THE MOON EXPLORER'S GUIDE BOOK

 The explosion of news about potential MOON landings in the coming years will spark loads of works on the topic, and they'll undoubtedly range in target age from tots to adults. The attention is welcome for a topic as essential to all of our lives as Earth's MOON. 

But interest in that glowing orb is as ancient as life on this planet, from animals howling to adjusting migration and plant growth. Once humans arrived on scene, the MOON was a subject for countless storytelling and cultural developments. In other words, the MOON is a magnetic, irresistible topic for consideration.

SOURCEBOOKS eXplore. 2026

As such, a new picture book feels essential for homes, libraries, schools, and for anyone with an ounce of curiosity. THE MOON EXPLORER'S GUiDE BOOK, with words by Ben Lerwill and pictures by Patrick Corrigan, has much to offer for casual gazers to dedicated investigators. Launched with a "visitor's pass" to board a trip to the moon, a kid and their dog, safely encased in space suits, learn countless fun facts. Some are translated into kid-imaginable math:

The moon is more than 75 million stacked giraffes from the surface of the Earth!

Essentials, like how long has it been there and where it came from, are addressed in text and images. The MOON's puzzling changes in appearances, otherwise known as the phases of the moon, are considered effectively and clearly, while the names of seas (actually craters) are explained in dramatic illustration and powerful text. 

Although the moon landings were within my lifetime and are both undeniable and unforgettable, they appear as jaw-dropping history to young readers. Amusing details assure this is not AI or other contrived storytelling. For example, can you guess the number of bags of astronaut poop left behind? The correct response is provided in these pages. 

Young readers are encouraged to imagine themselves working on the science and engineering that will be involved in future trips to the MOON. Considering the potential span of young audiences for this book, they might well reach a point in the future in which they could travel there even if not in official capacities. From front to back, each spread offers inspiration and new discoveries, which are likely to lead to even more questions and further reading.

If you are reading this post as it goes live, I've timed it to release during the Autumn full moon period, otherwise known as the time of the HARVEST MOON. The moon will rise early, linger into the next morning, and appear even larger than usual. Good news is that this will appear to be so for several days, so that even if skies are overcast, anyone can likely find a time to step outside and just gaze. Gaze long. Gaze longingly. And wonder. 

     

ESCAPE: An Age-Old, HUMAN, Story

LANTANA, 2021

 Can you name twelve synonyms for, or words related to, ESCAPE? 

(Take a moment to try.)

 The authors of ESCAPE: One Day We Had To Run managed to do so, using those words to structure a dramatic nonfiction picture book on the topic. Ming & Wah wrote the text and Carmen Vela illustrated the dozen accounts of ESCAPE with a variety of colors and tones, with sweeping scenes and emotionally packed shadows and angles. 

The twelve words they used as a table of contents?

CLING...DART...DEFY...DISGUISE...FLEE...FLY...PEDAL...RAFT...SPRINT...

STOWAWAY...SWIM...TUNNEL

Each of these launches a double page spread devoted to a single escape account spanning three centuries. Refugee stories in Western culture alone are timeless, going back to Moses parting the sea and even back to Adam and Eve being ejected from the Garden. Escaping persecution, trauma, unlivable condition, war, and expulsion is a human conditions that has occurred as long as there have been humans. The authors share twelve dramatic, actual events that reveal a wide range of people, causes, times, and places. 

Each double spread treatment uses the featured word, followed by a line or two. That, and a page of explanatory narrative, sprawl across an illustration that exposes and expands the harrowing accounts described. The first example is 

CLING: Syria to Greece, 2015. 

                                DON'T LET GO. HOLD TIGHT. NEVER GIVE UP.

The last steps to safety for two girls traveling with family and more in an overloaded boat takes them from Turkey to Greece. To avoid swamping the boat, the girls CLING to the sides of the boat, propelling and guiding it to their destination despite extreme cold and being ignored by passing boats. I particularly appreciated how often the refugees were described in years following their escapes, revealing their successes and contributions the their receiving nations.

These 2015 escapes were current events and came back to me in reading them here, although other accounts were more distant memories or even unknown. For example, DISGUISE: Scotland to France, 1745, is the account of Bonnie Prince Charles who, having failed to secure the British crown, fled for his life to France. Yes, disguised as a hooded woman. The remainder of his life was spent in various disguises as he fled and hid throughout Europe. 

The illustrations capture the tone and settings of each true journey with minimal figures, perspectives, geographic elements, and varied tones and depths. Opening and ending spreads were particularly helpful. The book concludes with the brief text from the UNIVERSAL DECLARATiON OF HUMAN RIGHTS, Article 13 and 14. Freedom, emigration, and asylum in safe countries are broadly agreed upon rights of every human, and yet societies and power groups make such journeys futile, or tenuous at best. Immigration and asylum claims are treated as current or even recent problems when every one of us knows this is not true. 

This book helps to share the global and timeless experiences of such desperate escapes. The opening spread helps in that, offering a minimalist double spread global map. The expanse of water as our planet's dominant feature is evident, and map details are few, allowing readers to note the twelve migrations indicated across our shared geography. In addition, the suggestion of an eastern sun and western crescent moon emphasis the passing of time during these journeys, and a subtle suggestion of the northern and southern jet streams suggest the never-ending forces of tides and winds and weather. 

Overall, this collection of escape stories provides perspective on the truth about human escape and need for safe harbor. It will be invaluable in classrooms, homes, and libraries when shared with children, ranging from young to teen. It also offers adults a chance to step away from headlines and recognize the WHO and WHY of current refugees and of our own personal and social histories. After all, the PILGRIMS came as a persecuted group, seeking a new home.

It could happen to any of us again.

Compare and Contrast: Eiffel Tower and Statue of Liberty

 You can take the teacher out of the classroom but you can't change September habits after a lifetime of sharing books with kids. At this time of year, my love of books leaves me pining to have a classroom of kids on a carpet with a stack of picture books at hand.

So, indulge me, please. 

Two titles that are not new but deserve to be in the spotlight are about structures that actually ARE spotlit around the clock. Most who know anything about the Statue of Liberty are aware that its scaffolding structure/underpinnings are the design and execution of French designer/architect, Gustav Eiffel, the force behind the Eiffel Tower.

CHRONICLE BOOKS, 2017

In fact, his ground-breaking approach to massive constructions using materials and designs that could withstand shuddering earth forces preceded that tower. So did the Statue of Liberty. I wrote about HER RIGHT FOOT in a prior post, HERE. (If you haven't read it, I hope you will. It has great relevance to our current immigration issues.)

It was these prior successes that convinced Eiffel that he MUST be the designer to win a contest seeking a globally-impressive centerpiece for the 1889 World's Fair in Paris. He intended to create a structure taller than any other in the world, one that visitors could enter and from which they could view breathtaking scenes of Paris and its surrounding countryside.

PICTURE WINDOW BOOKS, 2016
CAPSTONE 

Of course, he did win that assignment. The challenges he faced to actually have the structure built, in tie for the fair's opening, are described in THE EIFFEL TOWER: Gustav Eiffel's Spectaluar Idea, written by Sharon Katz Cooper and illustrated by Janna Bock. 

This is a nonfiction picture book that blends a slice-of-life period for Eiffel, not a full biography. Its focus is on the building/structure that is a global icon, one that has made the name EIFFEL so recognizable. It includes surprises like  the fact that it was intended to be disassembled after the  fair, but its life was extended for twenty years to allow Eiffel to fund part of the construction and pay himself back by admissions during those after-fair years. 

The building is well over a century old now and shows no sign of disappearing.

I found this while browsing library shelves on architecture and instantly recognized how appealing this library/school intended book really is. In a recent post ai wrote about the ways in which graphic/comics offer appeal and eager participation among capable readers who resist reading. 

Sharing these  two nonfiction picture books will spark readers to compare and contrast, to look closely at text and images, to discuss tone and voice and author's purpose. Many of the deep thinking processes that developing readers need to practice are encouraged by authentic text and fascinating content. Further research and focus are easily accessed through an abundance of resources ranging from expository text to video clips. Analyzing reliability of information presented as fact is another invaluable practice. These two iconic topics open up endless opportunities to evaluate sources and content about known entities. 

Give them both a look, and maybe you'll want to share them with readers you know, too.

Twenty-Five Years Since 9-11.

 

Photo credit: National Archives Catalog ID 5997250

Significant events always seem to be just moments ago and yet forever-ago. That can be true for the death of a loved one, the birth of a child, a moment in history. 

And that moment in history, twenty-five years ago today, was the 9-11 terrorist attacks on the Twin Towers, the Pentagon, and over a Pennsylvania field. 

A quarter century ago. Two full "generations" of this nation (and the world, since this was an event that had a global effect) have no living memory of the day itself. Or of the weeks that followed, filled with confusion, desperation, hyper-patriotism, and actions that resonate through to today. 

Since that time, some outstanding books have been published that help younger folks develop deeper understanding of the events and their repercussions. I've written about several of them HERE, HERE, HERE, and an MG novel  HERE.

Check out the official memorial site information about the anniversary HERE.

Let's hear it for COMICS and GRAPHIX!

 As schools shift into high gear, teachers are actively evaluating the readers in their rooms. That's not only who CAN read what, but WHO each reader is, WHAT they like to read, and HOW they view themselves as readers. 

The above statement describes authentic assessment. Yes, there will be countless minutes and hours spent in formal testing and other arbitrary listings of "levels", but those are  far less significant or accurate than an experienced teacher will determine by observation, attention, and questioning. It is more important to identify where readers are going and ways to get there than to report if they are "behind" or "above" expectations. 

The above rant is brought to you by an educator who resisted excess standardized testing to the last minute of my classroom responsibilities. Finding the right book for every child, supporting each reader in their personal journey to literacy was a mission, and I'm still on it!

I've shared comments on comics and graphic stories in prior posts, with examples HERE, HERE, and HERE. These formats are variations on picture-books, although they are not shelved or marketed as traditional picture books. In fact, comics and graphic materials require a different subset of reading skills, but these involve and support all the skills and habits that an engaged reader needs to enjoy and succeed with  any material. (To read more thoughts on this, click the links I shared above). 

Macmillan, 2015

Someone who understood the powerful lure of comics was Charles Schultz, a creative talent who ranks among the very few universally beloved icons in a league with Dolly Parton. BORN TO DRAW COMICS: THE STORY OF CHARLES SCHULTZ and the Creation of PEANUTS is written by Ginger Wadsworth and illustrated by Craig Orback. In fact, Schultz began  doodling, drawing, imitating the "funny papers" that were part of his family life at his earliest age.

(Click on "Charles Schultz" above for a closer look at the details of his life with photo archives and more!)

This vibrant, comic-similar picture book opens with framed spreads and encircled text to hint at the media Charles embraced throughout his life. From his earliest moments, when he was dubbed with his lifelong nickname Sparky, readers will connect with the boy who laughed and drew from early on. His dog, SPIKE, a white and black beagle, gained Schultz his first publishing credit. Spike's ability to consume nearly anything and have no ill effects inspired Sparky to submit a drawing and text to RIPLEY'S BELIEVE IT OR NOT. It appeared in the newspaper nationwide!

This is a full birth-to-death biography of a famous figure, presented in a picture book with documentation and further details in back matter. It is a wonderful read, involving the depth and span of his life and influence. It's a celebration of  the effectiveness of picture book format to convey a long and complex life of influence while celebrating the power and validity of the comic format of literature. 

As such, this title is an effective read-aloud or read-share with kids of any age, but especially for older readers who have defined themselves (or been labeled) as "not a reader". Worse yet, as someone who CAN read but doesn't like reading. It not only invites them to see colorful and complex material presented in picture books and graphic forms as valid "reading" choices. It may help teachers and caregivers recognize that reading materials in these formats IS REALLY READING, not discouraging it as unimportant or childish. It also celebrates the child-Charles who recognized early in life what he loved doing, and he was encouraged to pursue it. Over time. Despite sad losses. While doing other work to get by. But never giving up. 

This is not a new release, but one that is as timeless as PEANUTS and Charles Schultz. 

GATHER GRATEFUL, a Graceful Approach to Fall and Gratitude

 Do you live where leaves fall at this time of year? Where the change of seasons is unmistakable  not only for its shifts in weather but also for the altered patterns of birds and other animals in habitats near by? If you do, this new picture book will resonate in your bones, in your heart, in your family. If you reside in one of those climates that sustains one season all year long, this is a valuable way to share the FALL/seasonal change that your young ones might not have experienced but will readily imagine as you read together.

GATHER GRATEFUL is written by Megan Litwin and illustrated by Alexandra Finkeldey. 

CANDLEWICK PRESS, 2025

Written in rhymed text, the limited lines on each page launch visual storytelling of the many signals and rhythms of fall.

Colors change, temperatures drop. It's time to GATHER. Sweeping double page illustrations in shades of orange/brown and blue contrast with a crisp white background. The tones and shadows of those browns and blues, occasionally accented with black, allow readers to note birds and bears, crusty trunks and flittering leaves, all while recognizing the changes necessary with Fall's arrival.

Nesting, migrating, harvesting and hibernating unfold as "gather" expands to include huddles and cuddles and visits and vistas. Even as the latter pages reveal the various joys of gathering of humans with friends and loved ones, shifts in perspective circle back to the outdoor critters whose seasonal changes have thickened their fur coats, feathered their burrows, and beckoned them to the glow of warmth from windows and campfires. 

This could be described as a lovely lyrical list of Fall activities, and that would be true. But it is written and illustrated so that each posture and frame, each tone and tender expression invites readers to FEEL the characters and their neighbors in nature. This could also be called a Thanksgiving book, but that word is never used. Instead the word GATHER is a celebration of community, of family, of flocks, and of friends. It is anchored to a season, but not to a particular day or time or culture or era. In fact, the universally recognizable joy conveyed is something to be grateful for all year long.

BACK TO SCHOOL with BATS!

 In case you missed all the seemingly surprised reactions on media sources today, SEPTEMBER has returned. With it comes BACK-TO -SCHOOL stories. My own classroom experiences were in states that insisted on waiting until AFTER Labor Day to resume, and states in which mid-August sounded just about right for plunking sweaty kids into seats. 

So, arbitrarily, I'm using SEPTEMBER First to offer a throwback repeat of one of my favorite books for little ones. I reviewed it five years ago and love it just as much today as I did then.

From the archives of prior posts:

BRI-I-I-I-N-NG!!! School Bells Ringing Soon

 There's no denying that "Back to School" will have an ientirely different ring to it than it did in September, 2020, or in the years prior, for that matter. Even so, there are some universal aspects to it that are undeniable, and that includes the need for some outstanding back-to-school picture books to share in the early days. That's because behind the many faces (no matter how many or how few, whether masked or not) sharing the experience of a new class, there will just that many different emotional and individual attitudes about the experience. The one thing each kiddo shares with the others is that their feelings are mixed. 

Recognizing this, I particularly appreciate back-to-school books that bring "all the feels" to the surface and allow us to experience them together. There are actually some great back-to-school read-aloud chapter books, but nothing beats the power of picture books in providing a complete, compact, and compelling moment of connection. I'll share two titles in this post, and tag on some come-along titles for each. 

Clarion Books, June, 2021

LITTLE BAT IN NIGHT SCHOOLstars a subtle but irresistible little regular among the many delightful bats in a series of "Bat" titles created by writer/illustrator BRIAN LIES. I've been a fan of LIES (rhymes with "cheese"), since I first encountered the picture book he illustrated by I. C. Springman, MORE. (That's your first bonus, and I hope you'll click to read my original review of that amazing book, but please read on about these school books first.)

Sorry, Little Bat, that I paused to make that connection. You've dealt with waiting for the spotlight through many books in the past, but you never lost that cheerful and curious personality of yours, or the  little yellow floaties that you sport in each appearance. And now you finally get to be the star of the story when you go to NIGHT SCHOOL! where else, when else, would a bat go to learn about the big wide world? And Little Bat was thoroughly prepared and pumped for this adventure, as the cover suggests. Even with Mama Bat at his side, the size and population of nocturnal animals in his new class casts a shadow across his brow. 

Mr.s C., the Raccoon teacher, extends a warm welcome, and Little Bat recognizes nighttime critters before he spots his target- other bats! In this parallel-to-kid-world, those bats are already friends and are not exactly welcoming to Little Bat. He turns to his cubby to unload supplies, where he meets little Ophelia Possum, who is also a tad timid, and is loaded with mistaken assumptions about bats. 

In page after detailed page, the two tentative friends ("I'll go if you will.") bolster each other through that first night of songs, art, math, snacks, and incredibly funny-punny scenes. In each, there is a steady tug of who is better at what, who is friends with whom, and how each lands in an assumed pecking order. Ophelia and Little Bat offer their thinking and energy to the rest in a building challenge and, as dawn approaches, they are weaving the ties that will make them into a class. When Mrs. C. closes the night with a read aloud that has them all begging for more, her reassurance that they'll all be back together the next night sounds like good news, agreeing that they'll all be coming back.

The magic of that transformation from individuals, friend packs, bold and timid kids into the foundation of yearlong family is undeniable, and Lies captures the process in these pages brilliantly. Just as undeniable is the magical quality of the art/illustration, encouraging close inspection of details, attention to all layers on each page with appreciation for the nuanced effects of "humanizing" the natural traits of each critter while generating smiles of recognition. Do not miss the fun of Little Bat's  "thumbs up" or the perfectly scaled school supplies and environment in relation to each animal. I could go on,  but I won't. 

Sad News About CYBILS AWARDS

This final week in August is when the ANNUAL CYBILS AWARDS usually posted that nominations were opening for all categories. I'm saddened to report that my long-time service with the literacy leaders and book-boosters at CYBILS has ended. That's because the dedicated  VOLUNTEER board and organizers had to make a heartbreaking choice to pull the plug on their annual award program. 

This began as, and continued as, a book-bloggers' award. Their mission to encourage only the best in all books for youth championed award-deserving titles in every genre and for every reader under twenty. 

I found CYBILS while reading posts about nominees, exploring their lists, and anxiously awaiting word of the finalists and winners in each category, even in types of books I rarely read. 

Then, I worked up my nerve and volunteered to serve on an award panel. I was accepted. Across the years I took part in reading and evaluating picture books, nonfiction works for all ages, poetry, and early books (board books, chapter books, and beginning readers). I even served as a committee chair. During those annual evaluations I worked with incredible individuals and those amazing folks behind the scenes who organized and sustained an extremely complex process. And they did so with patience, grace, and enthusiasm.

I'll be forever grateful for these experiences, for the exposure to so many outstanding books and their creators, and to the CYBILS group for originating and sustaining the program for so many years. For now, the website continues in operation and includes book lists from the past. I highly recommend this as a source for great titles for readers of any and every interest. 

Take a look here: https://www.cybils.com/

Thank you, CYBILS Board and longtime volunteers. You made a difference in so many lives.

Let's Hear It For the Birds... and Dinosaurs!

When was the last time you saw a dinosaur? Particularly a T-Rex? If you think  it was at a museum (fossils or reconstructions) or in animation or a book, you are probably not correct. That's my sideways introduction to the topic of the day. You probably HAVE seen a dinosaur in the last few days... if you've seen a bird! And that's surprising close to seeing T. Rex!

Several books about dinosaur-ancestor-links to modern birds have been hitting the shelves. Books for adults and young readers. I've been devouring many of those as research for a current nonfiction writing project. Books intended for adult and for youth audiences are equally revealing and remarkable. I generally use books from the library for such reading, since I lack both the funds and the floor space for the countless books I choose to read. But among the many gems on this topic, one was so impressive that I now own my own copy. 

WELBECK Children's Books. 2026
Hatchette Children's London

CHICKENS and OTHER DINOSAURS: How Dinosaurs Became the Birds We Know Today, is written by Ben Lerwill and illustrated by Sarah Edmonds. I wasn't aware of either of these creators and enjoyed exploring their websites. Lerwill is a nonfiction researcher and writer who says he writes "clear, readable pieces from in friendly, reliable text", and I agree! Edwards produces art with accuracy but also whimsical humor. Her site is grin-inducing.

Most of us, from preschool to elders, are familiar with the science evidence that linked birds to early evolutionary sources in dinosaurs. Many, if not most, of us, have concluded that the widely known flying dinosaurs, pterodactyls, were the likely great-great-great... originators of birds we see today.

This is where untrained "assumers" have been proven wrong by science investigators. Birds of today, from chickens to hummingbirds to ostriches, appear to be living remnants of the THERAPOD group of dinosaurs. Among those the most well-known is T. Rex, but they include those ancestors with three forward-facing toes, meat-eaters who ran very fast. Oldest fossil records begin about 230 million years ago, but fossil evidence of their smaller, faster, lighter therapod versions begins about 160 million years ago. So, when the author writes,

"When you are looking at a bird, you are looking at a living dinosaur,"

you must keep that time scale in mind. The generational changes that shaped monstrous T. Rex into the sparrow on your feeder are massive, and yet the changes were not simply a side branch on a family tree. That sparrow and all birds share a significantly similar DNA link directly to their theropod origins. 

This incredibly comprehensive and yet child-friendly book incorporates creative sidebar placements with informative illustrations, paleontology and social science evolution debates, along with a thoroughly accurate and exciting explanation of what makes a bird a bird: FEATHERS!

Not necessarily flight, since we know that not all birds fly. But flight certainly did aid in those evolving theropods who could travel to available food sources and habitats, to stay warm as the earth cooled, and to continue theropod survival into present day.

There's a terrific journey through dinosaur history (specifically theropods) including fossil evidence of varied feather-like formations, shifts to smaller, lighter skeletal frames, even evolving hollow bones and hardened beaks with residual teeth and varying arm and claw structures that became wings of one sort or another. Comparisons of fossil-inspired bird-like dinosaurs (none that are pterodactyls) to present day bird species are described in visual contrast and with bite-sized informational text that will stay with readers and bring them back to share facts with others. That's a good thing, because the contents are both detailed and enticing to explore, compare, and then observe in real life. This is a don't-miss nonfiction book for anyone who has ever seen a bird. That would be you, right?

Roaring Brook Press, 2026

While putting titles on hold, or ordering purchases, consider an informational fiction book to pair with the first. THE DINOSAUR AND THE BIRD: A TALE OF PREHISTORIC FRIENDSHIP is written by Richard Ho and illustrated by Jamie Green. Ho's website will reveal the many other appealing books he's written, and Green's website will lead you through an interactive discovery of her own making. This imagined tale about a dinosaur who is not welcomed by others of its species but finds company with a long-billed bird friend. In a modern-day fable of unlikely friendships (think of the lion and the mouse) these tentative, unlikely friends allow a wish to come true-- a wish for a friend. (And yes, some versions of modern birds lived at the same era as the dinosaurs we commonly recognize as such.) 

If this sounds like the end of the story, it would be fiction without the "informational" descriptor. The vibrant and abstractly-rendered backgrounds for each scene offer informational content as well as Disney-like appeal. Then, on a single page turn, the two friends witness a fireball falling from the sky. It is distant. Not an immediate threat. But in a compressed timeline, these two live through the ecological changes that darkened the earth, shifted a previously friendly climate, and reduced available food. 

The actual consequences over years are presented within a few pages about their lives, revealing the efforts and comforts of feathered, flying devotion. Attempts to support a starving, dying friend are tenderly conveyed. The ending suggests both the science underway and the fable at work, with hope and promise. 

Both books contain a wealth of material to think about and discuss, while taking entirely different approaches to their subject matter. Together, they should be in classrooms, libraries, and homes. especially in the hands of anyone of any age who never outgrows a love of dinosaurs, or birds!

BOOKS UP THE MOUNTAIN: A Packhorse Librarian Story

 Let's hear it for LIBRARIANS! (Pause for applause.)

For LIBRARIANS PAST AND PRESENT! (More applause, please.)

For LIBRARIANS matching readers to the materials they want, need, and love! (ROAR of applause!)

(Pause to recover.)

WAXWING BOOKS, 2025

BOOKS UP THE MOUNTAIN: A PACKHORSE LIBRARIAN STORY
is the lyrically told account of an unnamed librarian tagged Book Woman. But Book Woman does not work from a library building. Or a bus. Or even on a road. 

Talented author Caroline Starr Rose brings concise and compelling prose that contributes a lyrical tone to this history. Illustrations by Gabrielle Grimard are slightly stylized but offer the natural colors, familiar figures, and subtle finishes of a landscape from earlier times. The visual narrative reveals the joyful transactions as well as the challenging struggles of Book Woman and her clients. In this case Book Woman represents the many women who took on this important role, had a limited range of printed items to circulate, and adhered to their mission despite serious challenges. 

On sprawling spreads of soft-edged landscapes across changing seasons, Book Woman follows her route through valleys and hollows, around mountain trails and ridges, knocking at doors and windows. Children and adults alike know her schedule and watch for her, welcoming pamphlets, series books, recipes, and news from far beyond their view. Brief but beautiful lines read descriptively but as poetically as a psalm:

"A cluster of clouds crowds the skies.

Streams surge. Waters rise."

Combined with images of gusting willow limbs and a shift of emotion on her face, those lines let readers feel the tension of being isolated far from home, committed to her mission but aware of impending storms. Along the way Book Woman keeps company with the ill and aging, offers suggestions and readings for the young ones, and notates requests, observing needs. On weekends, Book Women gather to exchange inventory, repair books, stitch bindings, and discuss the needs of their mountain readers. They were hired during the depths of The Great Depression and crippling unemployment by the Works Progress Administration to infuse modest income into families in Appalachia while uplifting literacy and community.

This well-researched, lovingly written, and entertaining picture book is a treasure at any time. In our present world, librarians are under siege while information and entertainment access is a click away for kids of any age. This story from history offers an engaging invitation to recognize the value of literature and its delivery. It provides a step back in time with a nod to the dramatic change in circumstances, slowing down the absorption of the story and its impact through the power of poetic pacing and phrasing combined with lush expanses of nature's best views.

If you aren't familiar with other books by Caroline Starr Rose, do yourself a favor and check out her award-winning middle grade titles, verse novels, and picture books.

Some prior posts featuring picture books about extraordinary efforts of  librarians are available HERE, HERE, and HERE, with a link to a PBS documentary on the packhorse librarians HERE.

COMPARE AND CONTRAST: Eiffel Tower and Statue of Liberty

You can take the teacher out of the classroom but you can't change September habits after a lifetime of sharing books with kids. At this time of year, my love of books leaves me pining to have a classroom of kids on a carpet with a stack of picture books at hand.

So, indulge me, please. 

Two titles that are not new but deserve to be in the spotlight are about structures that actually ARE spotlit around the clock. Most who know anything about the Statue of Liberty are aware that its scaffolding structure/underpinnings are the design and execution of French designer/architect, Gustav Eiffel, the force behind the Eiffel Tower.

CHRONICLE BOOKS, 2017

In fact, his ground-breaking approach to massive constructions using materials and designs that could withstand shuddering earth forces preceded that tower. So did the Statue of Liberty. I wrote about HER RIGHT FOOT in a prior post, HERE. (If you haven't read it, I hope you will. It has great relevance to our current immigration issues.)

It was these prior successes that convinced Eiffel that he MUST be the designer to win a contest seeking a globally-impressive centerpiece for the 1889 World's Fair in Paris. He intended to create a structure taller than any other in the world, one that visitors could enter and from which they could view breathtaking scenes of Paris and its surrounding countryside.

PICTURE WINDOW BOOKS, 2016
CAPSTONE 

Of course, he did win that assignment. The challenges he faced to actually have the structure built, in tie for the fair's opening, are described in THE EIFFEL TOWER: Gustav Eiffel's Spectaluar Idea, written by Sharon Katz Cooper and illustrated by Janna Bock. 

This is a nonfiction picture book that blends a slice-of-life period for Eiffel, not a full biography. Its focus is on the building/structure that is a global icon, one that has made the name EIFFEL so recognizable. It includes surprises like  the fact that it was intended to be disassembled after the  fair, but its life was extended for twenty years to allow Eiffel to fund part of the construction and pay himself back by admissions during those after-fair years. 

The building is well over a century old now and shows no sign of disappearing.

I found this while browsing library shelves on architecture and instantly recognized how appealing this library/school intended book really is. In a recent post ai wrote about the ways in which graphic/comics offer appeal and eager participation among capable readers who resist reading. 

Sharing these  two nonfiction picture books will spark readers to compare and contrast, to look closely at text and images, to discuss tone and voice and author's purpose. Many of the deep thinking processes that developing readers need to practice are encouraged by authentic text and fascinating content. Further research and focus are easily accessed through an abundance of resources ranging from expository text to video clips. Analyzing reliability of information presented as fact is another invaluable practice. These two iconic topics open up endless opportunities to evaluate sources and content about known entities. 

Give them both a look, and maybe you'll want to share them with readers you know, too.

Time to Think Ahead to Winter- on Winter Solstice Hill

 No complaints, please, about the topic of this review. Ads for Halloween costumes have been showing up in social media reels, back-to-school sales are already fading, and stock-up-for Thanksgiving ads actually showed up this week. Weirdly early, all of the above. 

CHARLESBRIDGE. October, 2026

Yes, the date is correct... AUGUST!
But the book under discussion here is WINTER SOLSTICE HILL, written by Cathy Stefanec Ogren and illustrated by Rebecca Evans. Why now, you ask, when we have yet to reach Fall's equinox? I'll answer that important question at the end of the post.

First, check out this lovely cover. You can see, as I did, that the story has been portrayed visually by a very perceptive and talented illustrator. Rendered in natural tones with soft edges, the scenes throughout have a light-infused effect. Indoor spreads of  the worn-wood floors, hearth fire, and simple furnishings are softly glazed with a glow that offers a "comfort-food" impact. That's true despite the frosted windows and concerned expression on the face of Ella.

The text is fluent and perfectly matched to the welcoming and straightforward life portrayed. Art details include moving boxes to unpack, a baby sibling, and a joyful golden dog, none of which are mentioned in text. Such details flood the spread with multiple examples of both security and change. Readers quickly connect with Ella (tagged by Grandpa as Ella-Bella) on her quest. They will trudge to the top of the hill, Winter Solstice Hill, where Ella's great-grandparent settlers first stood on Winter Solstice to share a wish for the first time. Finally, Ella is old enough to take part in the tradition. 

Readers join the uphill traipse with Ella, Grandpa, dog, and toboggan to search for the perfect tree, then hope to view the first Solstice star at the summit. Ella is on a mission to make an important but unstated wish. 

The spreads immerse readers in the depth of family history and generational connection, supporting text clues that these generations will be sharing that family home on heritage land. Just as we join in the satisfaction of finding a perfect tree, the weather (and tone) shift, adding the tension of impending storms that will block a view of any stars. In fact, arrival at the summit will not be achieved on that solstice night. The resolve from that point forward allows readers to experience Ella's wide emotional range, and to share in the gratifying ending. Will the wish need to wait, or is another approach possible? 

Overall, this generational story allows the specificity of the characters to feel universal, offering the softening effects of a dusting of light snow. The mix of eagerness, anxiety, joy, enthusiasm, disappointment, and excitement invite discussion, as well as recognition that few feelings are singular. The illustrations contribute so much to an already appealing text, magnifying the well-told story and delightful characters.

Now, back to my opening promise to indicate why a book about Winter Solstice matters in August? This goes to the business side of publishing, in which books are in their final phases (preparing to print, ship, distribute, and sell) for several months before the actual release date. It has become a business model to offer presale of those books, which can even drive the number actually printed and sold. It's a measure of interest and appeal, allowing publishers to guard against overproduction. I'll fully admit that I buy fewer books these days, preferring to read library copies when possible. In this case I was provided a digital copy to preview because I wanted to read it and encourage followers here to consider preorders. This is a seasonal celebration of the ways we carry on traditions, share family stories, imagine ourselves in relation to others, and more. With the multi-cultural holidays that center around late December and relate their stories and celebrations to the Earth's shift from dark to light, this book serves as an axis for all those other books. The storytelling, tone, and resolution can be the foundation for endless family and broader holiday stories at that time of year. To assure that you can purchase enough copies for the many people you'll want to gift with this book and to encourage publishers to produce enough to meet demand, please give this one a close look and consider using the preorder option to support it. 

 

RIDE ALONG: Incredibly Fast and Not At All Fun!

 As summer winds down, those who adore roller coasters and theme parks should be getting their roll on while they can. To share that experience (and examine it more closely) a new picture book has released. INCREDIBLY FAST AND NOT AT ALL FUN is the imaginative and marvelous new title from author/illustrator Tadgh Bentley. 

ATHENEUM
BOOKS FOR YOUN G READERS, 2026

The premise of this story is a surprisingly imaginative origin story for the first roller coaster ever. Bear (a big-muzzled beekeeper bear with some serious STEM skills) sets out to solve a problem. The wooded valley between his hilltop home and his hive (located on the other side of the valley) is (over) populated with critters! Bear needs  a quick, undistracted transport system to get from here to there, so to speak. 

Opening AND closing end papers nearly waylaid my efforts to read Bear's determined account while I scrutinized the graphic-design/blueprint style details revealing Bear's intended solution. The design drawings incorporate local terrain, creating a need for rising/falling, twisting, twirling layouts, with practical (and laughable) units of measure in length, labeled "bears". Why not? We measure length in "feet". 

Bear called his device the "Honey Runner". Although steep, and perhaps intimidating, the potential for efficiency outweighed his concerns. And, it worked! But Bear's debut ride was observed by countless woodland eyes, and those critters were curious! They begged to ride along. 

The story unfolds with those eager thrill-seekers clamoring for more exciting rides.  Complicating issues arise. Bear's attempt to simplify his life with an efficient transport system becomes anything but efficient. As you probably imagine by now, more engineering is involved, but that only makes the "Honey Runner" that much more exciting. 

No worries.Clever Bear finds a way to satisfy his thrill-seeking forest neighbors while still pursuing his quiet life. But that last page turn will have readers howling and ready to right a next chapter in Bear's story. 

First, all praise for the main text, which crackles with crisp and comical situations and language. Bear's emotional journey, including frustration and exasperation, will take readers on a ride in itself. And the small details (and I do mean small, including in earliest spreads shown with miniature scene set-ups and signage) will have kids poring over each spread, each little critter's expression, and each transition's potential through repeated readings. 

Bentley is as talented at visuals as he is at storytelling. This oversized book allows for expansive and colorful spreads suggesting nature's sprawling invitation to Bear to make a way through. The forest colors glow with fall foliage, offering a vibrant background for small brown silhouettes, each with bright white eyes. Figures are expressive and soft-edged in contrast to construction elements and detailed plans. 

Those eyes, by the way, deserve their own commentary.

First, I'll admit that manga-like, big-eyed characters in picture books are not my first choice in conveying character or personality. This forest population, though, sports white-eyed, wide-eyed expressions in a variety of angles and attitudes that actually reveal their otherwise limited expressiveness rather than looking endlessly repetitive. The eyes make it clear within dense backgrounds that there are SO MANY of them, as bear seems to be thinking. Yet his heart is tugged to give ride after ride and eventually solve the situation he confronts in those  pleading, begging, eager eyes, always aimed exactly where they must be in order to achieve their intent and to direct readers' attention. 

The overall story is a delight. Creators are often told to find something original, that there are plenty of dog stories, cat stories, bear stories, etc. ... UNLESS you can find something truly original to do with those familiar stars of the show. And this book does exactly that!  It dares to pair a nature/woodland scene with a lovable bear and a lively community of neighbors with a ROLLERCOASTER! A ride with swooshing, gasping speed, with curves and turns and twists that lift off the page could cause shrieks from audiences. It invites reading aloud to giggling groups as well as close scrutiny by chuckling children. 

For sheer fun and entertainment, this can't be beat. If you add to that its potential connections to planning and revision, problem solving, community needs, transportation, SEL, predictions, and more, it earns its place in families, classrooms, libraries, and the hands of anyone, any age, who loves rollercoasters!

Bentley is also the creator of popular early chapter books and easy readers featuring DINO DETECTIVE, LITTLE PENGUIN, and more. Click on the website to take you to an opening page that reveals sketches and image drafts unfolding bit by bit, not unlike Bear's planning sketches on end papers. 

Meet FIRE CHIEF: The True and Lucky Life of a Turtle

 Stories can come from endless sources- cloud shapes, playing with pets, personal drama, or a fertile imagination. Nonfiction content, especially narrative nonfiction, begins somewhere and sometime long before anything goes to press. It might be sparked by an encounter with some surprising information. Or it can begin with an "I wonder" question, a casual observation, or with a keen interest and investigation of facts that somehow involves a path to a picture book.

CLARION BOOKS, 2025

Author Sy Montgomery's nonfiction books have long been favorites of mine, because they have captured the attention and curiosity of so many students of many ages. A picture book authored by Montgomery will always be on my to-read list. That's why I waited patiently on library hold to get a chance to read THE TRUE AND LUCKY LIFE OF A TURTLE, written by Sy Montgomery and illustrated by Matt Patterson. With the kind of luck and support FIRE CHIEF has had in his already long life, he could still be chugging along when everyone reading here is a grandparent, or even a great-grandparent.  He is currently estimated to be about sixty years old, still a young adult in turtle lifespans when all goes well.

Yes, that means that FIRE CHIEF's projected lifespan will be greater than any human's. That presents a challenge to tell his story in a way that spans his longevity while making his present and past feel immediate and important. But that challenge was met and exceeded by this creative team. (More about the author and illustrator below.)

The accuracy of illustrations, from birth through early development and throughout his story, allows curious readers to experience the vulnerability of a just-hatched turtle trying to follow instincts and survive. Author notes make it clear that the discussions of early egg/hatchling depictions are conjecture, based on knowledge of turtles and the geography in which Fire Chief lives.

Using these assumptions to suggest this turtle's early life allows readers to invest in and marvel at survival and its determination to reach a small pond. To do so, it crossed a dirt road near a fire station and makes its way to its next home. There it continued to face threats across years of slow growth and learning. Over the course of a human generations, the local community of firefighters and their families observed a sizable turtle sunning on a log. 

They dubbed him FIRE CHIEF.

They and their families enjoyed his company, including observations of his annual road-crossing return to a larger pond, better suited for winter hibernation in the deep mud. Across years of time the families and firefighters grew older, as Fire Chief did. As the community did. And as the road grew, was paved, as traffic increased, as the crossing became more dangerous. 

Okay- that's all I will say. 

Just remember the title- this is a turtle with a LUCKY life. 

And know that the two talented folks who created and share this TRUE story of a REAL turtle with the actual name FIRE CHIEF came to know about this turtle and its story directly. They are neighbors who both volunteer with a turtle-rescue organization that plays a role in Fire Chief's life (okay, spoiler). The author and illustrator collaborated on two earlier turtle books based on their many years of expertise and education on the topic of turtles. FIRE CHIEF's life and story launched this book, and the factual content is indisputable. Resources and credentials, including back notes, photos, and backstory provide entertainment and education on their own.

The magnificence of this book (and I chose that descriptor intentionally) is in the success of showcasing FIRE CHIEF as an individual, and as an individual with a specific life, a survivor of its species, as a lived and living example despite the many ways in which nature restricts their survival, and as human development/encroachment on habitat does. It also reveals practical ways in which human attention and intervention can contribute to survival, during crisis and also proactively/preventively. 

Through it all, FIRE CHIEF shines through not as a caricature or cartoon, nor as a mascot or pet. This creature has dignity and value. As such, he serves as a reminder to us to take closer looks at all living things, to avoid mindless damage or development. To seek balance and respect in our choices.

On a side note, I actively link to the authors and illustrators of each book featured in posts, hoping that readers here might check out more about them and their other works. In this case, do yourself a favor and click on the links to Montgomery and Patterson.Their websites are an education in a range of topics and will offer links to their other books as well. 

Because of a Bee: Nonfiction For Every Age

 The recent release of a new nonfiction picture book by Lola M. Schaefer, BECAUSE OF A BEE, is a genuine joy. I've reviewed several of Schaefer's  picture books in the past, including an interview with the author HERE. 

Chronicle Books, 2026

Illustrated by Franci Sanna, this simple but intense and vibrantly colored presentation is produced in user-friendly square size with sturdy and clever cut-off elements that contribute to a broader sense of how each element of this natural chain of life interacts and is interdependent on the others.

We are in the midst of deepest bee season, while pollen, nectar, and blossoms are in abundance. The seemingly simple text takes readers on a cause/effect journey from bee to berry to butterfly to ... celery? hummingbird?   aphids and avocados? 

Through oversized and intriguing images, even the youngest can search out the mysteries of these connections and more, with the added asset of an author note in back to further explain the various roles of pollinator, insect hosts, and food chains, closing with a full circle moment back to bees. The final double spread in the main story is a feast, a celebration of the remarkable foods we enjoy, all because of bees. The slightly abstract and overlaid images of foods encourage little eyes and hands to treat the pages as a search and find. Much of that attitude can carry over into everyday life after reading this treasure of a book, encouraging discussion of food sources and the conditions that combine to allow things to grow and reach our tables.

In 2016 Chronicle Books released Shcaefer's BECAUSE OF AN ACORN,

which used a similar text and cut-out pattern to explore the interconnected lives within a forest . This earlier topic was illustrated by Frann Preston-Gannon, portraying woodland scenes and life cycles in natural tones and with subtle realism. 

While reading Schaefer's release I came across a slightly older picture book called BEGIN WITH A BEE, co-authored by Liza Ketchum, Jacqueline Briggs Martin, and Phyllis Root, and illustrated by Claudia McGehee.

Stunning scratchboard illustrations combine accurate details with interpretative flow and grace, realistic colors, and subtle elements that invite close scrutiny. The text is structured to engage readers with simple questions:

"What's inside this hole in the ground?"

University of Minnesota Press, 2021

An image on the opposite page demands attention, even from the bird who eyes a dark and unexplained opening in the ground. A page turn reveals the answer, but not without close examination. The bee in question is sleeping in its tiny underground nest, because it is a queen, a rusty-patched bumble bee, waiting out the winter in sleep.

Throughout successive pages of close-ups and maze-like linked images, woodland animals and subterranean habitats, readers will learn about a particular kind of fuzzy, bulbous bee with a distinctive rust-colored midriff. 

This picture book also reveals and celebrates a chain of life and connection, indicating quite a different life pattern than many young readers learn about honeybees. The plants and animals involved, the stages of reproduction and restoration for another year, process of eggs becoming larvae, pupae,  and eventually adult bees follow the course of summer into early fall. 

With this book, as with those above, back matter provides accessible further details about the progression of life within the account, adding a page of ten things young people can do to help bees survive and thrive.  In all cases the well-researched and relevant information is presented in ways that can be enjoyed and explored across a wide range of ages. Tension and dramatic arcs lead to exciting page turns, attentive discoveries, and countless questions to pursue. 

If young readers you know are not as enthralled with story-reading as you'd like, nonfiction books like these can tell the story of the real world in ways that invite repeated readings and also encourage pursuit of further reading. What great books to hook new fans of books!