Showing posts with label Lizzie Demands a Seat. Show all posts
Showing posts with label Lizzie Demands a Seat. Show all posts

Oct 6, 2020

BETH ANDERSON Interview: Bringing History to Life!

During the past year I've become a fan of author Beth Anderson, one picture book at a time. If you follow this blog regularly, you have probably become her fan, too. I had loads of fun with her first picture book, AN INCONVENIENT ALPHABET: Ben Franklin and Noah Webster's Spelling Revolution, reviewed HERE, which was  followed by LIZZIE DEMANDS A SEAT!: Elizabeth Jennings Fights for Streetcar Rights, reviewed HERE, and "SMELLY" KELLY AND HIS SUPER SENSES: How James Kelly's Nose Saved the New York City Subway, reviewed HERE I “met” Beth Anderson through her books, so if you don’t (yet) know them, I hope you'll read the interview below. Then i invite you to click to read my reviews, all of which praise the appeal and impressive research and detail woven throughout her well-told, lesser-known, kid-friendly profiles. 
Then, of course, get your hands on those books to read them and watch history come to life in your lap.


I learned quite a bit about Beth using prior interviews and her website, which is loaded with useful resources and links to blog posts. Some favorites are linked at the end of this post to make it easy for you to follow her example and dig deep, mining for valuable information. 
This quote is highlighted on Beth’s website: 

"Writing is mining. It’s digging deep inside for special memories, emotions, and meaning. It’s burrowing into history for inspiring characters and moments that change the course of events." 
~ Beth Anderson 

Author Beth Anderson
Those prior interviews are why I’m exploring a new vein with my questions here, focusing on some things I wondered about the creation of her October release
“Smelly” Kelly and His Super Senses, and her recent release, Lizzie Demands a Seat. 
My questions are in BLUE.
BETH's responses are in RED.

SB: Beth, thank you for taking time to join us here to share back story secrets about your remarkable nonfiction books.
BETH: Thank you so much for inviting me to your blog, Sandy! 

SB:I learned that you’ve traveled a great deal and lived many places, but I was surprised to see that you aren’t a New York City gal, so to speak. These two titles both reveal the history and heart of that city, and each conveys a real sense of place and time. Did your research for one or the other first draw you or provide hints to the other story along the way? Will you share a bit about how New York City and these two figures from “hidden” history found a place in your heart and on our bookshelves? 

BETH: It was pure coincidence that I wrote two stories about inspiring characters involved with transportation history in New York City. Though the two weren’t connected at the start, they ended up connecting later. I learned about Elizabeth Jennings in 2015 and was immediately in awe of her fortitude. But in addition to the woman, I wanted to understand the time and place, a huge gap in our civil rights history, to better understand where we are today. 
I also wanted to share the larger social landscape and the responsibility of all of us to participate in working for social justice. 
 I didn’t stumble upon James Kelly’s story until 2017, as Lizzie went under contract. I was attracted to Kelly’s story because of the quirky situations he encountered, the mysterious world of the subway, and, let’s face it, an extraordinary nose is irresistible! Research yielded a small collection of anecdotes with humor and heroism. Though it was very different than Lizzie’s story, there were connecting threads, and knowing a little about New York City and the importance of transportation helped. 
So while Lizzie’s story required that I dig deep into myself and social context to nail down the “heart,” Kelly’s story was more difficult structurally and needed a “heart” that would shape random pieces into an arc. 
I had done so much pondering on heroes with Lizzie’s story that I think it led me to explore a different kind of hero in Kelly—an everyday hero who often goes unnoticed. I am definitely not a city gal. NYC has always been intimidating to me. I’d been there a few times, but had never ridden the subway. I pored over maps and photos for both books. For Lizzie, I researched widely into the social aspects, and for Kelly, I went after more physical/ structural information on the city—including sensory. 
One lesson from both is the immense importance of varied aspects of setting and the impact on characters. I’m drawn to characters first, but when you start to understand the setting, stories intensify. Both books ended up linked by the New York Transit Museum which I had consulted in my research for “Smelly” Kelly, and later on details for Lizzie. 
The museum did a program on Elizabeth Jennings, featuring Lizzie Demands a Seat, and I am thrilled to be working with them again, this time for a virtual program on James “Smelly” Kelly. 
(Stay tuned for details!) 
When I visited NYC in February for Lizzie Demands a Seat events, it was powerful to walk up the same courthouse steps that Elizabeth Jennings did, and to find the street sign honoring her; and so fascinating to experience the subway after learning about “Smelly” Kelly. Knowing the history and how these two people had changed a city brought even more meaning to their stories. Both characters grabbed me at the emotional level because they dug deep within themselves and gave their best for the greater good, affecting hearts, minds, and lives. I hope kids will see the power of possibility, of thinking past “what is,” and how each person’s actions make a difference. 
 SB: Wow, digging deep may provide the richly detailed material for your stories, but uncovering those unexpected characters involves staying alert to new leads.
Picture book biographies are having great success in recent years. You’ve pointed out that your books about Kelly and Lizzie are not strictly biographies, since you incorporated dialogue and event descriptions that are not literally documented in research. I’m interested in the ways you managed to portray adult individuals with minimal content about their childhoods while keeping kid-readers intrigued by their actions and accomplishments. Was there a point at which you unearthed key personality traits or other qualities that made you feel Lizzie's and Kelly's lives would hook kids? 
Interior from Smelly Kelly, Page 3
BETH: For James Kelly, his nickname, his incredible sense of smell and all that entails, and the hilarious situations he encountered instantly connected with the kid in me. His heroic actions led me to consider different kinds of heroes. I saw so many parallels with superheroes in Kelly’s story, and it takes place when superheroes emerged in our culture—Batman, Phantom, Captain Marvel, and so many more. 
So…I created a superhero thread and had all kinds of fun with that. Kids may not catch all the references, but hopefully adults will get a chuckle as familiar words and phrases appear. Beyond the fun connections, I honed the emotional hook, the heart of the story, tapping into the childhood wish for a “superpower,” a specialness to be valued in the world. 
 And to add to all that, Jenn Harney’s amazingly fun illustrations draw a child into the story from the start. [Kirkus Reviews noted “Shades of Spider-Man” and also gave a nod to “Hamilton” in their review: “Another immigrant gets the job done.”] 

Interior: Lizzie Demands a Ride
 Lizzie’s story was more difficult in this regard, but the importance of her story as civil rights history was undeniable. I looked for kid connections. 
Kids ride buses. Kids are attuned to “fairness.” Many kids have probably watched silently as someone endured taunts from a bully. And many have suffered taunts themselves while others did nothing. I tried to incorporate those emotional links and gut-wrenching feelings. 

And I think Lizzie’s actions are just so incredibly courageous, physically and emotionally, that her story can impact any age reader. I worked hard to make her story nonfiction, but due to the incomprehensibility for kids of a few of the words in her recorded statement and also the diluting effect of “reporting,” I opted for clarity and the power of direct speech. I wanted the reader to experience the events as much as possible. And the illustrator, E.B. Lewis, created images that go straight to the heart. 

SB: Well, you certainly achieved impressively kid-friendly storytelling in both cases. 
Something I’m eager to ask about “Smelly” Kelly involves his "fame", or lack of fame.
While learning about Kelly, did you encounter folks/fans who seemed to know everything about him and were thrilled to see you elevate his professional life to public attention- or a sort of Subway Hall of Fame? 
Or did you feel you had dibs on fandom for “Smelly”? 

BETH:  Beyond the author of one book I used, no one I’ve encountered so far has known about James Kelly! I was only able to dig up three sources. Later, well into the publishing process, the historian at the NY Transit Museum came across a newsletter article on him while she was looking for something else. That article provided a little information on his family that confirmed what I had found in 1930 and 1940 census records was really him! (That was nerdly exciting! Suddenly he was even more real.) 
The folks at the Transit Museum were thrilled to learn about him. And…they’re creating family programming on him! Hopefully “Smelly” Kelly’s fan base grows when the book comes out. He certainly deserves some attention! 
Photo of Kelly, courtesy New York Transit Museum 

SB: I agree entirely. We often hear about gourmet chefs being "super tasters", or dogs having "super sniffers", but Kelly's story is a perfect example of a "super" power serving society!
When I'm working on a writing project requiring research, I uncover tons of facts, major or trivial, that just don’t make it onto the page. Was this the case with Kelly?  If so, will you share one or more of the “leftover” details that have stayed with you? 

BETH:  Oh, there are so many fascinating facts that never make it on the page. Many went into back matter or illustrations, but I think they all contributed to the telling by guiding word choice, characterization, emotional connection, setting, and “atmosphere.” There is one laugh-out-loud scene that I plan to share in a blog post, a little long to share here. 
But here are a few extra tidbits… 
  • Kelly used a 1763 map of Manhattan subterranean springs and streams when hunting down water leaks. 
  • The 1940 census shows: the week prior to census taking he worked 48 hours, and he worked 52 weeks a year. (gives a sense of the man) 
  • Investigating clogs as well as leaks, he caught a school of 40 killifish in a subway restroom pipe and a 10” trout in a Bronx water main. 
  • He was zapped by the third rail once and fell unconscious for a moment. 
  • Subway trivia: Blue lights along the tracks in the tunnels mark phones. 
  • And considering leaks, you’ll be pleased to know that sewer mains are located below water mains. ☺

SB: You're right! It's good to know that drinkable water pipes were laid ABOVE the pipes that carried sewage. I love the idea that this logical, common-sense decision WAS made and continues to be the case. An ounce of prevention... as they say.
Finally, I know you have other titles coming out, but have been waiting to announce details. I may as well ask, can you share any news with us yet?

BETH: Recently, announcements appeared for FRANZ’S PHANTASMAGORICAL MACHINE, illustrated by Caroline Hamel (Kids Can Press, spring 2022) and THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE, illustrated by Jeremy Holmes (Calkins Creek, Fall 2022). Only one secret remains…huzzah! 

SB: It's obviously too soon to link to those two upcoming books, but I've made a note of both titles and dates on my calendar to check them out as soon as they are available. I'm excited about both, and have no doubt that kids will be, too. 
Beth, you've been more than generous with your responses here, and I have no doubt that young readers and writers will be fascinated by your research and writing and the lives of these remarkable historical figures. 
That's true for this OLD reader/writer, as well. We're all grateful to you for sharing so much background about your books and your process. Your enthusiasm is contagious.

Beth was kind to share some special offers with our readers:

For signed copies with swag, 
pre-order from Old Firehouse Books HERE or Boulder Book Store HERE 
and let them know if you’d like the book personalized.

Follow up with more about Beth and her books by clicking below:

Extra Activity Packet also available on website



Beth will celebrate this release in some VIRTUAL events: 
  • Oct 17, 11:30-1:30 MDT: outdoor signing for “Smelly” Kelly and His Super Senses at Old Firehouse Books in Fort Collins
  • Oct. 22, 4 pm EST: New York Transit Museum program on James “Smelly” Kelly Including a reading, costumed interpreter skit, Q&A.
Click on each below so you can follow/connect with Beth on: 







Jul 9, 2020

Nicknamed "Smelly"? Not a Bad Thing!


Calkins Creek, October, 2020
I reviewed a previous nonfiction picture book by Beth Anderson earlier this year. It's a biography set in New York City, LIZZIE DEMANDS A SEAT: Elizabeth Jennings Fights for Streetcar Rights. In it, Anderson reveals the story of an historic figure who was new to me (and to many), Elizabeth Jennings. This is a celebration of a black woman with a spine and a voice, always an exciting subject for me to read about. It also reveals historic insights into an earlier era of this metropolis. Those were days when major mass transit was above ground streetcars.

"Smelly" Kelly and His Super Senses: How James Kelly's Nose Saved the New York City Subway  takes place a bit later when the subway system has become the transit hub for the city, its lifeline, but always expanding and under construction. 
Anderson is back with another profile of a New Yorker whose story is not widely known, but deserves to be. Delightfully illustrated by Jenn Harney, this telling reveals a hero in the underworld-- the underground world of subway operation, that is. His super-sniffer detects and locates potential mishaps that could endanger the system, and LIVES! Within the opening pages, readers learn that young-James was aware of but not impressed by his super-sensitive nose-power. In a single page-turn adult-Kelly lands in New York City. He soon begins work in the subway and his talent proves to be priceless. His sniffer not only averted catastrophes from gas leaks and water drips coming in contact with electrical sparks, he tracked down burst plumbing pipes and other odors to reveal unseen damage. 
Kelly took his nickname and unofficial hero status seriously, reading deeply to learn more about ways science and technology could support his role of super-subway-saver. This  complex story is told with pizzazz, making the revelations about a grown man and urban infrastructure remarkably lively and appealing. The color choices, text placement, lighting and movement in illustrations make this an action-packed and fun read. 
Interior illustration, "Smelly" Kelly and His Super Senses
Beth Anderson/Jenn Harney
Kelly's nose and reputation took him far beyond the subway when smell-sleuthing was required. He supplemented his sniffer with his science studies to narrow down destructive leaks, he trained apprentices in his techniques, and he faced every challenge with persistence.  Eventually, he drew on his childhood experiences with elephant odors to solve a mystery. Anderson portrays a climactic and dramatic event in which Kelly's nose and ears were of no use, but put his analytic skills and bravery to work to save a life. 

Anderson participated in In an interview about this new release on Maria Marshall's blog, THE PICTURE BOOK BUILDER, here. Her website and that interview include a quote worthy of note:


"Writing is mining.
It’s digging deep inside
for special memories, emotions, and meaning.
It’s burrowing into history for inspiring characters and moments
that change the course of events."
~ Beth Anderson 

As a reader and writer I admire this mission statement and appreciate the results in her books. Her research is seamlessly woven into lives that leap from the page in settings that have a life of their own. It was my privilege to read an early copy in PDF file, with no promise of a review. Publisher Calkins Creek is a reliable producer of high-quality picture books and I look forward to having physical copies in hand and to give as gifts.
This is not available for distribution until October, but I am posting my review now because you can place advance orders, from an independent bookstore, please. Those early orders can help books and publishers and stores survive, and you won't be charged until the books are ready to go out, in most cases. Find your nearest stores here. You can also request your local library to order it. If you enjoy nonfiction (nearly biographic) picture books, this one is a must-have. 

Brief Notes anchoring this post in current events:
#BLACKLIVESMATTER note: 
It is oddly comforting that many recommended titles about anti-racism  for adult readingare delayed in delivery because they are sold out and require reprinting. Library copies are on long holds, too. Please be patient, and read deeply when you can. 
Then, let it sink in and ACT.

A helpful comparison for those STILL feeling a gut response to BLACK LIVES MATTER with  "All Lives Matter":
When annual events support BREAST CANCER, is your gut response- 
"But ALL Cancer matters"? 
If not, why is it so hard for you to accept that all lives DO NOT matter when we are living in a society that treats BLACK LIVES and other People of Color with less value and security, or with outright contempt?  If ALL Lives Matter had been true for those who are NOT White, in the present and in history, this conversation wouldn't be necessary.

Covid19 response continues to vary on a national and world scale. Many states  "opened up" while providing little guidance, support, or enforcement of wearing masks, keeping physical distance, and staying home when possible. In those cases, extreme upsurges in positive test results, active cases, hospitalizations, and shortages of ICU beds and other resources are cause for concern. 
This morning our country (USA) continues to "lead the world" in confirmed cases and deaths. Individual states are outpacing entire countries. Shamefully.




Dec 22, 2019

LIZZIE Demands a Seat: And Demands to be Read

January brings me to the eighth anniversary of launching this blog about picture books. When I wrote my first post I had no idea I would continue this long or that it would lead me to so many other activities involving the picture book format I love and respect deeply 
Now, I've moved far beyond featuring my own favorite or thematic titles, although that still happens. Since I've received more and more requests to review current releases, I included a page to describe my selection guides for choosing which titles to feature. I welcome such requests, but ask authors and publishers to check this page first.


Calkins Creek/Boyds Mills Press. January, 2020
When a copy of LIZZIE DEMANDS A SEAT: Elizabeth Jennings Fights for Streetcar Rights  found its way to my inbox, there was no question that I would want to share it here. I know that the author, BETH ANDERSON, incorporates deep and detailed research that provides insights into her subjects' stories, intentions, and habits. Her historic narratives read with the urgency and relevance of contemporary events, inviting reflection and investigation into people and choices that shaped our current lives.
The illustrator for this title, E. B. LEWIS, was an equal guarantee that I would love this book. He calls himself an "artistrator" for good reason. Any single page or spread from any of his picture books can stand alone as admirable art. But in the context of each story, his images also enrich and engage readers with research-inspired details and artfully interpreted emotions in gesture, facial expressions, colors, and luminous focus.
For those reasons alone, I would have welcomed reading this advance copy (received from publisher as PDF). The subject matter added to my enthusiasm. I'm always longing to read more about hidden or underreported history, especially stories that take a step away from the most  common and popular subjects.That's especially true of stories involving civil rights and racism. 
All too often, the stories on these subjects that spring to mind involve Martin Luther King, Jr, Rosa Parks, or Ruby Bridges. They are typically placed in Southern states and explore widely publicized events. 
But each of the most momentous changes in our nation's laws and attitudes was preceded by many individual efforts, often with much less public attention or support.
I wrote about one such example in a prior post, HERE. 


THE FIRST STEP: How One Girl Put Segregation on Trial. Written by Susan E. Goodman and illustrated by E. B. Lewis, the story of equal-education-seeking young Sarah Roberts couldn't be in better hands.

Did you notice that E. B. Lewis illustrated this picture book, too? Goodman makes the point in the back matter of that historic account that the equal rights case described in the story LOST when it reached the court. Even so, it was a first step of many that led to the eventual BROWN vs BOARD OF EDUCATION ruling. In addition, it revealed discrimination and inequality in lives in the northern states, not only in former slave states. A line Goodman uses midway through the story is this:
"Every big change has to start somewhere". 

LIZZIE DEMANDS A SEAT also demands to be read.

As a twenty-four-year-old free Black woman in New York City in 1854, Lizzie Jennings was not good at waiting- for anything. The illustrations reveal what back matter later articulates: Lizzie was educated, came from a well-to-do family of abolitionist activists, and lived a full life with many community responsibilities. In the opening scene, she relied on the horse-drawn streetcar to reach her church in time to play the organ, tapping her heels impatiently until it appears.

The "tradition" in NewYork City was that Black people could ride the public streetcars if no White people on board objected. If they did, then dirty, unreliable streetcars would eventually come by, displaying a sign: "Colored People Allowed in the Car."
The opening encounter reveals that Lizzie was denied a seat by the conductor, not because of complaints from passengers, but from his open racism- in a FREE Northern state! Lizzie confronted him, indicating the many empty seats. He shoved and shouted, but she held her ground. A crowd gathered as the streetcar and horses waited in place. Even after she was dumped on the street, she scrambled aboard and hung on tight.
The conductor resumed the ride, but hailed a police officer only five blocks further on the route. He soon put Lizzie out, despite her claim to prevent having her rights violated. The officer dared her to file a complaint, saying ti would have no success.
The following sequence of events reveals surprising support: from a White witness, from her internal debate about making things worse if she lost a case, and from an organized community determined to move ahead in the name of justice. 


"The gavel sounded, and the case began—
Elizabeth Jennings v. The Third Avenue Railroad Company."

Remember, this happened more than a hundred years before Rosa Parks's similar protest led to the bus boycott in Montgomery.  Despite a jury of only White men, Lizzie;s case had the support of a qualified attorney, a White male witness, and Lizzie's own willingness to assert her rights. 
She won the case.  
Others were inspired by her success and launched cases against other individual streetcar companies. They, too, helped move the balance of justice toward equality. 

This historical picture book has a satisfying and inspiring conclusion, followed by a note from the author that offers an equally stirring elaboration on the details of Lizzie's life and times. The primary and other resources cited in the back matter invite further investigations and allow readers to confirm details as they wish to do so. 

This book is an exemplary nonfiction title that will appeal to early elementary readers as well as older ones, including adults. Particularly at a time in which we might despair at local and global issues, this serves as a reminder that standing up, speaking up, and sustaining our sense of self is worth the effort. That being knocked flat, denied, and insulted will not lock the door on change. Like Lizzie, we can climb aboard and hang on, accept help from advocates, and seek support from our communities. 
Individual efforts can be cumulative, can become the stepping stones for those that follow. 
I urge everyone to share this book with youth of any age.
It releases on January 7, 2020, and is available for preorder now.


I received the PDF advance file for this title with no promise of a positive review. 















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