MAKING THREE WISHES... for IMAGINATION!

Today I celebrate picture books that demonstrate and honor the irrepressible imaginations of young readers. George Bernard Shaw's quote is worth remembering:

“We don't stop playing because we grow old; we grow old because we stop playing”. 

The first is SUNDUST,

Kokila, 2025     CALDECOTT HONOR BOOK

written and illustrated by Zeke Peña. This adventure is set in the desert wildlife just beyond an urban 

landscape, beyond the "bulldozers and things that don't belong". There  cacti and hummingbirds thrive, there blossoms and scaled critters reveal themselves, there chrysalis develops and butterflies emerge, there sudden rains turn concrete drains into watery adventures. Throughout each step and discovery, the words are as crisp and revealing. The colors and lines, expressions and sprawls are expansive. As a vibrant, nearly-neon sun moves toward setting, the long day of exploration winds down and a mother's call is heard. Even so, the two friends linger long enough to watch the final sunset, gathering "sundust", feeling the universe of stardust within themselves. 

A day such as theirs is a gift, to them, and to  any reader lucky enough to open the covers of this book. Journey with them as they notice and appreciate nature at its finest. A marvelous world is waiting just beyond the edge of the everyday.

NEAL PORTER BOOKS
HOLIDAY HOUSE, 2020

Next up is a less reality-based adventure but one equally inviting. Author Philip Stead and illustrator Matthew Cordell have combined their creative talents in another cartoon-style picture book, but in an entirely different visual effect. Characters in SUNDUST feel firmly anchored in their habitat, even as their post-swim brown skin dries in cracks that resemble the hard-caked earth. In FOLLOW THAT FROG the text is more complex and adventurous, as are the various pages of full and spot illustrations. Speech bubbles combine with hand-letter sound effects, longer text, and cross-hatched and intricate drawings from quilts to chickens to dreamy-memory sequences related by Aunt Josephine. She recounts her youthful Peruvian adventure involving a giant frog who swallows an admiral's son. Succeeding pages reveal rides on ostriches and tortoise backs, pirates, misdirection, rescues. Throughout this surreal tale, a loud KNOCK continues. I leave it to you to fully explore (intentional word choice) the continents, critters, and comedy that bounces off these pages. 

NEAL PORTER BOOKS
HOLIDAY HOUSE, 2026

Finally (for today, at least) is a picture book that celebrates the cumulative creativity of kids left to their imaginations. Most cultures include the spontaneous game of ... "The floor is lava"... or some other assertion that requires survival by hopping from chair to couch, or even counter-surfing. In IF THIS WERE THE WORLD, written by Stephen Barr and illustrated by Ag Ford, the story spans one recess period in which various suggestions like the above example are shared, then each is countered by "we played that yesterday... or last week..."  or other indication that these imaginative kiddos are not afraid of big ideas. That's when a boy lifts a perfectly round orange from his lunchbox and challenges:

 "What if THIS... were the world?"

After sharing the juicy segments, other possibilities emerge- large spheres, a massive tree, and more. In each scenario they explore ways to use, share, and even over-use the supposed "world" in their imagination. Each fails to fully succeed. Finally, ... But I will not share the conclusion, despite the fact that I long to do so! There is such simplicity and depth to the conclusion that it feels nearly like a prayer. Not a formal or "religious" one, but a sense of awakening to ourselves and our place among our true world. The current moon mission has been sending color images of our amazing planet. That's a timely reminder of the power of awareness of just how precious our planet and our places on it and among each other really are. 

May you all, one and all, read these. And be inspired to PLAY!

Compare, Contrast, and Celebrate Imagination!

 I enjoy sharing more than one title in a post, even though that means providing a slightly less detailed examination of each. In the prior post, HERE, I offered a quick look at three picture books that came home with me from the NCTE 2023 Conference. Each offered distinct appeal and each would be shelved in different sections of a library or book store. 

Please note the following word of warning from this committed picture book reader/writer/cheerleader:

I enjoy taking a deeper dive into titles that provide valuable and appealing reads in their own standing, but might be elevated even further when read together. I'll repeat something I often advise when mentoring young teachers/parents or providing workshops or professional development:  ALWAYS share a picture book on its own merits before beginning any lesson or analysis or other  exploration. Some kinds of intentionally instructive books can be used in parts or sections, but a quality picture book offers that glorious opportunity that few other whole "books" can do. They provide COMPLETE, COMPACT, and COMPELLING art and literature in a single sitting. They are meant to be read through, to be experienced as a whole. That is the intention of  both the author and the illustrator. Honor that. Share it as a whole. Of course a single spread in isolation or a breathtakingly beautiful line of text can be isolated and shared, but it will mean so much if that happens after the entirety of the book has been experienced. 

After that side note, I'm eager to share with you two books that each deserve the tag, "quality picture book." 

NEAL PORTER BOOKS, 
Holiday House 2023

The first is SOMETIMES IT'S NICE TO BE ALONE, written by Amy Hest and illustrated by the Philip Stead. This spectacle-wearing girl presents a thesis: "Sometimes it is nice to be alone...."  repeated on multiple-spread sequences that reveal a pattern. Doing everyday things (eating a cookie, reading, tumbling, even trailing after-bath footprints), she restates the premise and then adds a "what if a friend..." consideration. After the initial comparison of solo versus shared activity, it is clear that the "sometimes" qualifier matters. Even the most independent and "loner" personalities will sometimes find great pleasure in sharing the activity with a friend. 

In this case, the remarkably talented, Caldecott Award winning illustrator depicts each set-up scene with visual clues that allow readers to soon anticipate who each surprise friend might be as the page turns. Light-hearted and heart-warming humor arrive in each revelation, allowing audiences to nod approval as familiar stuffed characters achieve "real life" size and traits as they join in a paired/shared activity. They are all animals, wild animals at that, but ones that convey the safe and sentimental personalities of the ZOO animals in A SICK DAY FOR AMOS McGEE, also illustrated by Philip Stead.

I noted the effect of the spectacles throughout, always reflecting so that we never see the actual eyes of this girl. Her gaze/glasses are always aimed at her own pursuits, not at the reader, underscoring her comfort in being on her own. I couldn't help but notice, though, that even as her stuffed animals joined in the engaging pastimes she chooses, none are actual friends or humans. In repeated readings I believe young audiences might note the poignancy of that, wondering if she is masking a longing for actual friendship and companionship, at least at times.

ENCHANTED LION BOOKS, 2023

The second picture book that extends this "What if..." line of thinking into a more conceptual level is WHAT IF ONE DAY... , written by Bruce Handy and illustrated by Ashleigh Corrin. This book uses a similar pattern of proposing a potential situation ("What if one day all the birds flew away?) followed by several double-page spreads that propose consequences.No labels or clear indicators of the relative merits or losses of those consequences is imposed, inviting discussion. So, the skies would be quieter, worms would worry less, etc. 

This picture book is oversized on sturdy paper stock with vibrant illustrations that splash across the pages and drip off the edges. The character posing this question appears to be similar in age to the prior main character, in this case a child of color without clear indicators if it is boy or girl. 

The minimal but thought-provoking text invites audiences to imagine other potential results if such a thing would happen one day. A celebratory double spread concludes each "what if" sequence, declaring, joyously, that "THERE ARE BIRDS!" and other such exuberances for each cycle. That format means this is picture book longer than the usual 32 of 40 pages, with color and font and considerations leading to the ultimate "What if...". What if things are missing from this world because someone has not yet dreamed it? What might the reader dream that could lead to filling the world with wonders as a result. 

Both books invite imagination, empathy, and connections to the natural world. Both, obviously, use repeating patterns to assure young readers that the stories offer secure and safe places to consider such remarkable "what if..." questions. The first asks the same WHAT if each time- regarding the potential of sharing with a friend. The latter looks around and sees what is taken for granted then erases it to explore potential consequences.

So, WHAT IF you get your hands on both of these books and compare them yourself, then find others to share them with. Invite yourself and others to ponder that final question: WHAT WOULD YOU DREAM OF? And what could that lead to? 

Another Remarkable Creative Team: The Steads!

My recent post featured a new picture book created by a talented pair whose collaboration produced an exciting and distinctive retelling of THE THREE BILLY GOATS GRUFF, HERE.  

"The Steads"  have together produced Caldecott-winner A SICK DAY FOR AMOS McGEE, along with many other titles that tap into gentle but moving relationships and characters. Click HERE to see some of their covers and anticipate an "AHA" recognition of favorites of your own.

NEAL PORTER BOOKS, 2022

THE SUN IS LATE AND SO IS THE FARMER is written by Philip Stead and illustrated by Erin E. Stead. This recent work offers some parallels to that earlier work with a feel that it may have found some roots in classic tales, too, but is entirely original. The animals are on a farm, not at the zoo, and the missing human, a central figure in both, is a farmer, not a zookeeper. 

In this case the animals note the absence of the sun, only then realizing that the farmer is also late, and their food has not been prepared for the day ahead. The three central figures are ideally partnered, a sort of animal Magi, watching the predawn sky for a sign of the new day. The mule, the milk cow, and the miniature horse are boon companions, kindred spirits. They share their worries, discuss possible next steps, sharing their progress through an effort to take action, to help in some way. Barn owl is consulted, since everyone knows how wise owls are. 

Owl's advice is seemingly simple, as is this entire story: subtle, reasonable, with some concerns but nothing terrifying. The pace, repetition, naturally expressive features and postures the farm animals all take readers on a steady, companionable adventure through the field of sheep, across the broken fence, into an acre of tall corn, past the farmhouse (with no lights on), to "the edge of the world". 

That's not to say there are no surprises, and the story allows time for readers to examine elements of each dimly-lit scene, each aptly chosen word, and experience each building emotion and final, satisfying resolution. The animals are not "named", just as is true for most farm animals. That in no way implies that they lack personality or character. Rather, they are each and together unforgettable. The same is true of this lovely picture book.

 I heard about this book when it released a few months ago, and I've looked forward to reading it closely. Now that I've had it in mom hands, I've returned to it, time after time. Each time I notice elements of the text and the images that add depth and sensitivity to a moving and gratifying story while providing those "things" we love in books for younger audiences: expanding vocabulary, awareness of social and emotional connections, gentle humor, all while treading the tender line between realism and fantasy. Read this and share it, soon.

A Trio of " Ones-That Got-Away" from our Cybils Finalists

When I began serving on the CYBILS Round One panel for fiction picture books I knew we'd read stacks and stacks of books. By the time the submission deadline arrived the list of eligible books topped out at 254! Long before we began the discussions that eventually narrowed our finalists list to seven, I was spotting remarkable books that were each, unquestionably, winners in their own right. 

With SO MANY amazingly impressive fiction picture books to consider, it was inevitable that not all would make it through to the finals. That in no way implies that non-finalists have "fallen by the wayside" or been "left in the dust". Quite the contrary. These and other titles not on our finals list are turning up in mock competitions in multiple categories. These decisions are difficult and undoubtedly subjective, regardless of best efforts to rely on objective critieria. 

The upcoming Winter Convention for ALA (American Library Association) will feature the official announcements of winners and honors titles in multiple categories. You can follow that news of the YOUTH MEDIA AWARDS on their press pages, here. I didn't bother buying a $2.00 Powerball ticket for a chance to win $800 million, but I'd put more than $2.00 down as a safe bet that more than one of these titles will be included among the honored and medaled titles in those announcements on Monday morning, January 11, 2016. Get a head start on reading them now, if you haven't yet, so you can feel smug and nod knowingly when the titles are officially listed.

Roaring Brook Press, 2015

Let's begin with a title from an author/illustration pair whose picture books have won a fair share of awards in the past, Philip C. Stead and Erin E. Stead. LENNY & LUCY  distinguishes itself for other stories about loneliness, fear, and change in ways tender and creative, 
shivering and reassuring.

I'd read so many glowing reviews about this before I got my hands on it that I half-expected to be disappointed. My reaction was quite the opposite. There are so many depths to plumb in this book, for readers, writers, illustrators and, above all, kids, that it is likely to remain a classic for generations. The background images (and color tones) are a story in themselves, but nothing outshines the subtle, gentle, powerful story of Peter and Harold, and Lenny & Lucy, and Millie, of course. 
Rather than rave (which is easy for me to do about this one) I urge you to get a copy for yourself ASAP. The library hold list on this one goes on forever. I try hard not to buy books if I can get them from the library, but even after reading and returning this one, I plan to own a copy.

Roaring Brook Press, 2015

Next up is a masterpiece written by Marsha Diane Arnold with pictures by Matthew Cordell, LOST. FOUND. This is a small miracle of a book in which two words lead readers on an epic, heroic journey from woodland walk to the establishment of a community of friends. The two title words form the total vocabulary for this story, so the reader must fully engage in each scenario as animal(s) depict a series of encounters with a colorful scarf. The illustrations romp, amuse, and propel page turns to reveal the unraveling of and eventual reconstruction of society itself. Creativity, cooperation, exuberance, and exasperation lead to confrontation then collaboration and eventual resolution. Humor and charm abound.

Houghton Mifflin Harcourt, 2015

Both of the titles above are proving to be favorites of kids and adults. The same is true for those lucky enough to have discovered DRUM DREAM GIRL, written by Margarita Engle and illustrated by Rafael Lopez. This is destined to be a timeless classic and I hope everyone who reads it helps to make it so by recommending it far and wide.

It's a readable, very brief story in free-verse inspired by an actual multi-ethnic girl/young woman who overcame social taboos about girls drumming by force of her talent, determination, study and perseverance. Its category-bending nature mirrors the inspired and persistent girl's pursuit, couched in a book with rich visuals and language that can inspire readers, artists, and writers to follow their own dreams and talents. This story deserves more attention than it may garner in a crowded field of outstanding books, and should find a home with older readers as mentor writing text,  initiating discussions of social expectations and restrictions.

I'll feature even more titles in future days and weeks, celebrating announcements of winners like these and many others. Stay tuned to the ALA announcements and follow my blog for more amazing picture books, winners all: not because of medals awarded, wonderful as they are, but because these books are unforgettable and amazing.