TEA IS LOVE... And I LOVE Tea!

When my body was younger and more resilient, I consumed coffee at a furious pace. Faster and in greater volumes than allowed for any effort toward connoiseur reflections. Coffee was coffee. 

Then, with age, I couldn't tolerate coffee on a physiological level, even though I still enjoy coffee's aroma. Instead, I became a tea drinker, gradually acquiring preferences among various types and brands. Mainly, though, I found a calming effect in tea, in contrast to  the "ramping up" impact of a cup of strong coffee. 

That's all a lead in to a new picture book that considers tea as an experience rather than as a beverage, TEA IS LOVE, 

DIAL BOOKS FOR YOUNG READERS
2025

written by Adib Khorram and illustrated by Hannah Cha. With lyrical lines that, written alone, launch entire spreads, the lines assembled reveal a poetic humage to tea, the poep[le who provide it, and those who share it: 

"TEA is a plant.

TEA is a journey.

TEA is a rainbow.

And TEA is love."

With full spreads and spot illustrations, tea becomes an experience between and among people of every background and culture. Much of the "information" within this warm-hearted revelation about the power of TEA in our various lives is explored through images that involve diversity of homes, geography, and identity. Tea transcends it all. The author note in back (using many more words than the brief main text) offers details on types of tea, ways tea is used in various cultures, and ways it is prepared for market and then in various homes and restaurants. 

The distinctly diverse individuals (in age, ethnicity, gender, geography) suggest that TEA is a unifier, a universal experience despite distinct differences among us.The end papers are not only warmly welcoming with soft edges, finishes, and tender colors, but also in the variations of vessels associated with tea. This approach invites curiosity and questions rather than challenges and concerns.There are so MANY ways we can learn more about tea, but this simple book is a lovely introduction to and reminder of the "big picture " of TEA, what it is and what it means in our lives.

 For many decades now I've been on firm footing: I LOVE TEA. But this book (a new favorite of mine) persuades me that TEA IS LOVE. Why not pour yourself a cuppa your favorite tea and check this out?

HOME in a LUNCH BOX: A Universal, Any-Age Story

 I've been giving lots of time and attention to nonfiction picture books lately, so I welcome this pause to celebrate a minimal-text/nearly wordless new book of fiction. It feels "just right" on many levels and I hope you'll agree. HOME IN A LUNCHBOX is the tasteful, heart-tugging work of writer/illustrator Cherry Mo. It was the well-deserved winner of a Caldecott Honor Medal recently, and many other accolades.

This fiction picture book accomplishes what often occurs- that HUMAN TRUTH, the kind of universal realities that all or many of us experience, can reveal itself most clearly through fiction. The author/illustrator reports that this story mirrors many aspects of her own childhood relocation with her loving family, and she has captured every child-like element of such an exciting-terrifying-hopeful-heartbreaking aspect of the major change that launches this story.

PENGUIN WORKSHOP, 2024

 

In this case, a young girl and her parents move from Hong Kong to a small American town, a story in itself that is told with a visual transition on the opening end papers. On the left is a complex and ultra-urban prior home, but a road travels to the right with the image of a truck labeled INTERNATIONAL MOVERS. That  transports readers to a simpler, seemingly suburban neighborhood. It's a seismic journey of thousands of miles captured on endpapers!

Title page illustrations and those that follow (full page illustrations, strips, panels, and double-spread pages) use minimal text: only brief speech bubbles, iconic signs, or words (in two languages) written on the palm of Jun's hand.  Each image is powerful in carrying the plot narrative and the deep emotions throughout Jun's efforts to be friendly, meet people, understand a totally foreign language, and interpret the confused reponses she gets to her efforts. 

It is at lunch time, sitting alone, when Jun is transported back to her loving family and prior life whenever she opens her lunchbox. The comfort of delicious memories, literally and figuratively, gives her the strength to make it home, off the bus, and into her mother's arms that first day. 

Each day after reveals more roadblocks and hurdles, but the bus-riding neighbor girl who wanted to be friendly is effectively shown throughout as noticing, as growing in awareness of Jun not just as someone new, or even an outsider, but as a child like herself, one with something to to say and do. That observant friend eventually plays a pivotal role, as do the contents of the lunchbox. A not too surprising happy ending does not disappoint because the scene shifts and reveals even more cultural specialties shared with new-found friends. A few pages of back matter provide the phonetic spelling for the words on Jun's hands, as well as the names for the foods featured in the lunchbox and during the conclusion. The closing end papers provide a Jun-styled art display of her contrasting homes that are fun to compare to the opening papers in content and style. 

Return for a moment to the premise with which I began: fiction can artfully convey the deepest truths. Leaving home is never easy. Being the "new kid" is challenging, even without language and cultural differences. We all need talismans of comfort, and food often does the trick. When  things get difficult, seek refuge among your safe people, but return again to face those difficulties. And hold on to the child within you- those emotions are some of the purest, truest, most constructive of any you will ever feel. Last, but not finally (since this story of few words offers depths of story levels), when you see someone struggle or in need of a friend, reach out. And then do it again, if the first time goes awry. EMPATHY is not a weakness it is a feature of maturity and humanity, not a glitch.

I can think of no better book to share as widely and often as possible and no better time than now.

THE LITTLE HOUSE OF HOPE: What WELCOME Looks Like

 Some picture books are like portals to the past, for me. A new release merits attention and praise on its own, but its connection with an all-time favorite of mine can't be ignored. To begin, though, I'll give the new title the full treatment before making that connection at the end of this post. 

Neal Porter Books, 2022

THE LITTLE HOUSE OF HOPE is written by Terry Catasus Jennings and illustrated by Caldecott medalist Raul Colon. My  bottom line for this is "textured brilliance". That will take some unpacking, but it's worth the effort. 

Beginning with the author note, which comes before the main text, we learn that  Jennings wrote this book with both anger and pride. Both came from personal experiences in being confronted by overt bias and residential restrictions based on immigration status. The stated rationale of one realtor was that immigrants would house multiple families in a single dwelling (often, but not necessarily, true), followed by his pejorative conclusion that this practice would inevitably lead to deterioration of property conditions and value. The author's pride arises from her own experiences in which such a pattern did occur, with her own family making room for others. But that extended family/friend support meant each and every family involved would move on to independent success and citizenship. Her father came to this country to escape political imprisonment, managing that same success and more. Outreach from other immigrants, and the support her family could eventually offer to others, inspired deep pride.

"Textured" refers literally to such layers within the text, and to the subtle illustration undercurrents of lines, waves, and shades of color within sprawls and details on every spread. This technique employs natural coloring, shadows, and shading that evoke both timelessness and a slightly old-style classic effect. This story and the patterns it celebrates are as old as our country's history, from initial colonization to later homesteading and eventual industrial immigration. That open embrace and shared identity within family, ethnic, or language-based communities have been the safety nets that launched a nation of workers, learners, leaders, and citizens. It continues to do so, with the beacon of HOPE as a consistent concept over centuries.

In this case, a contemporary fictional family's search for a new life reflects Hispanic language, customs and cultural references/language. The daughter, Esperanza, (her name translates as HOPE) applies her talent to make welcoming posters for each of the families who find short-term respite and support within their little house (Una Casita). Both parents work multiple jobs to cover expenses and allow them to  supplement elbow grease with paint and cleaning supplies, improving the home's worth on financial, aesthetic, and emotional levels. The simple narrative incorporates the journeys of several other families whose lives both confirm that realtor's assumptions (multiple families sharing the residence) and defies them (each improving the little house with love, laughter, hard work, and entrepreneurship). We learn that the initial family's progress leads to mastery of English, citizenship, and resuming professional careers they once practiced in their homelands. Throughout each transition, young ESPERANZA provides her message of uplifting hope!

Original Release; 1942
Caldecott Gold Medal Award

As promised, here's the connection this new book brought to mind: THE LITTLE HOUSE, written and illustrated by Virginia Lee Burton. In this classic and timeless story, it is the little house in the country that is eventually encroached on, surrounded by, nearly swallowed-up by urban sprawl. The personality of the house  itself is the star, without relying on anthropomorphizing it. The eventual solution is gratifying and continues to apply to modern day urban/suburban/ex-urban sprawl. The ideas, in this and in THE LITTLE HOUSE OF HOPE, offer parallel concepts of values, crowding, communities, identity, and the importance of acceptance and providing room to grow, to thrive. Both also float the sense that this is not a cycle that will (or should) end with the closing of the book cover. If you've never read this one, please do. And be sure to get a copy of THE LITTLE HOUSE OF HOPE, sooner rather than later. It is yet another picture book that reaches the minds and hearts of adults every bit as well as it does those of young audiences. 

While I'm on the topic of HOPE, check out the latest in a series of poetry anthologies for middle graders from POMELO BOOKS, WHAT IS HOPE?.100% of the profits will be donated to the IBBY Children in Crisis Fund, providing books for children in need, especially in war-torn countries like UKRAINE. Can be ordered anywhere, but also directly from the publisher, HERE. I am excited and honored that one of my poetry submissions is included.

Care For Some Tea? The Choices Are Amazing!

 I'm a product of a coffee-drinking family, as most families were in the mid-twentieth-century. Summer included iced tea, usually loaded with sugar, but other than that the little box of Lipton Tea Bags could last a year or more. It was used mainly when someone had a cold or an upset stomach with a squirt of honey or lemon added. Even so, I didn't like coffee or begin drinking it until pulling college all-nighters. That, naturally, set me on a course for many years of serious coffee drinking (black, thank you, and even instant would do in a pinch). Reminder, this was long before gourmet coffee shop concoctions became ubiquitous.

GREYSTONE KIDS, October, 2020

There came a time, though, somewhere back in my mid-adulthood, that drinking coffee  began to feel like pouring acid into my already burning stomach. Cola beverages did the same thing. Somehow, though, tea was tolerated well, tasted "okay", and provided that caffeine boost I often needed. In the years since, it's been tea-and-only-tea for me. I've tasted countless kinds of tea, never looking back at that coffee habit. 

As a dedicated tea drinker (and occasionally a grumpy one when it was not available at public events), I felt reasonably knowledgeable about tea types, flavors, and even a variety of cultural customs. I read THREE CUPS OF TEA, I invited Japanese guests to my classroom to explain the tea rituals, and I sometimes received gifts of delicious and unusual teas from around the world.

When the publishers sent me a copy of TEATIME AROUND THE WORLD, written by Denise Waissbluth and illustrated by Chelsea O'Byrne, I was delighted. Don't you love that enormous orange teapot on the book jacket, featuring culturally and ethnically diverse characters enjoying tea in distinctly differenct ways? Under that cover, on the hard case, is a simpler image of a cup of tea, a spoon and some sugar cubes. The end papers provide a variety images related to tea-drinking, including among them a familiar honey-bear  dispenser, cups, tea bags, and less familiar bowls, preparation utensils, milk, honey, and plant  leaves, berries, and other botanicals. Altogether the images, hints, and color tones are inviting and suggest the surprises inside. 

I was not disappointed from the first page to the last. Limited and lyrical text sprinkles phrases and lines across the tops of each page, enriched by illustrations that reflect friendships, cultures, customs, global settings, and various preparation and serving practices. On many of those pages related explanatory text appears near the bottom of the page. These provide information about types of tea, history of uses, varieties of sources, and revelations that will surprise. 

I finished this book, including the helpful (and accessible) author notes, graphic illustations then turned back to the beginning to read it again. The illustrations in a graphic style are perfectly balanced with these parallel texts, since the simplicity of crisp edges and bold colors will delight the youngest audiences while encouraging pauses. Examining any page will reveal depth of detail and nuances of cultural patterns and visual references. This effect, too, reflects the ways that tea wraps itself around our lives with layers of taste, connections, and appreciations. 

Before reading this I imagined myself to be somewhat  informed about tea and its place in the world, including practices related to its preparation and consumption. I was delighted to learn so many new things, and it made me certain I'll seek opportunities to expand my tea-life. Kids will undoubtedly feel the same way. After all, in Iran they serve tea with rocks (rock candy), some teas are more like soup, and Thailand serves iced tea in bags. I've never met a kid who wouldn't love to try those out. Some are medicinal, and sometimes tea is strained through a device that looks like a sock, so it is called silk stocking tea. Those may cause a nose or two to wrinkle, but read about it before making a decision.

Whether you are a longtime tea-drinker, a die-hard coffee sipper, or a kid who begs for carbonated beverages, this is book that will pique your interest. It is beautiful in all the ways picture books can be, but it is also an invitation to lift our gaze to the little things in life that are similar around the world, that enrich the world with local customs. Pour yourself a hot cup of tea and settle down with this delightful book.

Mirrors and Windows: Our Most Amazing World

Much is being made (justifiably) of the need to create and circulate books in which people from all backgrounds can find themselves. Of equal importance is that books depicting varied peoples, places, and points of view offer windows to a wider world for individuals whose world experience is narrow.
If this is in some way news to you, please learn more about the discussion and drive by checking into the WE NEED DIVERSE BOOKS website and resources, here. 

It's not as if excellent books serving these purposes haven't available in the past. The tragedy is that the percentage of such books is vanishingly small, and has remained so for far too long. You'll find documentation of those facts and the decades-long publishing patterns in children's literature in this post from the reliable CCBC, as shared in Horn Book recently. 

In this post I'd like to share and recommend two books, one older and one very recent, that allow ALL readers to explore the world and find themselves along their reading journeys.

Candlewick Pres, 2010

Jeannie Baker is the multi-talented author/illustrator of MIRROR, published in 2010. This still feels like a "new" book to me, but it made its way onto store and library shelves nearly eight years ago. That was long before the current movement for more diverse books was underway. 
Ms. Baker's award-winning art wins praise from many quarters for it's technical and interpretive skill. More importantly, it draws young eyes magically and won't let them go until they have scoured every square inch, commenting and comparing,  turning pages forward and back, again and again.
In this case, her power is magnified by an incredible book design.


MIRROR is meant to be laid open to allow it to reveal, front to back, the English/Western life of a family in a modern urban setting. At the same time it can be read, visually, from back to front, following Arabic literacy conventions. That half of the book depicts the  life of a Middle Eastern rug-weaving family, turn by turn, until they meet the Western family at the center fold and their lives intersect. It's an intriguing and simple-but-brilliant look at the interdependence of all lives, of the many ways in which human commonalities define us even more than differences.


Compare Mirror to a very recent release by author/illustrator Matt Lamothe, THIS IS HOW WE DO IT. Rather than explore only two families and cultures, Lamothe selects seven families from around the world to portray and label the intricacies of those similarities and differences through the course of a day-in-the-life. 
He doesn't attempt to weave a storyline throughout their lives. In fact, he chose to shift the positioning of each character/culture instead of locking each in the same orientation on the page. The labeling is still effective and offers an oppportunity for kids to  eagerly challenge themselves, turning back often to remind themselves of who is who and where they live. 

Chronicle Books Canada, 2017

Endpapers do a a great job of showing just how small our world really is. Back matter provides a simple but helpful glossary (in natural, kid-friendly language) to expand on specific terminology from various scenes and cultures. The author's note explains how he was inspired to create the book and describes the complex process he used to assure authenticity for this nonfiction treasure. It's worth a read in and of itself, and the final double spread using photographs of the seven actual families should lead many young readers to explore Lamothe's final notes.

I particularly appreciate these two titles for use in presenting a balanced view of kids and families in far-flung parts of the world. I've shared  some recent  titles here and here that focus on refugees and immigrants.Presenting objective and realistic stories that  share those harsh experiences is essential, but it's all too easy for young readers to develop a false concept: that all "others" are destitute or desperate or seeking to leave their homes. These two titles provide a healthy contradiction to that misperception. They show a variety of daily life patterns in which the children and families are comfortably settled in routines and relationships that feel familiar and safe. In fact, they make the prospect of traveling and meeting people around the world quite appealing. 
We could use more with that attitude at every age, in my opinion.