Showing posts with label Shel Silverstein. Show all posts
Showing posts with label Shel Silverstein. Show all posts

Apr 1, 2017

Picture Book Perspectives on Poetry Classics

Screen shot of some of the series covers from www.sterlingpublishing.com
A remarkable series was developed by Sterling Publishing in the 1990's: POETRY FOR YOUNG PEOPLE. Soon after, Scholastic Books began offering a paperback edition of each title, and they've continued to sell well ever since. 
The concept is brilliant: 
Each picture book title features works by a well-known, well-respected poet.
Each title has its own editor and illustrator. 
Each opens with a few pages of solid text, offering a brief biographical and historical reflection on that poet. Those pages are followed by richly illustrated double page spreads that enhance the featured poems. The editors present a few lines of background about each poem, followed by specific/challenging vocabulary words, noted and simply defined below the body of the poem.



Each makes the poet featured an accessible, empathetic writer whose work is suddenly relevant and engaging. 

A few of the more recent releases have focused on themes with anthologies from various poets: THE SEASONS, ANIMAL POEMS.

I urge everyone, but especially educators for any age, to explore and use these books. Poetry, with it's very low word count, shares powerful ideas. It requires the deepest and most intense cooperation from readers, along with an emotional investment. 

That need not be a solemn experience, nor a struggle. I've never yet met a reader who could encounter a Jack Prelutsky or Shel Silverstein poem without becoming an immediate fan. That "humor hook" is only one of the many emotional lures that are provided to readers in the pages of this collection. The illustration elaborations suggest those emotions and provide clues for interpretation when reading aloud, singly or in choral groups. 

My previous post on the importance of nursery rhymes was much longer than my typical posts. I'll compensate by keeping this one short. That allows more time for you to get your hands on these books. While you're at it, you might want to stop by The Poetry Foundation's  audio link, POETRY OFF THE SHELF, at which you can select from podcasts about a wide range of poets, many of which work well with the individual titles in this series. Their brief broadcasts provide simple background about the poet(s) during their own lives, and also suggest links and relevance of the poem's sentiments to our current lives.

Stay tuned for a Throw-Back-Thursday post about some of my classic favorites.



Sep 13, 2014

More Recent Releases of Note


Some books defy categorization. They appear to be meant for children, but they find and burrow into the hearts of adults, holding a place bordering on sacred. Some feel that way about THE VELVETEEN RABBIT, THE GIVING TREE, and THE LITTLE PRINCE. 


No one in their right might would try to "mess around" with titles like these, right? 
Take a look at this remarkable approach to that very challenge in THE PILOT AND THE LITTLE PRINCE, by author/illustrator PETER SIS.
Leave it to Peter Sis to take an iconic, ethereal story, one that holds a mythic place in many minds. He manages to capture that essence within the facts of the author's life. The images, book design, moods and tones of this book merit the same careful reading and reflection that we give to "The Little Prince". 
Adults who love it may struggle with the tiny, delicate side notes, and may long for more detailed author notes, but young readers won't mind a bit. The varied text styles, gossamer illustrations, colors, and moods will be savored by young readers, even those so young that the biographic content is beyond their understanding. Don't miss it.
Beach Lane Books, 2014

Now, back down to earth with SOME BUGS, written by Angela DiTerlizzi and illustrated by Brendan Wenzel. 


Fantastic in every way- bug-lovers and bug-yuck-ers alike will adore this book. The colorful, expressive, layered, and slightly wacky illustrations are the perfect foil to the sleek, slippery, syncopated rhyming verses. Each line suggests simple facts, but relates to complex information about a single species or a family of insects which can be further researched and explored.
The ultimate surprise, revealed on the final double spread, is that these nearly cartoonish critters are scientifically accurate in detail and relative size.
Consider using this as mentor text for poetry writing with non-fiction themes, word choice for specific verbs, and as an example of alternate reporting on research topics.

What are some other titles you can think of that work on multiple levels? The best should, of course, entertain and appeal, but offer complex layers for a variety of readers (of many ages). Share your favorites in the comments.

Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.