More Holiday Gift Suggestions: HELLO, CROW and MORE

A fantastic fiction picture book reached me just as I began gathering and reading nonfiction titles for this year's Cybils Awards. I've been shifting this lovely book to the top of a "future posts" pile since it released in September, and It has been calling to me ever since. I can't ignore it for even a moment longer, and I'm sharing it here just in time to suggest as a wonderful option for holiday gifting.

Greystone Kids, 2019
David Suzuki Institute

HELLO, CROW is written  by Candace Savage and illustrated by Chelsea O'Byrne. Franny frustrates her father by leaving things around the house, overlooking simple tasks, and ignoring nearly anything except NATURE. As the endpapers and title page reveal, Franny only has eyes for the wonders of the great outdoors and it's creatures.
Franny sees, smells, explores and hears the call of the wild, longing to connect with it.
This book was inspired by the true story of such a girl. In this version, Franny steps into the great outdoors daily. Many edible lunch bits surround her during one of her outdoor excursions. Crumbs catch the attentive eye of a crow. I love the way the crow eyes Franny cautiously, aware of human presence, and behaves naturally. 
In time, Franny is more intentional in sharing her lunch. Crow appears often, hopping in, then flying in to share lunch and and exchange conversational CAWs. 
Franny is convinced she has made a friend, but her father dismisses it as featherbrained dreaming. 
After many days sharing lunches, Crow delivers a special gift, left where Franny can't miss it. She treasures Crow's gifts of a button, then a bead. She insists to her father that they are proof of their loving friendship. 
When he denies it yet again as dreaming, Franny drags him along to meet Crow. 
Together they sit.
They wait.
They scour the landscape and sky.
No crow.
Just as Father is warming up for an "I told you so" speech, Crow swoops in and lands on Franny's head. 
I love the simple, direct language and charming story, sprinkled with clever word play that parallels familiar home scenes sprinkled with Franny's messy trails. These validate Father's frustrated annoyance and labeling. 
I spent several years working in wildlife rescue, some of which included memorable crows. With that experience, I'd have never doubted Franny's story, but the illustrations make it understandable that he did. 

Even so, this is an important story for parents and children to share, sparking discussions about how important it is to trust a child when they share their stories of daily life. 

The situation in this story reminds me of the kerfuffle about a Sesame Street character several years ago.
(If you missed it, check out the full story HERE). 
The running gag about SNUFFLEUPAGUS was that only the young (kids and characters) ever saw the big goofy guy, because he always left before adults arrived. That premise was dropped/corrected when it became clear that children NEED to know that they will be believed by trusted adults when they report what they see and hear. Helping children learn to explore imagination while being trusted with the truth is a crucial developmental landmark.

HMH Books for Young Readers, 2019

As for Crow's gift-giving of tiny found bits, that  is a well-documented pattern within many bird species, most especially crows, ravens, and magpies. Another book I highly recommend, especially at this season of excess consumption, features a rather greedy magpie who learns the hard way that  sometimes less is more. 
MORE, written by I. C. Springman and illustrated by Brian Lies, gets my full-throated praise in a review in a prior post, HERE. Originally published in 2012 and 2014, it was reissued in fall, 2019. 

So I hope you'll add these two titles to your shopping list, or shop for them with your holiday gift cards, or keep them in ind for future occasions.  Remember, too, that lifetime memories are formed by sharing library trips and treasures with kids. 
Happy reading!

The Rough Patch: Wisdom for Every Age

I launched this blog many years ago to celebrate the joy, value, quality, and benefits of picture books for every age. If this is your first stop at this blog, you can read my manifesto about picture books in these early posts, HERE and HERE. 

Greenwillow/Harper Collins Children's Books, 2018

I take great joy in reading picture books (text and illustrations, which is how picture books speak to us).
I never planned to provide daily posts (and I'm still  in awe of those who manage to do so). I'm very selective about the books I feature here.

Deciding which picture books to discuss and how extensively to write about each book challenges me. I look for something unique in the books I feature, searching for something that attracts my attention, draws me back again and again, and allows me to uncover new elements in the text and the illustrations on each rereading. 
I share books that are multi-layered, both timeless and ageless, in my opinion. 
Even though it goes against my nature to name favorites among the many books I love, some continue to absorb my attention, even years after an initial reading or post.

THE ROUGH PATCH, written and illustrated by BRIAN LIES, will undoubtedly be such a book. I'm not alone in feeling this way. It has already garnered rave reviews and three stars. Check out what School Library Journal said (HERE), Kirkus Reviews (HERE), and Publishers' Weekly (HERE). Each outlines the story well and makes note of a few of the many distinctive details, like Evan's garden boots.

I offer these trusted sources to confirm that my opinion about this tender story wasn't unduly influenced by the fact that I faced a heartbreaking final good-bye to my own four-legged companion earlier this summer. In fact, if this book had been released in June I probably wouldn't have chosen to read it at that time. My emotions were still too new, too raw.
Having read it now, though, I wish it had been available to me then. 
There is as much comfort between the covers of this book as I feel when wrapped in one of my heirloom family quilts.

Yes, on one level, THE ROUGH PATCH is a story of loss. But it is so much more than that. It explores and celebrates the amazing capacity and power of friendship and love. It reveals the depths and strengths of human emotions, the importance of living in the moment, and, yes, the circle of life.
In fact, the initial opening spreads are joyous, vibrant, luminous. Evan (the Fox) and his friend (the Dog) savor every moment of their full, shared lives. Their companionship, comfort, and wordless communication shine on the pages and will be deeply felt by those who share their own lives wth dogs, cats, or other friends. 
The scant but potent text in each spread, throughout each stage, conveys Fox's joy, grief, anger, and eventual healing. Lies's writing perfectly suits the lives of this garden community: simple, direct, and pure. It reminds me of a free-verse Robert Frost.  In one achingly gentle double spread, Evan realizes that "the unthinkable happened."

The next several spreads follow Evan through his stages of grief: his isolation and anger, and his rejection of his formerly joyful garden. The metaphoric title plays out superbly in the middle portion of the book, in which "a good place won't stay empty for long". Evan destroys his formerly manicured garden, but nature abhors a vacuum. The space soon fills with growing things: weeds, thorns, and spiky intruders. Evan nurses that negativity, embraces it. In the process, though, he experiences the healing power of resuming his daily habits despite his aching, broken heart. 
Time passes, sun shines, and a "volunteer" vine creeps into the garden. 
When Fair Week finally rolls around Evan is open to a twinge of familiar excitement. Time and old habits have allowed his heart to begin to heal, to give himself permission to enjoy familiar joys. When a scrabbling tendril of possibility reaches out to him at the fair, he chooses to begin anew.

Throughout each page and stage, Lies uses his mastery of illustration to combine expressive features, shifting perspectives, light, shading, color, and detail to create scenes that beg to be examined closely while urging readers to turn the page and know the characters more deeply. Throughout it all I found myself walking hand-in-paw with Evan, wanting desperately to comfort him but knowing his was a journey to be traveled alone.

Lies has created many books I admire. His talent for capturing the nuance of expression, movement, habits, and postures in animals is incredible. I first described that talent in a post (here) about MORE, which he illustrated for author I. C. Springman. 
Apart from the elements within each scene or spread, I greatly admire the way he conveyed the emotional arc of this book through the continuity and transformations from first page to last. In THE ROUGH PATCH I noted his use of similar artistic tools, and yet he achieves distinctly different effects. In both cases, the transitions are so deftly accomplished that what might be considered simple circle stories instead become salvation stories, each ending with the characters transformed and strengthened in ways that are layered and lovely.

I recommend many books, but put THE ROUGH PATCH at the top of your list. 
Share it widely.
This fox and dog represent all of humanity.

New Titles, Old Souls

 Are you feeling the need to provide every bit of bling and bauble on someone's wish list? Before you use these final shopping days to run out and buy more, read MORE, by I. C. Springman, illustrated by Brian Lies, a book that extends far beyond the usual "less is more" mantra. I wrote about this title in a previous post, and now it's making the rounds on various Caldecott buzz lists. Check the comments on the post and you'll see I predicted that, which wasn't hard to do.

An even more recent release is SKY HIGH, by Germano Zullo, illustrated by Albertine, originally published in Switzerland. It's narrow, vertical format is perfectly suited to the ambitions of wealthy neighbors whose competitive and conspicuous consumption results in self-destruction and isolation, not happiness. (Zullo/Albertine's LITTLE BIRD is also making some Caldecott buzz lists.)

My recent post featured holiday titles by Patricia Polacco. She is undeniably an  icon among author/illustrators and has many fans.

Nancy Paulsen Books (Penguin) 2012

Tomie DePaola surpasses the level of icon. He's a living legend, acclaimed for more than two hundred titles, the winner of countless awards. Among the prestigious winners of the Sarah Josepha Hale Award, he was the first to be known primarily for children's book writing. His stories offer something for everyone, every age, and wear well over time.

It's no surprise that his work never disappoints, and it takes no psychic power to predict that this latest will stand the test of time. In this seasonal release, THE BIRDS OF BETHLEHEM, he offers a unique view of the familiar and often retold story of the nativity. Page by page, in spare but poetic art and text, pairs of birds gleaning seeds in the field share their observations of noteworthy events: a long line of people traveling, a full inn, a couple resting in the stable, angels in the night sky.
They follow the shepherds, to learn more.
What they see there, watching from the stable rafters, is the greatest miracle of all: a mother, her husband, and their newborn child.
They witnessed the miracle of birth, of life, of family.

These pairs of birds recognized the greatest gifts when they saw them. We can, too.

And we can let our children know, daily, that even the birds in the trees celebrate their lives, that they are loved, that their lives matter.

Who needs to shop, unless it is for books like these?

Houghton MIfflin Books for Children, 2012

Chronicle Books, 2012

LOOK for MORE by BRIAN LIES

I hope you've already met BRIAN LIES (looks like "lies" but rhymes with "cheese").

Just in case you're not familiar with his work, the 2012 release of MORE, by I. C. Springman and illustrated by Brian Lies, is an ideal introduction.

An incredibly intense visual experience combines with a few perfectly chosen words to create a marvelous story arc in this recent release. This book uses a progression of descriptive "quantity" words to indicate increasing amounts from nothing to something to enough on to too much. Then, like a receding tide, the story continues back to less, ending at the start- but not quite where it began.

If you aren't already a fan of birds, mice, and nature, not to mention magpies, you will be by the end of this book. The multiple subplots and subtexts, the expressive faces and body language, and the depth of theme make multiple rereadings and close examination a treat. The intricacies and humor of the details are utterly irresistible.

While the obvious theme is "Less is More", it also explores friendship, community efforts, and loyalty.

As Levar Burton always says on Reading Rainbow: "But don't take my word for it..." Other rave reviews about MORE can be found at KIRKUS REVIEWS and GEEKDAD blog.

Then take a look at even MORE of Brian Lies's work.

I'm an admitted bird-lover. Have been since I was a child. I came to an appreciation of bats much later in life. Separating fact from myth about bats with third graders will do that for you.
So will reading Brian Lies's titles about bats: BATS AT THE BALLGAME, BATS AT THE BEACH, and BATS AT THE LIBRARY.

These bats exude oodles of adventurous and comical personality despite the appropriately dark-hued images in each book. Rhymed verse adds appeal. Considering the fantastic premise of each story, a remarkable amount of accurate information about bats is revealed within the context of the stories.

Do yourself and any kids you know a favor and spend some time with Brian Lies. (And that includes his many other titles!)

Then stop back and let me know what you think.

Be sure to check comments below- Brian Lies was kind enough to stop by with some thoughts about his illustration process for MORE.
Sal's Fiction Addiction blogged about MORE this week, too.