Showing posts with label Norman Rockwell Museum. Show all posts
Showing posts with label Norman Rockwell Museum. Show all posts

May 21, 2014

Nothing MINOR About This Exhibit: Time's Running Out

Things have been pretty hectic in my life lately, in a very good way. 


Published by Norman Rockwell Museum, 2013

Still, I'm compelled to take time to remind readers to get to the Norman Rockwell Museum in Stockbridge, Massachusetts before it's too late to view WENDELL MINOR'S AMERICA. He has enjoyed forty years of success in the very competitive arena of illustration, but the exhibit  celebrates the twenty-fifth anniversary of his picture book art. The exhibit concludes May 27, so the clock is ticking.
Here's a description from the exhibit site:

"Wendell Minor’s America celebrates the artist’s four-decade career, highlighting his twenty-fifth anniversary as a preeminent illustrator of children’s books, each inspired by his love of history, art, science, and the natural world. More than 150 artworks gleaned from his expansive visual chronicles, and commentary reflecting on his collaborations with our nation’s most prominent authors, scientists, and historians, showcase a quarter-century of unforgettable picture book art."

I was lucky enough to have an extended interview with the artist a few weeks ago and will share some of his remarks about the exhibit here, with more to follow on other topics in coming weeks. After discussing his childhood, art training, and early years in commercial work, he described his earliest days in New York City:

WM:  "When I left for Manhattan I had a portfolio and a lot of dreams but I had no idea what was in store for me. Within three weeks I got a job. I got paid for forty hours a week and worked a hundred hours."


Further into the conversation he discussed the current exhibit of his twenty-five years as a picture book artist:

WM: David McCullough came (to the museum) to deliver the opening lecture for my exhibit and we did an open seminar the next day. He asked if I would walk him through the gallery before it was opened for the crowds. There are three major galleries for this show, with 350 major pieces. 
He said to me: How do you have time to do all this? 
And I just said: Look who’s talking. (Link here for more about David McCullough.)

Painting is a Zen experience. It’s a universe you can get lost in and almost be unconscious of the world around you. When I looked at the exhibit with David it was one of those seminal moments when you look at your own life and say: My God, look at all this work, and this is only the tip of the iceberg!

But, you know, you get one day at a time, and you get X number of hours in that day, and depending on how you utilize that time determines what you can produce.
I do think my obsession with work is legendary, but I have only a fixed amount of years on this planet and I want to make the most if them.

SB: I can certainly see why, given your medical history. It must be on your mind often. (Earlier in the discussion he had described the limiting conditions of his congenital heart defects, surgeries, and more recent aortic aneurysm surgery.)

WM: It is in my mind every minute of the day. I have an artificial heart valve now, too, … so I’m like an old car- (laughs) I had my valve replaced and my hoses replaced, but I keep chugging along.
I’ve become very health conscious and do everything mentally and physically possible to take care of myself and last as long as possible. 

...Extended discussion ensues on other topics...

WM: I like to tell kids- whatever you can imagine for yourself,  don’t take no for an answer. If someone else tells you that you can’t, it’s only because of their limited perspective in not being able to see the possibilities that you see for yourself.

The interview was full of wise advice, laughable anecdotes, and personal reflections. I look forward to sharing more in future posts. It's obvious this retrospective and related lectures, appearances, and interviews have Wendell Minor reviewing his life in detail. In fact, an autobiography is under consideration, and I sincerely hope he makes that come to pass.

If you, like me, are limited by location and schedules so that you won't be able to attend, at least read through Anita Silvey's Book-A-Day Almanac post on the commemorative book published (for adults) in connection with this exhibit. (Buy it here.

The very good news is that arrangements are underway to allow the exhibit to travel to major art venues around the country. Stay tuned for more about this as plans are released. 

And a huge thanks to Florence Minor, for first introducing me to Wendell, and to Wendell Minor for the generosity of his time and the dedication of his talent to the world of picture books.


May 3, 2014

Illustration Celebrations: Introspective and Retrospective

Crispin Books, April, 2014
I can't help feeling guilty about neglecting this blog for the past couple of weeks, even though I posted a warning I'd be focusing on my author blog at www.SandyBrehl.com/blog for a month or two in conjunction with the release of my middle grade historical novel, ODIN'S PROMISE.
Click to the blog above later to find links to giveaways from various blog tour hosts.

I've been busy in the best possible ways, but never too busy to feel guilty when it comes to letting my attention to picture books slide. Let me assure you that I have been working on material for this post and for several future ones, and now the calendar demands I procrastinate no longer.



The reason for my return is to extend my own celebration to two worlds of illustration. The first was triggered by the arrival of the March/April Horn Book Magazine in my mailbox, a special issue on illustration. I particularly loved this quotation from Roger Sutton's editorial on the unique value and function of picture books in literacy development:
"To echo another social media meme, Leave the Kindergarteners Alone! It's our job to read to them; it's their job to look at the pictures; it's the pictures' job to join the story with the imaginations of those who read it and those who hear it. As the many examples in this special issue demonstrate, that job continues to be performed admirably."

A quick glance at the titles and authors of the articles in the Table of Contents (here) should convince you to get to a library or bookstore and read it cover to cover. Where else could you enjoy (over and over) the wisdom and insights of so many masters of the art of illustration in a single sitting. That's what I did, even though it meant I had to let a few important to-do items wait.

If you absolutely, positively can't read it now, it will be there waiting for you when you get to it, but GET TO IT, as a favor to yourself. 

The more important reason for getting back to posting here is that some things won't be there waiting for us if we miss them now.This is an event I will miss out on, but you don't have to.
Wendell Minor, “Heartland (Red Barn Flag),” 1989.
Cover illustration for “Heartland” by Diane Siebert,
Thomas Y. Crowell, New York. ©Wendell 
Make it a point to get to the Wendell Minor retrospective exhibit at the Norman Rockwell Museum, celebrating 25 Years of Children's Book Art. The exhibit began November 9, 2013, but the clock is ticking. May 26 is the final day to see this incredible collection, entitled Wendell Minor's America. No excuses, folks, take a few minutes to click the link above and view the embedded video in which Minor describes his early years, the forces behind his development as an artist and nature lover. and his professional assignments prior to and related to working on picture books. His reflections on the role of illustrations in picture books is in perfect harmony with Sutton's comments.


Norman Rockwell Museum Composite,
Wendell Minor Retrospective

In the video he says: 
"The unique thing about a picture book is that they aren't just 16 or 20 pictures together, they all have to relate together, to flow together.In a good picture book you should be able to not read the words and still get the message through the pictures, and the words add that extra dimension."

I would add that this is true not only for story picture books for the very young, but for the most sophisticated non-fiction subject matter. Even when the text has demanded huge amounts of research and sophisticated knowledge, illustrations such as Minor's reveal nuance, intricacy, and dynamics that text alone can never fully describe.

Harper Collins, April 2014
Minor recently indulged me with a lengthy phone interview. I'll return in a week or two with another post sharing some of the many things he spoke about in that interview, including spotlights on just a few of the many picture books he has created alone and in partnership with remarkable authors. In my last post I reviewed his latest release, GALAPAGOS GEORGE, written by Jean Craighead George. He has several new works scheduled for release in the coming year which will be previewed in that post. 

In the meantime, if you are anywhere in the vicinity of the Norman Rockwell Museum in Stockbridge, Massachusetts, get there before this exhibit ends. Minor's art is impressive enough in the quality pages publishers use to best display his work, but an opportunity to view the original art should not be missed. Sadly, I will not be able to get to the coast during this exhibit. If you've been there, go back and take my virtual eyes. By all means, add comments about your experience there. 
Go ahead, rub it in. At least I have many of his books to console me, and a signed catalogue of the exhibit, which I cherish.




Picture books are as versatile and diverse as the readers who enjoy them. Join me to explore the wacky, wonderful, challenging and changing world of picture books.