STILL LIFE: A Study in Quiet... and Artful Adventure

"Twas the night before Christmas and all; through the house, not a creature was stirring, not even a mouse."

Greenwillow Books, 2024

Wanna bet?
 

On this EVE of Christmas, Hannukah, and Kwanzaa, on these dark days of winter solstice, I seek "peace" and "stillness" in rare moments of calm and  deep reflection. STILL LIFE, written by Alex London and illustrated by Paul O. Zelinsky riffs on that theme and does so with insight and humor, for every age. Both are award-winning creators of works for young minds and eyes, and both have contributed those talents to this work of art, about works of art. And about LIFE, still or otherwise.

Big picture first, since the cover suggests an up-close perspective. It raises BIG questions, too. There is a painter involved, front and center, and a still life artwork.(For a full version of the intended masterpiece, check the back jacket cover.)

The front of the jacket cover indicates a potentially mischievous dragon who "enters the picture", breaking the frame, hinting at all sorts of imagined adventures that might ensue. In this case, dragon's "second point of view" emerges within the art. In real life, that "other" point of view is the audience. Once the artist declares "done", all control of the art is lost, and we make of it what we will. That interactivity of creation by the artist and creativity from the viewer takes on a special twist when the "other" emerges from within the painting. 

Much of the fascination for reader/viewers will lie in close examination of each page-turn variation within the painting as a distinctly alternative "not-at-all-still" story unfolds in contrasting cartoonish, bold-lined style involving characters we recognize from other picture book tales. You can guess, can't you? A princess, a dragon, mice, and more? The text, though, carries its weight by also setting up contrasting expectations:

"The candle does not flicker, glow, or drip.

There is a knife and a spoon, but no one to use them.

The coins in the purse will stay where they are."

That's an open invitation to examine these aspects closely, markers for pending change. When viewing actual still life art, I tend toward such details, wondering in what ways, for what reasons the artist assembled the objects to model for the work. What story did they have in mind about the people behind the places/times in which the display would have occurred? That state of inquiry is both deeply peaceful and imaginative. And it parallels the unfolding of this book. 

Not a spoiler, but some advice... 

Adults who share this with children might tend to examine the "still life" art most carefully, but lap-audiences and other young minds are going to quickly catch the unexpected shifts and appearances in the background of the easeled art. Somehow, mice, obviously stirring creatures,  appear and  make their way from outside the art to inside it, and thus the action/adventure is launched. 

I wondered about the magical creative thinking here: were the mice interacting with the actual modeled scene, with evidence of their actions somehow appearing within the art itself? But the actual illustrator, as always, provides subtle and delightful clues to that answer. Check the spreads for evidence that the "life" characters within the "still life" art are interacting on images painted on canvas. In fact, the adventure also breaks the frame of presumed expectations. It is the princess who runs to the rescue, and the note calling for help is not as simple as classical assumptions might suggest.

The surrealism and magical genre juxtapositions with classical images will have readers begging, "read it again!'. Perusing the overall visual complexity and detail, both evident and obscure, could occupy a quiet afternoon. Such examination will yield satisfying discoveries while, most likely, leaving many more specifics to find in the next encounter. Among those close-looks could be a side-by-side comparison of the before-and-after images using the back jacket and the final two spreads. 

I recommend this highly, as holiday gifts and throughout the year. Anyone who has ever enjoyed a "Where's Wally" title will dive into this with glee. Please urge them to read and savor the full story, first and foremost. More than that, fans of Zelinsky's other works will treasure the blend of elements of his classical mastery (Rapunzel, Rumplestiltskin), lively and complex cartoonish creations (Z Is For Moose), and his wry visual humor throughout, most especially when blending classical and comic styles, including speech bubbles (Awful Ogre's Awful Day). For more of my reflections on picture books by Zelinsky, type his name in the search box and sit back to enjoy!

BONUS INFO....

***Beneath the jacket cover, the hard case front and back (under the paper jacket) presents a visual tale of this lively and lovely book, one that reminds both artist and audience that art is in the eye and talent of the artist, but also the eye and imagination of the beholder. Finding a way "in" to the art we view allows access to creativity and imagination. It's an opportunity to treasure, as is this book.