Showing posts with label Pat Z. Miller. Show all posts
Showing posts with label Pat Z. Miller. Show all posts

Aug 10, 2025

What ONE CAN BE... Take a Look

 Some, (actually, quite a few) picture book authors reliably create books that quickly become not only successful but special. Pat Z Miller is one such author, one I'm privileged to call my writing friend. Click on her name and to see many examples of her books: most fictional, some non-fiction, in prose and rhymes, for youngest audiences and for school age. In case the author's name doesn't ring a bell, think of NYT Bestseller BE KIND, or SOPHIE'S SQUASH, or WHEN YOU ARE BRAVE. The point I'm making is that this is a writer who takes tremendous care in turning good ideas and clever concepts into timeless books. 

Writing about kids who are alone, being ONE, is not unusual. Many of the picture books with that theme take one of several approaches. Some work to distinguish being alone from being lonely. Others pursue stories of kids who are alone but long to engage with others, exploring ways to take such steps into a wider community. Some celebrate the vast world that can exist within an individual mind and heart. 

BEAMING BOOKS, 2025


ONE CAN BE
, written by Pat Z. Miller and illustrated by Annie Cron, takes a familiar premise and expands its potential into a story with multiple layers and depths. This is a charmingly multi-diminsional approach to a child who finds comfort and joy in being alone with her books and other creative outlets, including her dog, plants, etc. She recognizes, though, that there can be fun and purpose in joining forces with others. In her case she is neighbor to a vibrant outdoor park, and she notes the fun being had there. She also notes the lack of books there. Joining in community shouldn't require leaving behind the things you love while on your own, right? 

In several spreads she channels her creativity to design and attempt to build a little free library. Ideas and effort abound, but this "one" realizes that friendships can offer company and collaboration. The design and building process she instigates had whispers, to a degree, of Miller's A GIRL CAN BUILD  ANYTHING (great to pair these titles). As the park folks interact with "one", other things build as well, on all fronts: friendships, love of reading, pet connections. 

Nothing is compromised or sacrificed or challenged. This ONE title, with its ONE central character, its ONE park, and its ONE idea allowed to blossom into many petals, is a remarkable accomplishment of text (fewer than 100 words, perfectly selected and paced) with subtle and gentle art that allows for added storytelling through visual detail, page placement, and design. 

In terms of text, Miller has cleverly used a very formal, almost distancing phrase (Think BCC period dramas), as in "One can breathe." "One can think." What prevents this from being a stuffy, off-putting turn of phrase is the opening page text that clarifies through punctuation, line breaks, and phrasing, who ONE is. It invites readers to recognize that ONE is this young girl. Or ONE just might be the reader themselves.

"One.

Alone.

No one else nearby."

And these simple opening lines, typed on this bare page, could almost read as ominous (Cue the dramatic music.) Instead, though, the soft-edged, pastel, warmly-detailed illustration elements reveal an almost dreamy state of bliss. Speaking as someone who often seeks refuge in isolation and reading books, this ONE's tree refuge is one I'd love to have and inhabit.

ONE CAN BE deserves more than one reading! The release date is in September. I always hesitate to feature a book before release, since those I've managed to persuade to read will need to wait. Yet this is a great example of why advance reviews are helpful. This can be preordered now, or requested at your local library and/or indie bookstore. Those generate data to the publisher to assure adequate first printing, perhaps even increasing the first print run. Those of us who love books as pieces of art and literature HATE thinking of all this as a business, but it is, indeed. So if my comments on the book resonate with you or someone you love, consider placing those advance requests and trust me that you won't be disappointed when you're time arrives to hold your copy and read for yourselves.

I was thrilled that Pat had an advance copy for me to read fort this review. Another reason I prefer to wait until actual publication is to experience the physical book, not a PDF or digital version. The tactile quality of the book is an experience in itself, and all are not equal. In this case, despite it being a soft-bound uncorrected proof, I was not surprised that the high standards of BEAMING BOOKS  meant the book itself is a joyful experience. Colors, finishes, and text placement all create a welcoming, almost melodic journey through this sharing and growth experience. 

Jun 22, 2021

Q & U Call It Quits: Laughable Lessons in Alone Time (and Letter Teams!)

Quill Tree Books/Harper Collins. 2021


 What kind of picture book would you get from two (former) advertising professionals? If the two you choose are author Stef Wade and illustrator Jorge Martin, you get Q & U CALL IT QUITS! 

And you get a picture book that wins on every level. In overall appeal, this is a story of soulmates, a perfect pair, two who are meant for each other. When jealousy and resentment, differing needs, and general misunderstandings develop, real conflict and eventual resolution follow a strong story arc. The fact that these "characters" are actual letter characters only makes the story (and analogy) all the more appealing. 

Wade's word play, strong secondary stories, and ultimate resolve are grin-worthy and provide rich resources for teachers, parents, and kids who want to explore the many ways in which our English alphabet relies on teamwork, flexibility, and careful attention. The very real emotional landscape suits young readers perfectly, ones who struggle with sharing (or making) friendships and setting boundaries without offending.

Martin's illustrations place these dynamic letter folks in a subtle virtual life in which everyday play and problems are confronted with kid-friendly reactions, conveyed through remarkably expressive eyes and line-mouths, activated only by stick arms and a pair of legs each. Using those limited elements, their adept application opens fully-lived lives in this colorful and dynamic world of letters.

The design team deserves my nod of approval for the effective but not overbearing use of color/bold/size font for each letter when being referred to as character, with color-shift-only for letter teams when placed in words, and otherwise not calling attention to specific letters within lines of text. Picture books are meant to be read aloud, but with a close-contact audience who will notice such things, but not be distracted or even fixated. The balance of visual cuing means that young eyes (and ears) will attend to the letter-sound-teamwork within our complex language at a natural and fun level, one that they will want to share with others. 

Wade and Martin are  two highly talented and skilled picture book creators. Both have award-winning books on their resumes. So why would I begin by mentioning their mutual advertising backgrounds? At first, I found it a novelty that they had each, on different continents and unknown to each other, come to their current lives from a similar background. So I did a quick search on principles of advertising and found this: 

(from small business.com/chron)

Text/Copy:  

The copy or text must communicate in clear, concise and focused language. Start with a headline (TITLE!) that grabs the reader’s attention, sparks interest in your product (story/premise!) and conveys your message succinctly. Potential customers (readers!)!have only seconds (of attention) to read your billboard (picture book).

Illustration and Graphic Elements:

"...more attention goes to pictures than words and human models get the most attention ..." 

"...using models that match or appeal to your target audience (readers) to forge an immediate connection between your product/service (picture book) and your potential customer (readers)..." 

So I'm thinking that doing some side study of advertising might strengthen my own picture book writing! In fact, we could all do well to learn, as Q & U finally do, that teaming up and benefiting from collaboration is a great way to operate, to be effective, and to build our strengths. 

In an aside here, I purchased a copy to review, then purchased more to give as gifts. Stef is a friend/writer/Wisconsin SCBWI member, whose career is in early stages. She is a force to follow" @Stef_Wade.  

Another SCBWI member/friend/picture book writer/NYTimesBESTSELLER is Pat Zietlow Miller (@PatZMiller). She retires from her "Business" career with American Family Insurance this week, with twelve (wildly) successful picture books and about a dozen more heading into print in the next few years. She wrote a parting essay that is worth reading. I hope you will, HERE. Like picture books, it is short and powerful. And you'll smile while reading it, remember it, mention it to others, and find ways her message fits into your own lives. Enjoy!





Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.