DEAR ACORN, (LOVE, OAK): Letter Poems to Friends (With NPR interview link)

My usual strategy in choosing books to celebrate here is to focus on books that are just a shadow away from major accolades, because this titles will get plenty of attention from voices more widely heard than mine. Even so, some stand out so fully and specially that I can't help but add my two cents. This is a link to an interview on NPR with Joyce Sidman and Melissa Sweet. It aired Saturday 10/4, so I beat this post to air a day before. even so, it is a must-listen for anyone who cares about kids, or kids' books, or life!

Check the interview here- it's not long, but it is invaluable. Thanks, and enjoy.

CLARION BOOKS, 2025

DEAR ACORN, (LOVE, OAK): Letter Poems to Friends is a collection of themed poems written by Joyce Sidman and illustrated by Melissa Sweet. 

This is a one-of-a-kind pairing of two master creators combining their talents to produce a collection of poems on a timeless and child-focused theme. Joyce Sidman is among the most skilled and creative poets for young readers (and the rest of us) while Melissa Sweet produces collaged and mixed/media art and illustrations that delight the eye and invite closer consideration. That reader-response invitation provides a perfect scaffold for poems that delight the ear and encourage multiple readings and reflections. 

Sixteen poems are presented in eight pairs, each a direct address letter from a member of a large-to-small (or reverse) relationship within nature. Children, by definition, live lives in big-small relationships and this fresh and personified take on those emotional connections will be welcome.

The table of contents suggests what I'm trying to describe:

Oak/Acorn, Bubble/Sky, Cloud/Droplets, Pebble/River, 

Brick/School, Button/Coat, Toes/Child, and Sea Turtles/Ocean.

 Each poem assumes the voice of the entity, but also assumes a reading by the intended addressee, suggesting it expects to be heard and understood. And each opening poem does, indeed, get a reply. That, too, is a rich and resonate experience for children and for the child in each of us. Being heard and responded to feels like a basic human drive.

For example, when "bubble" starts life with the breath of a boy, it fully experiences its ephemeral but fun existence-- bobbing, shifting, shimmering. Even in that joyful instantaneous moment, Bubble speaks to Sky, revealing its wish to be part of something more. And then POP! The moist casing bursts and a boy's breath becomes part of the atmosphere. The art on Bubble's page has literal elements and a swirl of rainbow-sparkled other bubbles, forecasting their futures as elements of rainbow-filled skies. When SKY replies, it addresses "Dear BUBBLE-THAT-WAS". It shares a poignant insight and a personal thank you for a rare "soapy kiss", signing itself SKY-THAT-ALWAYS -IS.

Just as each phrase, line, and emotion of those two poems merits lingering attention, so too do the sky-square images assembled on that spread. Each suggests a different aspect of the sky, from science to play to weather to wondering. 

If ever a book could be effectively used as inspiration and mentor text for any and all ages, it is this one. The poems can spark exploration of the paired elements and their scientific/natural relationships. The poems encourage appreciation and acceptance of the truth that poetry, perhaps the best of poems, do not require or rely on rhyming, but rather on imagery and language and emotions. The art invites attempts at similar collage and assemblage creations, as well as analysis of elements and patterns of color, shape and sizes. 

Sidman provides a brief author note on the back page to invite readers to attempt letter poems, which are one of the best ways to capture that elusive but highly-valued writing craft, VOICE. As those who attempt letter poems will realize, and Sidman suggests and models in this collection, VOICE is a direct result of becoming part of the expressive object (or person). To imagine and occupy the thinking and feeling of the intended speaker is a rich exercise in empathy. Letter poems invite writers to go a step further and fully imagine themselves in the lives of the recipients. 

I am not alone in singing the praises of this lovely offering. HORN BOOK gives it a starred review HERE, and KIRKUS reviews it HERE as an "imaginative masterpiece."

All of that purposeful use of the book makes it  a must-have for homes, libraries, classrooms, and writing classes. Even so, I feel compelled to repeat myself from some prior posts many years ago. No one, not author, illustrator, editor, nor publisher, puts their time and heart and effort into making a superb picture book like this for the PRIMARY purpose of it being used in these intentional ways. The best creators may, consciously or not, generate work with depth and layers that can be unpacked again and again among many audiences for many purposes. But the MAIN purpose, the driving intent of the best picture books, is to be shared and enjoyed. Do that with this book, please. Read it, enjoy it, share it, and explore it. After delighting in and appreciating that original rich experience, I suspect the further uses and readings and inspirations will flow naturally as it lives on in your lives and on your shelves.

Nature Calls... In the Best of Ways: WHERE THE DEER SLIP THROUGH

Some things, particularly NATURE, are reliably calming to me. I often hear the same is true for many others. In any of its glorious forms (as opposed to its occasionally damaging ones) nature can restore my spirit, energize my body, and inspire my mind. This is true in each of the four seasons, and I deeply appreciate living in a four-season climate. 

BEACHLANE BOOKS, 2025

That's surely the part of my own nature that drew me to WHERE THE DEER SLIP THROUGH, written by Katey Howes and illustrated by Caldecott Medalist Beth Krommes.

I'll admit that the cover art was equally appealing to me before ever reading a word in the book or about it. Beth Krommes has mastered a distinctive scratchboard technique that marks her work with a recognizable style. She draws black and white images into scratchboard paper, then transfers them onto paper and applies watercolor. She creates scenes that are both graphic in design and yet utterly natural and richly detailed. Take a look at her illustrator page HERE to see how clearly her style can be recognized, yet she adapts it and compliments a wide variety of subjects. Her SWIRL BY SWIRL and  BEFORE MORNING with Joyce Sidman were my first experiences with books illustrated by KROMMES, and I've become a dedicated fan since then. 

In those titles, as with WHERE THE DEER SLIP THROUGH, the text is written in verse of the highest quality. Using a pattern that introduces new natural entry points and creatures with callbacks to previously introduced wildlife, the text offers rhymed lines in phrases that parallel cumulative text with less predictability and a superb but seemingly spontaneous sequencing of lines. "Where the deer slip through" is the resolve line on several pages, slipping in with the  subtlety that deer achieve when appearing and disappearing from our surroundings. 

From the dawn opening throughout the day and on to the woodland view of a star-filled sky, the humans (indoors and out), foliage, and fauna are portrayed in lines and scenes that invite  readers to explore and extend their views, to appreciate the shifting angles and perspectives, to associate these densely articulate images with your/our own experiences when, and where, the deer slip through into our lives. 

Spend some time with this one, and I suggest you check out other KROMMES titles to fully appreciate not only the visuals and text of each picture book, but also the wise decisions in pairing such distinctive illustration style with powerful verse. I feel confident that you'll be recommending these to others and sharing them as often as possible. 

And may the peace be with you! 

POETRY and PHYSICS: A Powerful Pair In a Picture Book!

 Science provides surprisingly wonderful topics for poets, and that has been true for many decades and generations. Two of my favorite titles from the past (now out of print but searchable and obtainable, and worth the effort) are Myra Cohen Livingston's SKY SONGS and SEA SONGS. 

I'm not the least bit ashamed to admit that Livingtston's work and these two classics first crossed my path when I changed school districts many years ago. I found myself in a classroom with actual shelves full of books provided by the school(!) instead of relying only on my personal collection. I immediately asked students to spend a few minutes locating their favorite books and then sharing with me why they chose those books. These two poetry collections focus on scientific facts and emotional reactions to aspects of the Sea and the Stars. They were not only among those chosen, but were the favorites of MANY. The books were well-worn and some poems were recited by heart. What a perfect way to be introduced to poetry collections by one of the all time iconic poets for young readers.

WORDSONG, February, 2023
Astra Books for Young Readers

A recent addition to this niche genre of  solid science explored through a collection of poems is PUSH-PULL MORNING: Dog Powered Poems About Matter and Energy, written by Lisa Westberg Peters  and illustrated by Serge Block. Several of Peter's many publications are also powerful poetry collections on science topics. Another student favorite (and a favorite of mine in this vein) is EARTHSHAKE: Poems From the Ground Up (2004). 

Harking back to my classroom experiences, there are few topics that engage kids more eagerly than the elementary physics of force, energy, and simple machines. Few topics in basic science more directly affect daily life than these. Unfortunately, as essential as screws, planes, axles, magnets, and motion are in everything we do, the current pressure to account for each minute in a classroom has limited time for the hands-on explorations that make any science, but especially this topic)  come alive for learners. 

In this recent release, the author and illustrator have packaged basic concepts accurately and entertainingly within  every day interactions between a child and their dog.With comic style illustrations and lively personalities, they reveal Newtonian properties and processes like gravity, inertia, and motion, as well as sound, matter, electricity, reflection and more. The table of contents offers topic tags for each poem, while brief and kid-friendly back matter expands slightly on examples of each with modest doses of added science. These helpfulm additions make the book a handy "grab" to reference" in classrooms and studies, but the whole is never greater than the sum of the poems. This every day awareness of forces and energy at work in a child's life is ideally suited to spark curiosity, investigation, further reading, and conversations. 

More examples of poetry power in science are abundantly at work in Miranda Paul's BEYOND: Discoveries from the Outer Reaches of Space, and, by Joyce Sidman, UBIQUITOUS: Celebrating Nature's Survivors with Poetry, reviewed HERE. In fact, I urge you to click on Sidman's name to learn more about each and every book she has produced to bring science to awaken the poetic language and learning worlds of kids.

These titles and the topics they explore are rich ways to integrate poetry and fine literature into content area studies or personal interests, and also to integrate key concepts into literacy studies, including them as mentor text for young writers to incorporate investigations and topic studies into the flexible forms of poetry. Of all the topics, none can be more immediate and recognizable in daily life than everyday applications of energy, matter, and force. Picture books are guaranteed a warm reception when  they star such a lively and comic pair as this kid-plus-pup. Check it out!

UBIQUITOUS-NESS Matters

I'll post a day early this week to focus on a major event.
Drum roll please...

lift the page on the calendar...

April has arrived, Poetry Month.

*Sigh* Brace yourself for another mini-rant on the mixed blessing of "Months"- Black History, Women's History, and now Poetry. In my opinion (and I'm far from alone in this) awareness and appreciation of poetry and the rich diversity of contributors to history should be ubiquitous.

Ubiquitous? I've been a word-aholic for as long as I can remember, but I confess (with a mix of smugness and shame) that I rarely used a dictionary. As a prolific reader from a verbal family, I was reasonably good at inferring from context. Add to that my reluctance to interrupt a good story and teachers who also valued expansive vocabularies and I was convinced that I "knew" most words. I even used them in my writing successfully (as indicated by minimal red circles or questions marks on my returned papers). I rarely looked up words, especially if they appeared frequently in text.

"Ubiquitous" is one of those words that I "knew" in a generic way- it kinda sorta meant common or regular or often, or... something like that.

Eventually I acquired enough age to slow my reading and thinking down, to appreciate nuance and precision (obsessive, I am; perfectionist, I am not). That's when I began to "look up" words and found out why the word ubiquitous is so... so... ubiquitous. (adjective: everywhere, omnipresent).

Which brings me to UBIQUITOUS: CELEBRATING NATURE'S SURVIVORS, with Poetry by Joyce Sidman and illustrations by Beckie Prange. (Houghton Mifflin Books for Children, 2010).
Every detail of this book deserves attention, beginning where else- with the end papers. The challenge of creating a timeline for the 4.6 billion year history of planet Earth, to scale, is daunting. A densely swirled and convoluted line fills the double page spread of this large format book, each centimeter equaling a million years. Sweeping timespans from the emergence of bacteria to mollusks, lichens, sharks, beetles, diatoms, geckos, ants, grasses, squirrels, crows dandelions, coyotes, and humans actually make some sense with this accurately rendered and labeled art.

Each page turn after that offers parallel text- a poem paired with accessible scientific narration- embedded in equally beautiful and informative illustrations. Together they offer insight and praise to Earth's ubiquitous survivors over millions of years, to the living things so "omnipresent" that we overlook their amazing success. Precise vocabulary serves both the science and the poetry well, supported by a glossary, author's note, and illustrator's note.

(Patience. I'll tie this all together soon. We're on the home stretch now.)

This book, spotlighting Earth's ubiquitous survivors, should not be overlooked. Nor should poetry. Thus, Poetry Month has its place.

For a little inspiration, and daily links, follow Gottabook, a blog by Greg Pincus, to share his annual 30 Poets/30 Days. He features a different kids' poetry superstar each and every day, some of whom even share original creations for this project.

Do you know any kids who like to write poetry? (Or some who don't?) Check the KIdsWWWrite site edited by Margriet Ruurs. It's a safe and supportive opportunity for kids to publish their work, and even reluctant writers love to do that.

While you're online stop by several other poetry sites, each of which can become addictive habits for you and for kids. First, a resource for you, is PoetryAtPlay.org. Then, for you and for kids, visit GigglePoetry.com and Poetry4Kids.com.

Since April is Poetry Month, seize it. Dive in with both feet using UBIQUITOUS and countless other picture books (to be named soon). Cram every nook and cranny of space and time available (and unavailable- it's POETRY MONTH-duh) with poems of every size, shape, and topic. Make it ubiquitous. And then keep it that way, all throughout the year.