the honors and cultural appreciation he deserves in the generations to come. His life is a legacy and deserves to be appreciated by all of us.

Thank you to the publishers for sharing a very helpful teaching guide to encourage use of this book in the classroom. Be sure to click and check it out!

THE LAST STAND: Lovely, Powerful History

 In an earlier post I first featured a picture book by the Pumphrey brothers, narrative storytelling illustrators and wonderfully effective voices for Black History that is ignored, not just overlooked. They create stories that speak for themselves, adding excellent foundational background in their creator notes in their debut THE OLD TRUCK. The author did the same in this new truck-centric picture book written by Antwan Eady and illustrated by Jarrett and Jerome Pumphrey. 

Alfred A. Knopf, 2023

THE LAST STAND features an old truck and continues that underlying history of Black farmers and their current lives, as the cover reveals. Relationships star, including the partnership, the evident love between Papa Earl and the young narrator,  his grandson. The surface story indicates that Papa is a farmer, that the young narrator shares and learns those habits, practices, skills, and appreciations by living the life with his family. The cover and opening revelations also indicate how important Saturdays are, not just for them but for the community. That's the day that the two generations load their harvest in Granny's sweetgrass baskets, fill the bed of the old blue truck, and head out to the farmers' market. 

Such Saturday chores are more quickly said than done, allowing readers a few page turns to gain perspective on the work and time for minimal but potent text to mention Papa's black and wrinkled hands, each wrinkle telling a story. Of fixing, of carrying signs, of taking stands in life. Those simple signs (in the background, on the other "closed" stands, on the bumper sticker) point out the hardships and struggles that underlie these current Saturday mornings. Black community shoppers lined up and waiting speak volumes, too, about the significance of sustaining this food stand experience on both sides of the exchange. Not only are there economic and political strengths in this cycle but also a strengthening of community. Shoppers and sellers are known to each other, seen by each other. 

On its own, this would make an important and complete story. But, as they say on the infomercials, "Wait, there's more...". And the more in this case is the core of the story. The pair return home after dark, returning to their dusty bumpy driveway, where every bump welcomes them home and tells a story of its own. When the young narrator next describes a change, he is coping with collecting and loading and preparing for Saturday market on his own. Papa does not participate. Readers are allowed only hints that Papa is experiencing some kind of struggle, but the tradition will go on. 

Or will it...?

Delivering harvest loads on a bike produces a seemingly insurmountable obstacle, precious crops spilling onto the roadway or needing to be left behind. The next Saturday we are reassured that Papa is still around but too tired to load or drive. A solution has been considered and implemented, though, and the market opens that morning. Including Papa Earl's sign. Even then, the story has not concluded. A few more page turns allow the storytelling to include every player in the satisfying, inspiring closing.

This book is a delight, even at its most literal, it's uplifting. It serves as mentor material for discussions, even lessons, on thorough and effective storytelling. Of not simply "saying more"  but of following the trail to the heart of the story. The text captures the heart and power of the relationships among the family and community with direct and lyrical language but surprisingly few words. The visual narrative reveals similar simplicity with eloquence that yields even more power to each line, detail, and word of text. That includes those recurring indicators to "Support Black Farmers".  

This is a picture book that entertains and satisfies, but also enlightens and challenges. It contributes important content to our generally untold American history and encourages us to learn more. There's not a thing I'd change about it, and I hope it finds its way onto countless lists and shelves and into discussions when it comes to layers and layers of topics: community, economy, social justice, social-emotional learning, multigenerational families, farming and gardening, and so many more. It's a true harvest of rich discussion and reading resources.

 

ELEPHANT and HISTORY FANS: MEET MISS FANCY

This is a short but sweet post about a short, sweet, historic story. Based on true events in Birmingham, Alabama in 1913, this charming fictional story of an elephant-obsessed boy  and his mother, his minister, and a local park incorporates the important truths about segregation, animal care, and dreaming big dreams. 

G. P. Putmnam's & Sons, 2019

MEET MISS FANCY is written by Irene Latham (co-author of CAN I TOUCH YOUR HAIR?) and illustrated by John Holyfield. The extensive author note in back clarifies that characters young Frank and his minister, Reverend Brooks, are fictional, but the time, place, segregated rules for park access, petition event, and denial of access are all historically correct. Even more impressively, the eponymous MISS FANCY was an actual circus elephant who was purchased through a school-based penny collection to become a resident of Avondale Park for twenty-one years. 
In this story Latham's colorful and figurative language (hosepipe trunk, flap-flap ears, and tree-stump feet) are perfectly paired with the images of lively character Frank and family/town members, representing life in a pre-WWI setting in the segregated south. The matter of fact sign on the park, NO COLORED ALLOWED, makes it clear that the previous scene of Frank's all-Black school is not accidental. His mother's fictional quotation no doubt mirrors often-repeated cautions by many voices to many young ears in those days: "Listen, Frank, I know it's not right, but it's the law, Change will take time."
This lively, delightful, and animal-friendly story should appeal to any and all, but is another fine example of ways that "Black History" belongs in everyday classrooms, homes, and story times.
Discussions may (and should) involve the reasons, racism, and injustice behind segregation policies, but will also gravitate to elephants and other fan-friendly animals (think hedgehogs, sloths, gorillas, and on and on.)

I saved this book review and commentary to share with you in late March, well-past the arbitrary boundaries of "BLACK HISTORY MONTH", that well-intentioned and double-edged effort that corrals our literary attention toward Blackness and History-ness into the shortest month of the year. This book, this character, and these discussions belong in our collections, on our shelves, under the spotlight every day of the year. 
I hope you agree, and I hope you check out this entertaining and empowering book. 
  Side note here, but a very significant part of the Author's Note to share: Miss Fancy resided in the park for twenty-one years, but then was sold to the Cole brothers-Clyde Beatty Circus. She toured with the circus for two years before being sold to the Buffalo Zoo in Buffalo, New York, where she lived on until 1954. Animal rights also becomes a worthy topic, considering lives of elephants and other wild animals in circus touring, in zoos, and in sanctuaries, such as THE ELEPHANT SANCTUARY in Tennessee. Webcam views of elephants in natural habitats can be accessed here. 

What's so special about February?

Groundhogs, Valentine's, even presidents- I'm on board with their time in the spotlight every February.  

In fact, I get really excited when that attention spills over to a few extra days of eager reading. 

A quick search on Amazon for "Valentine-children" lists 513 paperbacks, 180 hardcovers, and 24 Kindle titles on the topic. A check for "Groundhog-children" lists 31 paperbacks, 21 hardcover, and 1 Kindle title. Most of these are picture books, and most will be circulated and read only during this month.  

When it comes to "presidents-children" the listings explode to 1341 paperbacks, 851 hardcovers, and 38 Kindle titles. These are predominantly picture books, but include a range of biography and non-fiction titles in other formats. These are more likely to be found by readers throughout the year, although often in relation to various assigned studies rather than random personal selection. 

So, devoting an entire month to focus attention on African American history sounds like a great idea. An Amazon search on the topic "black history-children" produces lists of 804 paperbacks, 627 hardcovers, and 25 Kindle titles. More than enough material to choose from for 28 days, even 29 days every leap year, right? 

Maybe, but let's review the math.  

Groundhog > one day > one European tradition >50+ titles.

Valentine's Day > one day >one saint &/or tradition > 700+ titles

Presidents' Day > one day > 44 presidents > 225 years of history > 1450+ titles

African American history > 28 (29) days > 450+ years of history > 1450+ titles

Something about this just doesn't add up, in my opinion.  

Most of the titles on topics related to African American history and heritage are higher quality literature than typical holiday titles, many are even award-winning. Yet they are just as likely to be relegated to this brief time in the spotlight. In too many cases these titles are boxed or shelved and "pulled out" during February as if they are groundhog or Valentine titles, to be plopped back into the "February" storage space when the month is over. 

Even when the quality is superior, many of the titles featuring African Americans are variations on the most familiar tales and heroes. If you read my previous post, you know I'm all for sharing the story of  Martin Luther King, Jr. But let's be sure that other names and stories are shared throughout the year. As Kadir Nelson's award-winning Heart and Soul: The Story of African Americans makes clear, those names are legion and their stories deserve attention all year long. 

Here are just a few examples, with summaries via Indiebound.org:

 Freedom School, Yes. by Amy Littlesugar, illustrated by Floyd Cooper. 2001.

Description

When their house is attacked because her mother volunteered to take in the young white woman who has come to teach black children at the Freedom School, Jolie is afraid, but she overcomes her fear after learning the value of education. Full-color illustrations.

More than Anything Else. by Marie Bradby, illustrated by Chris K. Soentpiet. 1995

Description

After slavery ended a family struggles to survive, with father and sons shoveling salt from dawn to dark. The younger boy's compelling thirst is for the power of letters, of reading.  Only indirectly on the last page do we see this story depicts the early days of literacy development for Booker T. Washington.

Richard Wright and the Library Card. by William Miller, illustrated by Gregory Christie. 1997.

Description

As young man in the segregated South, young Richard Wright--now a noted American author--was determined to borrow books from the public library. Named a "Smithsonian" magazine Notable Book for Children. Color illustrations throughout.

Ron's Big Mission. by Rose Blue and Corrine J. Naden. Illustrated by Don Tate. 2009.

Description

Nine-year-old Ron loves going to the Lake City Public Library to look through all the books on airplanes and flight. Today, Ron is ready to take out books by himself. But in the segregated world of South Carolina in the 1950s, Ron's obtaining his own library card is not just a small rite of passage - it is a young man's first courageous mission. Here is an inspiring story, based on Ron McNair's life, of how a little boy, future scientist, andChallenger astronaut desegregated his library through peaceful resistance.


Consider sharing other recommended titles in the comments, and let's make sure that history, everyone's history,  is woven into our lives all year long.